Queers in Comics, Pt 3: Flipping the Code

Last time, we talked about the Bronze Age of Comics and the declining influence of the Comics Code Authority. I left you off in 1984 because according to comic book historians (that’s a thing) that was the end of the Bronze Age, and 1985 is the beginning of the Modern Age of Comics. The only real difference between 1984 and 1985 that I’m aware of though is that by the end of 1984, every major comic book publisher had introduced at least one gay character (kind of). I’m not saying that we’re the defining feature of the Modern Age of Comics, but I’m also not not saying that.

Eclipse continued not caring whatosoever about the Code, publishing a story called “Dance on a Razor’s Edge: A Ballet on the Death of Yukio Mishima” in Night Music #2, including an erotic dream by Mishima about Saint Sebastian (who is a Catholic saint the gay community has kind of co-opted.) The comic story also included Mishima’s seppuku, which he committed in 1970. The whole Night Music series was created by a still-closeted P. Craig Russell.

Underground comics were still light years ahead of mainstream comics — in 1986, the space opera series A Distant Soil revealed that D’mer and Reiken/Seren two of its leading characters, both men, were in a non-exclusive romantic relationship with each other which became a central part of the series. The series was written by Colleen Doran, and published — at the time — by WaRP Graphics, though it was reprinted (at least once entirely from scratch) a handful of times and is currently being re-released by Image Comics.

The first Meatmen cover — and also probably the safest for work

That same year, Last Gasp released Watch Out! Comix by Carl Vaughn Frick (sometimes just called “Vaughn” or “Vaughn Frick”), which was a satire about the gay community of San Francisco. Starblaze Graphics published the graphic novel Fortune’s Friends: Hell Week by Kay & Mike Reynolds, the lead character of which was gay. But, perhaps most importantly, 1986 was the year that Meatmen was launched by Leyland Publications — it was an anthology book of primarily erotic gay comics. It would run continuously until 2004, and during its run it is said that they featured “every gay male cartoonist of note who has worked since the 1970s.” This includes a lot of artists we’ve already talked a bit about — Tom of Finland, Howard Cruse, Joe Johnson, Donelan, Al Shapiro, Jeff Krell, Carl Vaughn Frick, and many many many many others. By the end of its run, there were 26 issues published.

Fortune’s Friends: Hell Week is where I’m getting all my pick-up lines from now on

But it wasn’t all good news — as queerness became more prevalent and more accepted in comics, the enemies of the LGBTQ+ decided to try to wield the medium as a weapon. And so Homosexuality: Legitimate, Alternate Deathstyle came to be published — a “non-fiction” book claiming to be “the facts” but in actuality a whole bunch of propaganda about how evil homosexuals were. You know, the usual. This was the first comic book published at actively speak out against the LGBTQ+ community and sadly, it wouldn’t be the last.

The series Watchmen, which has seen a great deal of success as a movie and now as a TV series, came out in 1986. It was still seeking Code approval, and so the only openly homosexual character was the minor character of Silhouette. There were implications (later confirmed by the creators) that the two minor characters Hooded Justice and Captain Metropolis were gay and in a relationship together. The character Rorschach, frequently assumed to be asexual, also referred to the character Ozymandias as “possibly homosexual.” Watchmen did its best to be as queer as possible, while still getting a CCA seal of approval.

While not strictly queer, Megaton Comics did make a bit of a splash in their comic Megaton #4. In the story, the hero Matt Scott — trying to get work as an actor after years in a coma, discovers tabloids are saying that he is dying of AIDS. These rumors, it turns out, are flying around because he had worked on a film with Rock Hudson right before his coma. This was possibly the first time AIDS was mentioned in a mass-produced comic book. In 1986. Yeah, even Ronald Reagan got to it first. So, it’s kind of a shame Megaton Comics would fold within the next year.

Ivan Velez Jr., working with the Hettrick-Martin Institute, began releasing the series Tales of the Closet in 1987, which was praised for its quality despite not being published by a LGBTQ+ youth outrach organization rather than a publishing company. It followed eight queer teens as they sort of…stumbled their way through high school, dealing with all of the things that make that period of life complicated and more complicated for an LGBTQ+ kid trying to find themselves. Unfortunately only eight issues were published and the story has never been completed (so far!) That same year, Blackthorne Publishing released Danse — which featured the first lesbian lead character in a mass-produced comic book….but it only had one issue.

Tales of the Closet talking about some real issues, like how lame school cafeterias are

Eclipse wasn’t making things less gay either, even going so far as to produce a three issue miniseries called Hotspur which includes a gay barbarian named Suu of Xoo — a clear parody of Conan the Barbarian, I think. I’m mostly mentioning this because I wanted to include the panel here (on the right). It makes me laugh. Was it groundbreaking or historically important? Not really. Especially not for Eclipse. Was it full of sarcasm and sass? You bet. At about the same time as that series began, First Comics published Jon Sable, Freelance #45, wherein the title characters accompanies his gay friend Gray Adler on a yacht to Cannes – it’s a complicate storyline, but it involves closeted gay actors and people dying of AIDS. The next year in Sable #1, Gray Adler convinced Sable to help a gay man dying of AIDS return to Iran before his death. They also made on the lead characters in their series Phaze a gay man named Artemus John who had a lengthy history of gay rights activism prior to the beginning of their story.

Gray Adler just casually saving Jon Sable by initiating a dance-off, as one does
Dramatic coughing is never a good thing in fiction

Meanwhile at Marvel Comics, the writing of Alpha Flight had been handed off to Bill Mantlo. Mantlo was also committed to Byrne’s idea of making Northstar gay, and so continued dropping those hints. In 1987, Northstar contracted a mysterious illness that — reportedly — was planned to be HIV (and they were going to kill off Northstar). The Code would not allow this, so the storyline was dropped and so then they ended up having Loki tell him that he was sick because of his magical biology, because instead of being a mutant….Northstar was actually an elf. That’s right, that made him a literal fairy. The hints about his sexuality were being dropped as subtly as cartoon pianos. (Within two years, they decided that Loki was lying, because that’s a thing he does, so Northstar is not an actual fairy anymore. Comic books can be so hard to keep up with.) Alpha Flight, around this time, also had a storyline about their character Sasquatch being killed and his soul being transferred to a woman’s body and….it sounds like an effort to recreate that Sir Tristan plotline, but like…more confusing, because Sasquatch still could transform into this like yeti-ish form….that was male. I don’t know. A for effort though. On the other hand though, Marvel also began dropping kind of heavy-handed hints that Mystique and Destiny were in a romantic thing together in Marvel Fanfare #40, which dropped in 1988.

And Mystique/Destiny subtext almost becomes actual text

1988 was maybe the first really big year for gays in comics. A lot happened — more than Marvel’s less than subtle hints. The big news of the year would mostly come from DC Comics, who introduced their first gay superhero Extraño (real name Gregorio de la Vega) in the issue Millienium #2. Extraño exemplified virtually every stereotype of gay men, which was an intentional effort by his creators to get the point across without using any language that would violate the Code. While it worked and Extraño’s introduction was CCA-approved, the LGBTQ+ community did not particularly love him. Neither did the Latinx community, of which he was also representative. It got worse, when his team battled a vampire called Hemo-Goblin, who infected people with HIV by scratching them. That storyline was also heavily criticized because that is not how HIV is spread and it definitely did not help the rampant stigma that made people not want to even shake hands with HIV-positive people. (I will say, I think Hemo-Goblin is a pretty clever name for a vampire supervillain though.) However, after Extraño and another of his teammates test positive for HIV after the battle, he admits he had actually contracted HIV well before their battle. How is never actually revealed, despite the fact that that particular story didn’t get Code approval anyways so they may as well have told us. (I think we’re all assuming the same thing though.) In the following issue of The New Guardians, the team attends a support group at an HIV clinic and runs into protestors outside. Honestly, it was handled pretty well minus the whole vampire part of it and the embarrassing stereotypes surrounding every part of Extraño’s character. Extraño appeared numerous times in 1988, then practically disappeared from comics altogether for quite some time.

But don’t worry! DC also introduced Maggie Sawyer in that year — a bad ass police officer who would become a staple of their superhero books (and television adaptions) in the following decades. Maggie was a very popular character, and in the March 1988 issue of Superman (vol 2) #15 — under the writing of John Byrne, whom you may recall was insistent on Northstar being gay — she became the first openly lesbian character in DC comics. That issue also introduced Maggie’s daughter, making her the first homosexual parent in a mainstream comic book. DC also redeemed themselves from that Extraño mess by having Dr. Fate defend a gay rights rally in The Spectre #11, and having the Green Arrow investigate anti-gay hate crimes in Green Arrow #5. As if that all wasn’t enough to make us forgive them, they also introduced us to minor gay characters (of course without using the word — they had to consider the Code!) in Ray Monde (in Hellblazer #3) and Tony Mantegna (in Action Comics #624). Tony, by the way, was also a deaf character which is a also much-needed bit of intersectional diversity.

While the comic book company Archie Comics wasn’t nearly ready to include actual queer characters, they did include a PSA in The New Archies #5 advising that the best weapon against AIDS is education, and reminded readers that AIDS could impact people from “all ages, in all walks of life.”

By this point, the presence of queer characters in comic books was undeniable, unavoidable and unstoppable. Andy Mangels wrote a two piece article called “Out of the Closet and Into the Comics” which appeared in Amazing Heroes #143 and #144 in 1988. (The title was also a play on “out of the bars and into the streets” — a rallying cry of the gay rights movement.) That same summer, he moderated the first Gays in Comics panel at San Diego Comic Con. The Gays in Comics panel has occurred every year since, though the name was eventually changed to “Out in Comics.” Yes, it even occurred last year as an online panel during the COVID-19 pandemic! Andy Mangels has moderated all but four of the panels in its history.

So, underground comics by 1988 are producing so much LGBTQ+ content that like…if I tried to give it all to you, this article would basically turn into just a really long list. (In fact, I’m sure I’ve already skipped over several.) So I’m just going to hit some highlights, but believe me there is plenty more. One key book was Strip AIDS USA which was an anthology published by Last Gasp with a lot of work by some of the biggest names in comics at the time — Garry Trudeau, Frank Miller, Will Eisner, for some examples — which was sold to raise money for the Shanti Project. Black Kiss was a twelve-issue series about a transgender prostitute named Dagmar and her lover Beverly breaking into the Vatican’s pornography vault, which (obviously) quickly became mired in controversy. Meanwhile Donna Barr began publishing The Desert Peach — a comic book series detailing the World War II adventures of Erwin “The Desert Fox” Rommel’s fictional gay brother Manfred Rommel. There were 32 issues published, and the series also spawned a novel and a musical. A collaborative effort by queer artists from the UK, the US, and Canada resulted in AARGH! (Artists Against Rampant Government Homophobia), which was released in the UK that year, in order to raise money to fight against the anti-gay legislation Clause 28.

The next year the comic strip The Mostly Unfabulous Social Life of Ethan Green by Eric Orner began to be published, which would run for 15 years. It was syndicated to a number of gay newspapers and magazines, and later a movie was made based on it. The graphic novel Homo Patrol was released, tackling issues surrounding AIDS and homophobia. Leyland continued adding to its library by releasing Castro Comics — a flip book featuring “Between the Sheets!” by Bruce Billings and “Under the Covers” by Kurt Erichsen. John Blackburn began self-publishing his gay erotic comic series Coley. Meanwhile, Eclipse Comics adapted two of Clive Barkers horror stories, “Human Remains” and “In the Hills, the Cities”, into comics for the first two issues of their new horror anthology series Tapping the Vein.

Robert Triptow put together Gay Comics, a history of well, everything you’ve read about here so far — the history of gays in comics. It featured a lot of reprinted comics. Shortly afterwards, Jericho Wilson and Mark Phillips founded the first gay amateur press association (or APA) which they called Northstar after, you know, Northstar. The first such organization, and while I don’t know what inspired that name I have a sneaking suspicion it might have been a certain superhero we’ve already discussed. A matter of months later, Andy Mangels and Roger Klorese founded the second gay APA which they called The APA That Dare Not Speak Its Name (after the infamous Oscar Wilde speech). The two APAs appear to have joined forces now, at least on Facebook.

With all of this attention, it was only a matter of time until the CCA had to respond. And they did, towards the end of 1989, by completely dropping all of their rules against LGBTQ+ content. Instead, they replaced them with a rule that required all social group — including homosexuals — to be portrayed in a positive light, and that derogatory references to sexual orientation could only be used for dramatic purposes. A complete 180 but a very welcome one! And things in the world of comics would change almost immediately.

Rebis is just not gonna fit in any box or any binary

Things changed in mainstream comics almost immediately. DC’s Doom Patrol combined their heroes Negative Man and Negative Woman, making them a non-binary intersex character called Rebis and the creators of Wonder Woman finally confirmed what we’d all known to be true (and that even Dr. Frederic Wertham had said), that there were lesbians among the Amazons of Paradise Island. Nobody was surprised but it’s good to know all the same.

With the only real institutional barriers against LGBTQ+ content lifted, creators were about to tap into a whole well of untold stories — and they were going to wholeheartedly embrace that…..which we will discuss next time!

Queers in Comics, Pt 2: The Bronze Age

So, last time we talked about the Golden Age of Comics and the subsequent Silver Age of Comics — the era ruled over by the Comics Code Authority. When the Code loosened up in 1971, the world of comic books entered a new era: the Bronze Age of Comics. (I don’t know who decided that all these periods needed to be named like this, but…it’s getting to be a bit much, isn’t it?) The Code was still not ready for LGBTQ+ people to appear in the pages of comic books…but the people making underground comics did not care. They were ready to go for it — and queer artists, emboldened by the growing gay rights movement — were ready to push the envelope even farther.

Basically the only panels of this that I can let my mom see

In October of 1971, artist Rand Holmes tackled the homophobia in the book Everything You Ever Wanted to Know About Sex* (*But Were Afraid to Ask) — which we will some day talk about in greater detail some day when I tackle the sordid history of conversion therapy — stating that it sets psychiatry back by 50 years, and going so far as to have the lead character of his “The Continuing Adventures of Harold Hedd” engage in explicit oral sex with another man before blatantly calling out the book’s author David Reuben M.D. by saying “you are rilly fucked up man.” I’m not sure if word ever got back to David Reuben but the whole thing was a pretty fantastic call out.

The following year, the feminist comic book Wimmens Comix began its run — being published initially by Last Gasp though it would change hands over the years. As if to exemplify how much they did not care about the status quo, the first issue included a story called “Sandy Comes Out” by Trina Robbins — featuring the first openly lesbian character in comics. Despite breaking new ground, the comic was not especially well received by the LGBTQ+ community — in part because Trina Robbins is a straight woman, but mainly because it simplified the complexities of coming out. And so in 1974, Mary Wings entered the world of underground comix by self-publishing the entirely lesbian-focused book Come Out Comix.

A page from Come Out Comix

1974 was also the year that Steve Glanzman’s story “Toro” was published — one of his U.S.S. Stevens stories that were printed in Our Fighting Forces by DC. Toro is a tragic story — and ostensibly a true on (as all of Glanzman’s war comics are believed to be), but there’s little question that the character it is about is not a straight man. Being published by a mainstream publisher, this was toeing the line of what the Code would allow. It managed to eke out a Code seal by never really going farther than referring to the character as a “fairy” in a way that might have implied that he was magic rather than gay.

Though 1975 was something of a quiet year — with the exception of a lesbian being introduced in the second issue of Further Fattening Adventures of Pudge, Girl Blimp by Lee Marrs, and the character Pudge getting almost arrested at a gay rights rally. Howver, 1976 was a banner year for gay comics. It kicked off in February with the first recurring openly gay character in mainstream comics — comic strips, that is — when Garry Trudeau introduced the character of Andy Lippincott to his daily strip Doonesbury.

Andy Lippincott comes out — and makes history
Headrack is the painter, of course

That same year Howard Cruse had the continuing character of Headrack come out in the second issue of Barefootz Funnies. Headrack, while not the central character, was the best friend of the central character and so was a continuous presence in the series. Which meant, officially, the first gay recurring character had appeared in comic strip and comic book format. Pretty important, but there was more ahead for 1976. Roberta Gregory — one of the contributors to Wimmen’s Comix — began self-publishing her own work, centered around lesbian characters, called Dynamite Damsels and Larry Fuller put together an anthology series featuring all gay male characters called Gay Heart Throbs. All of these, of course, were underground comic that did not need to meet the Code’s standards and intentionally did not. So, despite the fact that 1976 was a pretty impressive, groundbreaking year….most of the United States only knew about Andy Lippincott.

“It’s a Gay Life”

In 1977, Gerard Donelan (often just called “Donelan”) — a fan of Joe Johnson‘s cartoons — submitted work to The Advocate, disappointed that they weren’t continuing to run Johnson’s work. After they ran his first cartoon, they hired him to create a regular strip called “It’s a Gay Life” — which would run for 15 years. This, perhaps, was the inspiration Rupert Kinnard needed to begin creating “Cathartic Comics” for Cornell College’s student newspaper, which featured the Brown Bomber and Diva Touché Flambé — the first gay and lesbian (respectively) black characters in comics. This is often overlooked, because there’s no actual crime fighting or supervillains in the strips, but Brown Bomber is also the first gay superhero — he transforms into his superheroic identity through the power of magic hiccups. Of course.

The 200th strip of Cathartic Comics. This honestly could have been published yesterday.

The following year, a book of gay cartoons from the magazine Christopher Street was released. It was advertised as “The World’s First Gay Cartoon Book!” which, as we’ve seen, was not strictly speaking true. But I’m including it in this article primarily because the title of the book makes me laugh every time I see it: And God Bless Uncle Harry and His Roommate Jack Who We’re Not Supposed to Talk About. Other gay magazines, such as In Touch For Men would also soon release their own cartoon collections in 1978. But without the funny titles.

Meanwhile, still in 1978, DC was working hard to counteract various rumors about some of their characters being gay. To that end, they introduced a woman named Shvaughn Erin — an officer of the Science Police, very capable woman — to be the love interest of Element Lad who had been continuously subjected to rumors of being gay since his creation. Despite this, the rumors persisted. It’s like the people at DC had never heard of a beard before.

Element Lad and Shvaughn Erin in a desperate attempt to seem heterosexual

Anyways, with queer cartoonists taking the lead in telling queer stories with underground comix, Denis Kitchen decided his publishing company, Kitchen Sink Press, could help get those stories out there even more. In 1979, he asked Howard Cruse to help him put together Gay Comix — an anthology series exclusively featuring LGBTQ+ stories by openly LGBTQ+ artists. Gay Comix would run for 26 issues, ending its run in 1998. It would go on to feature Jerry Mills‘ series “Poppers,” and so many others I could probably write a whole article just on it.

By 1980, the Code itself had lost much of its sway. Major publishers were starting to get books sold at comic book stores without with the CCA seal, simply by marketing them as “for mature audiences”, and the CCA was putting its stamp on books that would never have been allowed before. Eclipse Comics published the graphic novel Detectives Inc.: A Remembrance of Threatening Green (by Don McGregor), which featured lesbian characters and Stewart the Rat (by Steve Gerber) which also featured a little bit of queer content. It is a deeply offensive story (especially if its your first time having gay men in a story) called “A Personal Hell” from Hulk! #23, written by Jim Shooter. Again, deeply offensive, so we’re going to breeze on past it. I wish we could pretend it never happened but….we’re not done with Jim Shooter yet.

A panel from Detective Inc: A Remembrance of Threatening Green

Kitchen Sink Press and Eclipse Comics both, apparently, discovered they could make money from unabashedly presenting queer characters. In 1981, Kitchen Sink Press introduced a recurring strip called “Omaha, the Cat Dancer” in its anthology series Bizarre Sex. Several characters engaged in homosexual activities throughout the course of the strip, but it kicked off with the openly bisexual character Shelley Hine in that very first strip.

Also in 1982, Marvel comics tried the whole “gay characters” thing again, with much more success. They introduced the character Arnie Roth, who had been friends with Steve Rogers before he became a superhero, defending him from neighborhood bullies. Arnie ran into Captain America, revealing that he had long ago guessed Cap’s secret identity. Captain America and Arnie set off on an adventure to rescue Arnie’s “roommate” Michael Bech. When they success and Arnie and Michael are reunited, Captain America figures out pretty quickly that they’re actually a couple. It’s a sweet little story, and gives Arnie Roth the distinction of being Marvel’s first gay character. And, because he’s a minor character and he’s not shown kissing, and because Michael is consistently called his “roommate”…he also has the distinction of being the first gay character to have his story told with a CCA seal of approval. (Marvel made a recent announcement regarding Captain America while I was researching this…which I found particularly interesting because of this…but that’s for the end of this series. If I talked about it while it was news, it wouldn’t be history, right?)

Not the point here, but Tristan and Isolde are total style icons as well.

DC began publishing stories without the CCA seal — marketing them as being for “mature readers.” These included Camelot 3000, in which the Knights of the Round Table are reincarnated in the year 3000 AD. The knight Sir Tristan, when his memories awaken, finds he has been reincarnated in the body of a woman named Amber. Tristan gets more upset when he discovers Isolde, his great love, has also been reincarnated…also as a woman. Isolde helps Tristan come to terms with the situation and the two become lovers again. Despite the fact that Tristan has kind of medieval attitudes about sex, gender, and sexuality (which is kind of understandable since Tristan is from that time period) it’s actually like pretty good transgender representation. A gigantic leap forward since the last major transgender representation in comics was decades earlier and was….oh right….a bored guy on Mars.

Also in 1982, something new and important happened very quietly in the underground comix scene. Gay Comix #3 incuded a story entitled “I’m Me!” by David Kottler appeared, his only credited work in comics of any kind, at least under that name (as far as I’ve found). The story is a brief one about his transition. David seems to have been the first openly transgender comic creator and the first to tell a story about an actually transgender person (not some wacky sci-fi/fantasy genderbending hijinks) in that format.

Not to be outdone, in December of that year, Eclipse Comics series SABRE by Don McGregor introduced two gay characters, named Deuces Wild and Summer Ice, who were presented as lovers basically as soon as they appeared. A year later, the same series featured the first gay kiss in mass-produced comics — by the same characters, unsurprisingly. Underground comix had, of course, had plenty of gay kisses by this point, but those were not mass produced by any definition. Eclipse Comics was operating somewhere between underground and mainstream — they were able to mass produce comics but, obviously, did not care at all about the Code. Their books would sell anyways.

1983 was also the year that Alison Bechdel began publishing her comic strip series “Dykes to Watch Out For” in the magazine Womannews. If Bechdel’s name sounds familiar, that’s either because you already know her work, you love the Broadway musical Fun Home, or because of the Bechdel Test is widely used to sort of gauge the quality of female representation in pieces of media. The test — if you haven’t heard of it — is basically, are there two named female characters who speak about something other than a man. That test is named after her, despite her crediting her friend Liz Wallace for the idea, because it was first described in — you probably guessed this already — the strip “Dykes to Watch Out For.” (But not until 1985, at which point Bechdel was self-syndicating the strip.) The strip would run continuously until 2008, at which point Bechdel decided to retire it, except for occasional special ones like the “Postcards from the Edge” story she published in 2017 for the “Ides of Trump” campaign.

Bechdel was not the only queer artist putting out new, gay work in 1983, however. In the UK, David Shenton published his first graphic novel, Stanley and the Mask of Mystery. Howard Cruse, though still producing Gay Comix began publishing a strip called “Wendel” in issues of The Advocate, and the series “Jayson” by Jeff Krell began appearing in Philadelphia Gay News (it would later be published in Gay Comix and Meatmen as well.)

Also in 1983, was the first issue of Alpha Flight — a Marvel comic book series about a Canadian superhero team. They’d been introduced as enemies of the X-Men back in 1979, but now they were getting their own series. And one of their founding members was Northstar. Now, one of the problems with taking bad guys from a single comic book issue four years prior and making them stars of their own book series was….you had to make up backstories for them. Creator John Byrne was convinced that Northstar was a closeted Olympic athlete — and also secretly a superhero, and was determined to tell that story. Now, the Code and also executives at Marvel — primarily editor-in-chief Jim Shooter (I told you we weren’t done with him) — prevented him from telling it as plainly as he’d have liked. It’s been said that Shooter was determined to have “no gays in Marvel Comics.” The comics were full of hints about how Jean-Paul Beaubier (that’s Northstar’s secret identity) was too busy with Olympic training to be interested in girls, how he would ignore his throngs of female fans, etc. Like, it wasn’t spelled out but it was hard to miss. But outside of the pages of the comic, Byrne would tell pretty much anyone that Northstar was gay. As a result, Northstar is pretty widely considered to be the first gay superhero from a mainstream comic book publisher (despite not actually be out in the comic book).

But one thing Marvel did manage to do in this year without any subtlety or concern about the Code was to use the word “gay” — meaning homosexual — for the first time in a mainstream comic book. It’s a subtle little thing — a bit of dialogue I’m sure many straight women will have lived through themselves. It appears in Fantastic Four #251, when the characters of Julie D’Angelo and Sharon Selleck are discussing their new friend Grey Landers (whom Julie is all about) right before Johnny Storm — the Human Torch — comes over to ask her out. They’re setting up a whole love……some sort of geographic shape….but, alas, a purely heterosexual one.

The next year, in Vigilante #5 DC introduced the freelance mercenaries Henry Cannon and Marschall Saber (or simple, Cannon and Saber). Although their being a gay couple was presented as like a minor detail that didn’t matter, probably to sneak it by the Code, really the whole plotline wouldn’t work if they were not. Despite the subtlety, they didn’t get this approved by the Code. The story is, basically, that a D.A. has arranged for them to go into witness protection together if they kill each other’s bosses. They do so, but before they can be entered into Witness Protection, they get attacked in their home by the Vigilante. In the ensuing fight, Cannon and Saber were actually winning until the fight was interrupted by the Electrocutioner. The story managed to get a CCA seal, primarily because the gay characters were villains but their relationship is actually pretty wholesome — they work as a team, they protect each other over anything else, and they support each other’s goals. There are good guy gay couples in the media now that don’t have relationships this healthy.

Marvel, meanwhile, revealed that their character Cloud was transgender…..uhm….kind of. You see, they introduced a plotline wherein Cloud was falling in love with Moondragon, one of her female teammates on the Defenders…..so she began shapeshifting into a man. This story did not get approved by the Code, but still managed to get sold in stores. Some stores, anyways. It would later turn out that Cloud was actually a nebula from space that had taken on human form, lost their memories, and become a superhero. The Marvel Database officially lists Cloud as “genderfluid” and, in this sense, that’s pretty literal. Still don’t think this storyline was quite up to par with the one in Camelot 3000 but that’s not up to me, is it?

There was a bit of a minor shakeup in the comic book world, as two new publishing companies were trying to make room for themselves in the industry. One of them was Megaton Comics — who we’ll follow up with later — and the other was First Comics. Among the various hurdles First Comics was dealing with was their own unwillingness to abide by the rules of the Code. For example, in Sable (vol 1) #15, the lead character Jon Sable assured Grey Adler, his love interest’s best friend, that he didn’t judge homosexuals. Grey would become a major recurring character, leading Sable into various adventures pertaining to issues facing the gay community.

Though Marvel and DC were just beginning to put their toes into the big LGBTQ+ representation pool, the underground comics scene was really getting the hang of it. 1984 was the year that Tim Barela debuted his strip “Leonard & Larry” in Gay Comix. The strip would later also be published in The Advocate and Frontiers — and it would run in Frontiers until 2002! The strip featured a wide variety of characters, all falling under the LGBTQ+ umbrella, and was praised for its depiction of queer families and for the fact that the characters in it aged realistically over the years.

By the end of 1984, there had been at least one queer character introduced in virtually every area of comics — there was still a long, long, long way to go between where we were then and where we are now (and where we still need to go!). And we’ll go over more of that journey in the exciting next episode!

Queers in Comics: The Code

I don’t know about the rest of you, but I have spent a whole lot of time this past year of lockdown enjoying some nice escapism in fictional worlds with fictional people. A lot of what I’ve delved into has been comic book shows — catching up on those Arrowverse shows on the CW, and — of course — watching Wandavision. And while those universes aren’t real and the people in them aren’t real, the representation of queer people in those universes is very real. So I’ve decided to do a series on the history of queer representation in the media — starting with comics. (As a disclaimer, comic books exist all over the world, and they all have histories as they relate to our community. For the purposes of this post, at least, I’m focusing on the United States.)

So, when comic books really began to be a thing in the United States, they were just collections of strips that had been run in newspapers. As a result, pretty much all comic books were kind of mainstream — and that meant any queerness was only going to be implied. The exception to that was the Tijuana bibles which were small, illegal books which depicted major comic characters (we’re talking Donald Duck, Betty Boop, Dick Tracy, Popeye, etc) in explicit sexual situations of every kind — including homosexual ones. These started appearing in the early 1930’s — incorrectly believed to be smuggled in from Mexico (hence the name). While these were the not hiding any homosexual activity in them, the characters weren’t actually queer characters — they weren’t even characters belonging to the people who made these books. It was basically just erotic fanart.

Meanwhile, the Golden Age of Comics was taking off for the mainstream comic world. And although it was sometimes tough to see, a handful of actual queer characters were hiding in plain sight — like we’ve done everywhere else throughout history, right? One particular strip, Terry and the Pirates by Milton Caniff, featured a cross-dressing villainous French woman named Sanjak — who was pretty heavily implied to interested in the protagonist’s girlfriend April. Though the strip began running in 1934, Sanjak didn’t show up until the strip published on February 12, 1939. She’s widely considered the first lesbian in comics even though it was never blatantly stated.

While transgender representation was utterly nonexistent, comics discovered that they loved to tell stories about crossdressing or genderswapping, genderbending, etc. In 1940, the crimefighting Madam Fatal was introduced in Crack Comics #1 — her alter ego was a man named Richard Stranton. This appears to be the first time comics did something like this, but they sure jumped on the bandwagon. Months later, an ongoing supporting cast member from All-American Comics and the comedy series Scribbly — Mrs. Abigail Mathilda “Ma” Hunkel began cross-dressing as the parody superhero Red Tornado. (Later, more serious, incarnations of Red Tornado would go on to be quite successful — Ma Hunkel’s incarnation is mostly forgotten despite possibly being the first female superhero.) That same year, Superman’s enemy the Ultra-Humanite — typical mad scientist type — had his brain transplanted into a woman’s body. A movie star, actually, so that worked out really well for him. (And then his brain was transplanted into an albino gorilla, of course.) It wouldn’t be comic books if there wasn’t something ridiculous like that happening, right? Even Wonder Woman had her own gender-reveal plot twist in 1946 when her enemy Blue Snowman turned out to be a woman. They really learned to love this trope but still managed to have no transgender characters.

The closest that comics actually got to an actual transgender character was in Space Adventures #3, published by Charlton Comics in 1953. This issue included a story called “Transformation,” said to be inspired by Christine Jorgensen, in which a Dr. Lars Kranston and his girlfriend/assistant Betty crash on the planet Mars. They’re separated, and each thinks they are the only survivor. Dr. Lars, thinking he’s going to go insane without something to occupy his time, goes digging through the wreckage of the ship and discovers and experimental gender reassignment process. Which he undergoes to irreversibly become a woman…because — and I cannot stress enough that this is the actual reason in the story — because he needs something to do with his time or he will lose his mind from boredom. Let me repeat that: Dr. Lars Kranston transitions to life as a woman to avoid being bored. Meanwhile, Betty fights her way through the hostile terrain of this inhospitable desert planet to get back to the ship only to discover that her lover became a woman instead of looking for her. Someone thought this was a good story to tell. Someone thought this was how people we would want to read about would behave. Someone thought this story wouldn’t make me shout obscenities at my computer screen while I was researching this post. Someone was deeply mistaken. I’m still shouting.

Anyways, there’s no need to worry about comics latching onto this “become a woman so you won’t be bored” thing — there was no time. See, while all of this was going down, a man/possible real life supervillain named Dr. Frederic Wertham was campaigning against the comic book industry. He had a whole bunch of, ahem, “research” to prove that they were corrupting the young people of the country, that they were leading to the moral degradation of the United States of America, that Batman and Robin were homosexual lovers, Wonder Woman was a lesbian (though to be fair, early Wonder Woman books had a lot of bondage imagery between women), and — most importantly — that the comic book industry were such fascists that they made Adolf Hitler look like an amateur. I know that’s offensive, and I wish I was exaggerating but he actually said that. And, honestly, I think it’s important that we all know he was that outlandish and that people still believed him. A lot of people. People actually believed that Captain America — Nazi-punching Captain America — was a tool for fascist propaganda. And Dr. Wertham put this all in a book called Seduction of the Innocent which came out in 1954. (As a side note, in 2013 Professor Carol Tilley went through Wertham’s research and found that almost none of it was up to scientific standards and a whole bunch of it was straight up falsified. Utterly unsurprising, if you ask me. But no one knew that yet.) He was promptly called before the Senate Subcommittee on Juvenile Delinquency who he managed to convince of his findings. They said, basically, that the comic book industry could regulate themselves to get their “morality” on track… or the government would step in and do it for them.

And so the major comic book publishers banded together and created the Comic Code Authority (CCA) — or, as it was more often called: The Code. Now, the Code was not some authoritative set of rules that publishers were obligated to follow — but comic book stores would not sell books that did not bear the CCA stamp of approval. And this is an era before the Internet — you couldn’t download a book from the publisher’s web site. You had to go somewhere to get it. So even though the Code didn’t have any real legal authority of any kind, it was absolutely in the best interests of publishers to adhere to it if they wanted to make money.

That was easier said than done, of course. The Code was SO over the top — like SO SO SO over the top. First and foremost, virtually anything sexual was out. Anything outside of the strict gender binary was out. No more cross-dressing Red Tornado (although Jimmy Olsen was allowed in drag on a couple of occasions in the 60’s, but I don’t know the details of how that was permissible.) No more lesbian pirates. But also, no more sympathetic villains — this is why the “moustache-twirling evil villains” became such a thing in comic books — and no villains that were sexy or glamorized being a criminal. So, that meant….bye bye Catwoman! (They may have had a point there — I mean, have you ever seen a Catwoman you didn’t want to be?) There could be no swears or bad language and words like “flick” (where the ink from the “L” and the “I” might run together to make it look like a “U” to accidentally create a naughty word) were also completely forbidden. Love interests for heroes had to be wholesome, of the opposite sex, and model citizens. Romances were meant to “emphasize the value of home and the sanctity of marriage.” And there were so so so so so so many more rules, even stating what could and could not appear in titles — and they also had a rule stating that anything they found was not in the spirit of the Code could be prohibited at their discretion. Here is a good list of the entire Code if you’re interested.

And thus ended the Golden Age of Comics.

Ace the Bat-Hound….in the mask that protects his secret identity…..of Ace…the dog…

Mainstream publishers like DC Comics were working hard to undo the damage Wertham had caused, and so characters were axed and new ones were created. While getting rid of Catwoman certainly helped with some things, she was the female love interest for Batman….who was already being accused of being too gay. First, they gave him a dog to make him more family friendly — Ace the Bat-Hound. It wasn’t enough to curb the rumors. And so, a year later, in 1956, Kathy Kane came on the scene — acting as his sidekick and love interest Batwoman! Her neice Betty Kane became the first Batgirl and a love interest for Robin. And so they became the official Bat Family. (A term still used for Batman and his cohorts — who I promise we’ll get back to later on!) This didn’t stop speculation — particularly about new characters. The character Element Lad, created in 1963, spent decades having fans interpret him as gay despite the best efforts of his creators. We’ll talk more about him later on too.

The point I’m trying to get to here, really, is that the Code wasn’t just bad for queer representation is was bad for comic books in general. But, yeah, it was also really bad for queer representation….unless you weren’t particularly concerned about profit. The Code also created an entire underground or alternative comic book industry — known colloquially as “underground comix.” Small independent publishers, or independent people just publishing their own work and passing it around or selling them in stores that weren’t actually comic book retailers — like smoke shops. These comics often explored complex social issues and political issues. But sometimes they were just erotic or trying to thumb their nose at Code itself. Queer artists like Tom of Finland and Bill Ward were relegated to drawing pictures for bodybuilding magazines like Physique Pictorial — a good way to show off homoerotic art, but not a great venue to tell a story in. Queer artist Joe Brainard self published two anthology books entitled C Comics — the first in 1964 and the second the following year — but neither featured any overtly queer characters or content. I’m inclined to think, because of this, that even in underground comics it was believed that LGBTQ+ content simply wouldn’t have an audience.

As a result, comics were pretty much devoid of queer content until 1964 with the introduction of Harry Chess, created by Allen J. Shapiro. Harry was introduced in a one-shot comic appearing in Drum, a magazine for gay men. For months later, Shapiro began publishing a strip in each issue of Drum entitled “Harry Chess: That Man From A.U.N.T.I.E.” The comic strip was spoof of the popular The Man from U.N.C.L.E. series, but also parodied political issues of the time and dealt with serious issues facing the gay community. These strips only lasted until 1966. While Drum was running those strips, The Advocate attempted to get some strips of their own running — their first effort was with Joe Johnson penning strips about his characters Miss Thing and Big Dick.

A Miss Thing & Big Dick comic

The success of these characters seemed to make it a little bit more acceptable to start having homosexual content in comics. In 1968, Zap Comix #3 included a story by Steve Clay Wilson called — and I swear I’m not making this up — “Captain Pissgums and His Pervert Pirates” which included explicit homosexual sex scenes in an effort to make underground comic artists deal with more culturally taboo topics — which, after all, was the entire purpose behind underground comics! Ultimately, it wasn’t Captain Pissigums that spurred underground artists into creating gay content but it was about to happen.

It was actually the Code itself. By 1971, the Stonewall riots had come and gone and virtually every area of LGBTQ+ culture had changed as a direct result — we were inspired to start standing up for ourselves, being loud, taking up space. But not in comics, not yet. Due primarily to mainstream publisher’s pushing the envelope in the late 60’s, the Code was revised in 1971. Some of the restrictions were loosened up, a few were done away with entirely. This spelled the beginning of the end for the Code — and the actual beginning for queer comic books.

Stay tuned for the explosive next chapter!

Felix Yusupov

Imagine, for a moment, if you will, that you’re watching the (fantastic) animated film Anastasia, right? And at the end of the movie, the credits roll, and then you see the disclaimer that tells you that it was fictional and none of the characters were intended to be like real people. You probably roll your eyes and chuckle a little — obviously Rasputin didn’t have a talking bat sidekick, right? But what you probably didn’t know is that that disclaimer is actually kind of a piece of queer history at play, and that it’s partially due to Rasputin that it’s there at all. But mostly it’s because of Prince Felix Felixovich Yusupov, Count Sumarokov-Elston.

Felix was born on March 23, 1887 in the Moika Palace in Saint Petersburg, Russia. His mother Zinaida Yusupova was last of the incredibly wealthy Yusupov family, and his father was Count Felix Felixovich Sumarokov-Elston. The Yusupovs had more money than the Romanovs who, y’know, ran all of Russia. They had four palaces in Saint Petersburg along, three palaces in Moscow and 37 estates elsewhere in Russia. Not just old money sitting around gathering dust either — they were raking it in with coal mines, iron mines, oil fields….all kinds of industries that were booming at the time. So, the point I’m trying to drive home here is….he was born into money. He just had to inherit it.

Standing in the way of that inheritance was his older brother Nicholas Felixovich Yusupov. Nicholas was a lady’s man and a womanizer, but someone Felix looked up to as a child — but was also deeply jealous of him. According to Felix’s memoirs Lost Splendour, Felix lost his virginity while abroad with his family in Contrexeville, France in a chance encounter with an Argentinian man, who’s name never came up, and his girlfriend when he was still pretty young. He confided the experience to Nicholas, but — to Felix’s frustration — his elder brother ignored him, convincing Felix to keep such stories to himself in the future. (I think it’s relevant to note that, whenever this encounter comes up in his memoirs it is always the Argentinian man he talks about and the woman is just “his girlfriend.”)

Felix also soon discovered a penchant for dressing in women’s clothes for parties — he discovered he enjoyed the clothes, and the attention he received from men. Nicholas encouraged this, and brought Felix — in dresses — out to debaucherous parties with him. He began performing in drag at a cafe in Saint Petersburg called The Aquarium — until his mother recognized him during one of his shows that she happened to attend. Although the scandal was kept secret, it ended Felix’s performance career. He continued to dress in drag for parties, however, until his father learned of these “pranks” and furiously threatened to send him to a Siberian convict settlement.

Nicholas was killed in a duel at 26 years old on June 22, 1908. The duel, which was over the affections of a married woman, was something of a surprise to most of the family — Felix, however, had been warned about it (by the woman in question) well in advance and made no moves whatsoever to prevent it from happening. As a result, Felix no longer had to split the family fortune. And before you say I’m being cynical, I present to you this excerpt from Felix’s own memoirs, immediately following his brother’s death: “The thought of becoming one of the richest people in Russia intoxicated me.”

Although Felix clearly came out ahead, there were a lot of people who lost in that duel. Nicholas died. The married woman left her husband and joined a convent, so he still lost his wife. Felix’s mother battled severe depression for the rest of her life, brought on by the death of her eldest son. And then there’s Maria Golovina, a woman who had been in madly love with Nicholas and mostly ignored by him. She latched onto Felix as, essentially, her new best friend to help her through grieving. Her family, however, decided she needed “professional help” from self-proclaimed holy man Grigori Rasputin. When they met, Felix was not impressed by Rasputin, and immediately believed him to be a depraved con artist, writing “The young woman was too pure to understand the baseness of the ‘holy man.'”

Google Street View of Felix’s Oxford address

From 1909 to 1912, Felix attended University College at Oxford, studying forestry and English. He was essentially forced there by his family, who believed it would help ground him. Not so much. While there, he did found the Oxford Russian Club, which was something I suppose, but Felix was still living extravagantly. He was a member of Oxford’s Bullingdon Club — which was basically a dining club for rich boys — and employed a full staff at his residence, including a chef, a valet, a housekeeper, as well as housing numerous pets including a bulldog, three horses, a bear cub, and a macaw. According to the University College Oxford website, he spent more money while attending the school than almost any other student. He spent most of his free time partying with friends like Oswald Rayner (remember that name!), and ultimately became very good friends with pianist Luigi Franchetti and Jacques de Beistegui. I’m hesitant to say that there was anything physical or romantic about his relationship with either, because I can’t find any information about who they were outside of what I’ve just said, but they did both move into his English home at 14 King Edward Street. I’m not saying anything definitive but there’s an awful lot of people (and animals) in what is, by all outside appearances anyways, not a particularly large residence. Little bit crowded in there even if people are sharing beds, that’s all I’m saying.

Felix described Dmitri as “extremely attractive” so…this has to just be a bad picture, right?

Anyways, in 1912 Felix returned to Russia without graduating, writing that he was too busy in Russia to return to school. He developed a relationship with Grand Duke Dmitri Pavlovich — something heavily implied in his own memoirs to be more than a friendship, but less than a romance. There’s no evidence that Dmitri felt the same way about Felix. Felix rejected the advances of one of Dmitri’s friends, and Dmitri was sent elsewhere — effectively ending whatever their relationship may have been for the time being. Felix was pretty quickly married off to Princess Irina Alexandrovna, the only neice of Tsar Nicholas II. Their wedding was on February 22, 1913 and although the wedding was described as modest, don’t worry, it’s not a “real people” version of a modest wedding — Irina was wearing a veil that had once belonged to Marie Antoinette. You know, nothing like getting “something borrowed” and “something old” out of the way at the same time. For their honeymoon they went to Jerusalem, London, and Bad Kissingen in Germany.

They were both still in Germany when World War I began in August of 1914. They were detained in Berlin. Because European royalty is pretty much all one really weird family tree, Irina reached out to her relative the Crown Princess of Prussia to try to help them get back to Russia, but Kaiser Wilhelm II was not about it, and instead offered them their choice of one of three German estates to reside in for the duration of the war. However, Felix’s father intervened by way of the Spanish ambassador to Germany, and the newlyweds were allowed to return to Russia as long as they went there by traveling through Denmark and Finland.

Felix and Irina in 1915

On March 12, 1915 Irina gave birth to their first and only child — a daughter named Irina Felixovna Yusupova — nicknamed Bébé. Irina and Felix found they were both utterly incapable of actually taking care of a child, and so Felix’s parents did most of the parenting. Nevertheless, Bébé was very close with her father and quite distant from her mother. This was probably because Felix and his parents spoiled her rotten. There’s also a distinct possibility that Irina wasn’t thrilled with Felix’s, in his words, “love affairs of a special kind” which were, y’know, with men. He once wrote “One may censure those relationships but not the creatures for whom normal relationships against their nature are impossible.”

Around this time, Felix decided to use some of his vast fortune to help out with the war, converting part of Liteyny Palace into a hospital for soldiers. Felix did not have to actually serve as a soldier because there was a law that stated only sons did not have to serve — nevertheless in February 1916 (after a scathing letter from the Grand Duchess Olga to Tsar Nicholas II called him a “downright civilian” and “a man idling in such times”) Felix began attending the Page Corps military academy.

Meanwhile, concern began to grow that Russia would concede to Germany in the war. Part of this was due to Russia’s economic decline, which many people — particularly those loyal to the monarchy — blamed, at least in part, on Grigori Rasputin and his undue influence with the tsar’s wife Alexandra Feodorovna. Felix, for his part, remained convinced that Rasputin was drugging the tsar in order to slowly weaken him and eventually make the tsarina the regent even at the time of writing his memoir.

What actually transpired is a bit of a mystery. While the official accounts, as told by Felix and his cohorts, match up with each other reasonably well albeit not perfectly, the autopsy reports tell a drastically different story. And further evidence from British Intelligence indicates yet a third different story. But since this is an article about Felix, I am going to focus on his version of events as explained in his memoirs.

It was little wonder that when he received a letter from Vladimir Purishkevich proposing that Felix join him and the Grand Duke Dmitri Pavlovich (whom Felix still pined for) in assassinating the Rasputin, that Felix joined in eagerly — although he insisted on being involved in mapping out the scheme itself. Purishkevich also recruited Doctor Stanislaus de Lazobert and contacted Samuel Hoare at the British Intelligence Service, which is perhaps why MI6 operative and Felix’s college-friend Oswald Rayner visited with Felix a number of times the week that the plot unfolded. Meanwhile, Felix recruited lawyer Vasily Maklakov and an army officer named Sergei Mikhailovich Sukhotin, who was recuperating from an injury sustained in the war.

Grigori Rasputin — honestly, he looks less creepy in “Anastasia”

Felix worked through his friend Maria Golovina, who had introduced him to Rasputin years before, to ingratiate himself to the tsarina’s advisor. It was quite successful and easy — particularly laying the trap. Felix lured Rasputin in with an invitation to the Moika Palace, with a promised invitation to meet his wife Irina, who was actually in Crimea at the time. Dr. Lazovert prepared cyanide crystals, sprinkling them over the tops of cakes and leaving some to be poured into Rasputin’s drink. Lazovert was convinced that it was enough cyanide to instantly kill several men.

Felix brought Rasputin to his home, all of his other cohorts hiding upstairs from the dining room. encouraged Rasputin to partake of the cakes and poured him three poisoned glasses of wine. The cyanide, however, had no effect discernible effect (though the wine slurred his speech.) Excusing himself, Felix went upstairs to discuss this surprising lack of a turn of events with his friends, and they ultimately determined the next course of action had to be to shoot Rasputin. Upon returning to the room, Felix shot Rasputin in the chest. Dr. Lazovert rushed in and, after a brief examination, determined he was in fact dead.

The last part of the plan involved Sukhotin bringing Rasputin back to home, so as to avoid arousing suspicion. However, as they prepared to do so, Rasputin leapt to his feet and charged at Felix — who was forced to hit Rasputin with a rubber club to escape his grasp. Rasputin began crawling out the door into the courtyard, and disappeared into the night. Purichkevich fired two shots into the dark after him. They pursued Rasputin into the courtyard, and Purichkevich shot him two more times.

The gunshots, of course, aroused police suspicion. Felix tried to convince the investigating police officer that it was just a drunken friend firing a gun — but Purichkevich proclaimed that he had killed Rasputin. The police officer agreed not to turn them in. After all of this excitement, Felix passed out and his servants put him to bed. He was later told that Dmitri, Sukhotin, and Lazovert took Rasputin’s body, wrapped it in linen, placed it in a car, drove it to a bridge, and dumped it in the water (breaking the ice as they did).

Although that police officer did not report Purichkevich’s confession, the police investigating Rasputin’s disappearance found the unusual gunshots happening at the same night, at the home of someone acquainted with the missing person to be suspicious. Felix was questioned the next day. The police let Felix go, as he repeated the story about a drunk friend, but rumors flooded Saint Petersburg that Felix had killed Rasputin at the Moika. The tsarina ordered the police to search the Moika — but, because Irina was a Romanov, such a search could only be ordered by the tsar himself. A lucky break, as it gave Felix and his servants time to clean up all of the blood. After that task was completed, the conspirators met for lunch to decide on a story. They all agreed to stick to the story Felix had already told the police.

Though they stayed with this story, and were questioned without arrest a handful more times, Felix and Dmitri were forbidden from leaving Saint Petersburg. The tsarina was already calling for their execution, despite no evidence linking them to a crime. The body took days longer to recover, but it was eventually found. Police were sent to protect Dmitri and Felix, who had made things easy on both their protectors and the multitude of people who wanted to kill them by taking up residence in the same palace. As much as that must’ve been nice for Felix, as I said before, there’s no evidence Dmitri returned his feelings and at this point they were both pretty focused on the aftermath of the assassination they’d committed.

Now, the autopsy of the body revealed a lot that doesn’t add up to Felix’s version of events. They found Rasputin had been shot by three different guns — one of which was the standard issue for British Intelligence operatives. The same type of gun, in fact, carried by Oswald Rayner. (Although the memoirs note that Oswald was aware of the plot to kill Rasputin, it only mentions him checking in on Felix the day after the murder.) The examination of the body also indicated that Rasputin had been severely beaten, and that someone had tried to castrate him. Tried, and failed — not sure how that works but okay. None of that was mentioned in Felix’s story and that lends some credence to the theories that he wasn’t actually involved at all.

Anyways, unable to find evidence proving anyone else killed Rasputin, and unable to find enough evidence they had killed Rasputin, Dmitri and Felix were exiled from Saint Petersburg. Dmitri was sent to Persia, ordered to remain there under the supervision of the military general commanding troops there. Felix was sent to his family’s estate in Rakitnoye. (It helps to have like forty residences, right?) Felix was really heartbroken to be separated from Dmitri. I guess he thought after they assassinated one of the most influential people in Russia, he and Dmitri would live together forever?

This was January of 1917, however. So anyone who knows Russian history at all knows what’s about to happen to the tsar who ordered that exile. The February Revolution began on March 8, by March 12 buildings in the capital were ablaze and by March 15, Tsar Nicholas II had given up the throne of Russia. This ended Felix’s exile from Saint Petersburg but overall made things very complicated for him. His wife was a Romanov, but most of the population thought Felix was a revolutionary because he’d murdered Rasputin. He spent some time kind of playing both sides, clearing out valuable possessions from his family estates, trying to keep below the radar of the new provisional government (who were very much trying to keep an eye on him) and trying to help the imprisoned Romanovs with whatever influence he still had. When the Bolshevik government fully came into power, Felix and Irina headed to Yalta to stay even further below the radar — but be closer to one of the places where some of the Romanovs were being kept in the hopes of somehow improving their situation.

Felix & Irina in exile in France

However, when that proved impossible, Felix and Irina went into permanent exile from Russia. They traveled to Italy, but ultimately settled in Paris, France. They began a couture fashion house called IRFE, and Felix became known for his charitable giving towards France’s Russian immigrant community. He published his memoirs, Lost Splendour: The Amazing Memoirs of the Man Who Killed Rasputin in 1928. Rasputin’s daughter promptly sued him, but the case was dismissed as the French courts had no interest in dealing with a political assassination that had occurred in Russia in any capacity whatsoever. The stock market crash of 1929 (and some poor financial decisions Felix had made) led to IRFE being closed.

In 1932, Felix and Irina sued MGM for invasion of privacy and libel for their portrayal of Irina (as “Princess Natasha”) in the film Rasputin and the Empress. In the film, Princess Natasha is seduced by Rasputin. The English courts sided with the Yusupovs and awarded them $127,373 in damages (over $2 million when adjusted to today’s values!) The court specifically mentioned that text appearing at the beginning of the movie made it seem like it was intended to be a retelling of actual events and worked against MGM’s arguments. As a result, MGM began attaching a disclaimer to each of their films, declaring it as a work of fiction with no intended similarity to any person living or deceased. Numerous other studios followed suit — and to this day, that boilerplate disclaimer shows up on almost every American movie. He was involved in a handful of other, less consequential lawsuits over the next few decades and Felix passed away on September 27, 1967.

Felix remains somewhat of a controversial figure — not because it’s his fault that movies have to explain that they’re fictional in a disclaimer, and not just because he may have murdered Rasputin. Also because, I’m sure you guessed this, his sexuality is often called into question. Per usual, a lot of historians claim he could not have been bisexual. His Wikipedia page even falsely claims that he outright denied being bisexual in his memoirs. I just read his memoirs for this article, they’re available online for free right here. The closest I found to any such denial is this quote: “I have often been accused of disliking women. Nothing is further from the truth. I like women when they are nice.” Nothing about that is a denial of bisexuality especially since right before it is this statement: “I thought it quite natural to take my pleasure wherever I found it, without worrying about what others might think.”

So there you have it, the story of Russia’s bisexual, drag-performing, accidental revolutionary, clumsy assassin prince and how he changed both Russian history and cinematic history forever.

Sarmad Kashani

Okay, so, this one isn’t ancient like I’ve been doing but it’s pretty old. More importantly, I believe I’m venturing into a part of the world I haven’t talked about before, so that’s kind of exciting.

A depiction of Sarmad with Dara Shikoh

Sarmad Kashani, often called just Sarmad (in the same way that Cher is just Cher — you know you’re famous when you just need one name), was born around the year 1590 in Armenia. He was born into a family of Jewish merchants and, as such, he became fluent in Persian early on in his life because, well, you needed that language to sell things in Armenia back then. (His family was also pretty clear fluent in Persian before his birth, because Sarmad is a Persian name.) Before leaving his family to travel, he produced a Persian translation of the Torah.

It is believed that Sarmad converted to Islam, probably while he was studying under Mulla Sadra and Mir Findriski. He studied mysticism and philosophy and poetry with them. In 1634, Sarmad moved to present-day India which was, at the time, part of the Mughal Empire. He was still working as a merchant and had learned that art was being sold at high prices there — he brought his wares and set up shop.

Sarmad also continued to practice mysticism and began to gather disciples. One of his early disciples was a Hindu boy named Abhay Chand. Very little is actually known about Abhay. Most sources don’t even describe how they met at all, but I did find a story in the gay magazine DNA India that describes it. Abhay and Sarmad met at a Sufi shrine, where Abhay was performing as a singer. Sarmad would return to the shrine every evening to hear Abhay sing. Sarmad began teaching Abhay different languages — Hebrew and Persian specifically. Then he was hired by Sarmad to create translations of the Torah and of the Old and New Testaments. There is some evidence Abhay converted to Islam. The exact nature of the relationship between Abhay and Sarmad is pretty hotly debated, but the biography of Sarmad that was published by caretakers of his shrine outright states that Sarmad had fallen in love with him, and that, despite initially opposing their relationship, Abhay’s father eventually permitted them to have a relationship. Frankly, I think that should pretty much settle the debate, but whatever.

At some point — probably after this — Sarmad abandoned religion altogether, favoring spirituality instead, and also gave up all his material possessions — including clothing — stopped cutting his hair or nails, and began wandering the city streets naked. (I should probably note that mystics wandering around naked wasn’t actually that uncommon in India at this time. There’s at least two active sects where this was practically a basic tenet.) He was in a state called mazjub, which is apparently a state of “divine intoxication” in which one has no control over their own senses. From all accounts, Abhay Chand was still with him throughout this. There’s no actual records from the time indicating this, but its generally agreed that Sarmad traveled from Thatta to Lahore, then to Hyderabad, and then finally to Delhi.

It was during these travels that the crown prince of the Mughal Empire Dara Shikoh heard about Sarmad, and decided to invite him to appear in his father’s court. There, Sarmad impressed Dara Shikoh and he decided to become a disciple of the mystic — while still being the chosen heir to the throne of the empire.

So, fun fact about the Mughal Empire, they did not have the sort of tradition for line of succession where the eldest son (which was Dara Shikoh) was guaranteed to take the throne. Instead, they had the sort of tradition for line of succession where sons would overthrow their dads, kill their brothers, and take the throne for themselves. But, barring that, the empire’s ruler — Shah Jahan in this case — could always pick his favorite (which was Dara Shikoh). Now, Shah Jahan had four sons. They did not love that they were not picked. So, I’m sure you can guess, this led to thesort of transition where the sons went to war. When the dust settled in 1661, Dara Shikoh was not the last one standing. Instead, his brother Aurangzeb was victorious.

And for Sarmad, this was very bad news — for two reasons. The first of which was that Dara Shikoh was a prominent, and loud, disciple of Sarmad. Everyone knew he was a disciple of Sarmad. That meant Sarmad was sort of a rallying point for the population that still wanted Dara Shikoh to be the shah of the empire. The other was that Sarmad had prophesied Dara Shikoh’s victory….which means, his credibility as a mystic was ruined. He tried to salvage it by claiming that he meant Dara Shikoh would be a king in the afterlife, but you can only do so much damage control, right? So, Aurangzeb put Sarmad on trial. Aurangzeb wanted to prove that Sarmad was a heretic and, to that end, demanded that he affirm his Islamic faith by reciting the kalima (an Islamic creed). But Sarmad stated that he could not, that he was “drowned in negation” and would be lying if he said the entire kalima. That was enough for his conviction and an execution. A huge crowd gathered to watch his beheading.

Legend goes on to say that his severed head recited the full kalima, and that then his body got up and danced with his head. I’m going to go out on a limb and guess that did not actually happen. Pretty sure that would have been a much bigger deal in the history books.

Sarmad’s grave

Sarmad was buried in a simple grave, which has now been painted red — to represent that he is a martyr of love — and turned into a somewhat more elaborate dargah (or saint’s tomb). Sarmad’s writings, the Rubaiyat-e-Sarmad (Quatrains of Sarmad) have gone on to be translated many times, but never more famously than by Maulana Azad. Azad was a leader in the movement for Indian independence from Britain, and considered Sarmad to be a hero, an example of freedom of thought and expression at work. Not only did he translate Sarmad’s writings, he also wrote a length essay on the mystic that has been very insightful for both historians interested in Sarmad and historians interested in Azad.

As for Abhay Chand? I have no idea. The last thing I can find about him is that he was still with Sarmad when he came to Delhi. Much like the whole beginning of his life, the end of it is a mystery.

Emperor Ai of Han

A depiction of the “cut sleeve” story, where the emperor is getting some help with the scissors

We’ve talked before about how the ancient Chinese story about the bitten peach became a euphemism for homosexual love, but it isn’t the only ancient Chinese story about an emperor and another guy falling in love that has essentially been trimmed down to a short coded phrase — in this case “the passion of the cut sleeve.” I know, I know, it sounds like it’s about an enthusiastic but inept tailor. It’s not — it’s about Emperor Ai of Han.

Born as Liu Xin in 27 BCE, his father was Prince Liu Kang of Dingtao and the brother of the childless Emperor Cheng. Xin was never raised by his parents, however, but was instead put in the care of his grandmother Consort Fu. Kang died in 23 BCE with only one heir — the four year old Xin, who became the Prince of Dingtao. For several years, he seemed to be just flying under the radar until 9 BCE when he visited his dear old uncle Emperor Cheng. Typically, a prince would bring an escort of teachers along for such a visit — Xin, however, brought his teacher, the prime minister of his principality, and a military commander. When asked, Xin quoted the exact regulations that not only permitted this but — in Xin’s opinion — required it. Cheng was impressed, and became even more impressed when Xin began discussing Shi Jing, a one of the Confucian classics.

The following year, Cheng gathered together his advisors to settle on who Cheng could adopt to be his heir. It was pretty quickly decided that it should be Xin. This was not without it’s problems however — Cheng was determined that Xin should act as though Cheng was his only parent. He banned Consort Fu and Consort Ding (Xin’s mother) from the capital Chang’an, so they could not see the Crown Prince Xin. He did eventually relent (after much coaxing from his own mother) and allow Consort Fu to visit, under the rationale that she had served as a wet nurse.

Although this caused some tension, it was short lived because Cheng died in 7 BCE either from a stroke or from overdosing of unnamed aphrodisiacs given to him by his favorite Consort Zhao Hede. At 20 years old, Crown Prince Xin became the Emperor Ai of Han and his reign started very well. He immediately took a much more hands on approach to ruling than his predecessor, cut government spending, and took efforts to reduce involuntary servitude by limiting the number of servants members of the nobilty could have and freeing all servants over the age of 50.

However, Ai’s reign was soon rocked by controversy. Ai was still caught between loyalty to Cheng’s family, into which he had been adopted in order to become emperor, and the family that bore and raised him. In order to soothe the emperor, his step-grandmother Grand Empress Dowager Wang created titles for some of his relatives including Consort Fu who became Empress Dowager Gong of Dingtao. While this did help Ai, it created a rivalry between the Fu clan and the Wang clan — many members of the Wang clan were mad at the creation of titles for these relatives of the emperor, whereas Fu herself believed that her title was subpar and was really determined to hold onto a grudge. Although Ai attempted to stay out of it, ultimately he accepted the resignation of Wang Mang — the highest ranking Wang (outside of the Grand Empress Dowager herself) in his administration and the whole family soon lost most of their political influence.

Fu’s ability to hold a grudge would create even further controversies for Ai in 6 BCE. Long story short, she ordered an investigation into the family of a former romantic rival of her — the investigation was brutal and ultimately led to seventeen deaths including the death of her former rival. Meanwhile, Ai himself was frequently ill with some kind of chronic illness — an effort seems to have been made to keep this quiet, so there’s very little information. Ai was also developing a reputation for harshly punishing people in his administration and then changing his mind about it a short time later and conversely, promoting people into his administration and then abruptly firing them for little or no apparent reason.

Dong Xian

And then came Dong Xian. It is generally agreed that most emperors of the Han dynasty, although married to women, took on male lovers and it is generally agreed that the relationship between Emperor Ai and Dong Xian was one of these kinds of relationships. Their relationship began in 4 BCE, at which point Dong Xian was a very minor court official. Dong was 19 years old and was also married to a woman. Emperor Ai started throwing all kinds of promotions and honors at Dong — at a rapid rate that unnerved everyone else. However, anyone who opposed this was severely punished. A palace secretary general named Zheng Chong, for instance, was arrested and died in prison. Sun Bao — who had not objected to Dong Xian’s rewards but had attempted to free Zheng Chong from prison, was removed from his station.

Dong and his wife moved into the imperial palace pretty quickly in the relationship, but soon Ai ordered a lavish residence — as lavish as the imperial palace — be constructed for Dong and his wife. He gave Dong the most expensive jewelry in the imperial treasure and the best weapons in the armory. (The security chief for the capital city, Wujiang Long, tried to block the weapons from being given and was subsequently demoted to be security chief to a little area on the outskirts of the empire.) Emperor Ai even ordered that a tomb be constructed for Dong right beside his own tomb.

By 3 BCE — oh, right, all of that was in the first year of their relationship — Emperor Ai was intent on promoting Dong Xian to the rank of marquess. Now, the year prior a eunuch name Song Hong had reported that a prince was using witchcraft — the prince was demoted to the rank of a commoner and ultimately killed himself. To justify promoting his lover, Emperor Ai gave Dong the credit for reporting this crime. The following year, the prime minister Wang Jia — who had already tried to block the promotion — wrote a carefully worded letter saying he was concerned about what might befall Dong Xian if Emperor Ai should die first. It, predictably, didn’t go over well and Wang Jia was imprisoned under false charges, and then he killed himself. Anyone in the administration who grieved for him after his death was removed from their offices — including the emperor’s own uncle Ding Ming who was commander of all of the empire’s military forces.

Ding Ming was replaced by a man named Wing Shei — however, Wing Shei died from an illness within the year. And So Emperor Ai made Dong Xian the commander of the empire’s military. In doing so, Ai issued an edict which said “Heaven gave you to be the helper for the Han Dynasty. I know your faithfulness, and I hope that you can guide the great affairs of the empire and follow what is good.” This alarmed a lot of members of the court, because it echoed famous words used by Emperor Yao when he passed his throne to Emperor Shun.

Despite his new position, however, Dong Xian remained with the emperor in the palace at all times and did not do any actual commanding of the military. Meanwhile, a whole bunch of Dong Xian’s relatives were given important positions in the government — some of them even replacing members of the emperor’s own family.

Another depiction of the “cut sleeve” story

It was some time around this period — when Dong Xian was the head honcho general — when the famous story that would make its way into the romantic hearts and minds of China’s imagination was said to take place. According to the story, Emperor Ai and Dong Xian fell asleep together on a straw mat. When the emperor awoke, Dong Xian’s head was on his sleeve. In order to allow him to continue sleeping (after a hard day of not actually commanding the military), the emperor cut off his sleeve and left it under Dong Xian’s head. It is a really sweet story, if you ignore the absolute havoc their relationship was causing in Emperor Ai’s administration.

The next year, 1 BCE, Emperor Ai’s chronic illness — whatever it was — got the best of him. On his death bed, he decreed that his heir was Dong Xian. When he passed away a short time later, everyone — and I mean everyone, including Dong Xian — ignored this decree. Dong Xian, for his part, may not have been totally ignoring it but he was in so much shock he failed to do anything. The Grand Empress Dowager Wang, however, was not so shocked — she immediately grabbed the imperial seal to prevent Dong Xian from getting the throne. Then, she reinstated her relative Wang Mang (remember him?) and transferred command of the military to him.

Wang Mang used his newfound power to accuse Dong Xian of failing to attend to the emperor while he was dying and banned him from the palace. The next day, Dong Xian was stripped of his titles. He and his wife committed suicide that night. Although they were buried quickly, Wang Mang had Dong disinterred and reburied in a prison. Not in the fancy tomb that got built in the first year of their relationship together, in a prison. (This is why you should always wait to build a tomb for your new boyfriend!) The entire Dong family was banished and all of their assets were taken by the imperial treasury. This, by the way, was pretty much exactly the sort of thing that Prime Minister Wang Jia had been warning about in his letter. Oops.

Anyways, much like the previously mentioned bitten peach thing, the story of Dong Xian and Emperor Ai and the cut sleeve was passed down for centuries, and was often used to describe homosexuality. In fact, “Cut Sleeve” is even the title of a short story by Pu Songling in the third edition of Strange Stories from a Chinese Studio, about a homosexual romance. It was first published in 1740 CE which is one thousand seven hundred forty-one years after Dong Xian’s death. As much as this was not a charming love story for the Chinese empire at the time it was happening, and as much as they moved way too fast, there’s not a lot of love stories that have endured so long.

Hadrian and Antinous

I’ve been on an ancient history kick lately so, if I were you, I’d expect the next few posts here to be about ancient queer people. To that end, I’m starting us off by bringing us back to ancient Rome. And also ancient Egypt. And all over the place, actually. I am, of course, talking about the story of Emperor Hadrian and Antinous.

A statue of Emperor Hadrian

So Hadrian was born on January 24, 76 CE in present-day Spain, where his family had moved from present-day Italy. His father was first-cousin to soon-to-be-emperor Trajan. Hadrian entered a career in politics and public service. At the encouragement of Trajan’s wife, and a few other politically influential people in Rome, Hadrian married Trajan’s grand-niece (and therefore, his own second cousin once removed) Vibia Sabina early in his career (around 100 or 101 CE). The marriage was purely political and is almost universally described as being an unhappy one. Around the time of the wedding, he was serving as essentially the liaison between the emperor and the Senate. Afterwards, he had posts in numerous places around the Empire — he was archon of Athens for many years, and even held Athenian citizenship, and also served as governor of Syria.

Meanwhile, in Turkey sometime around 111 CE, Antinous was born. Virtually no solid facts are known about his childhood, but its guessed he was born in November — possibly November 27. Some time in the Renaissance it began to be claimed by historians that Antinous was born into slavery, but modern historians are pretty agreed that that’s unlikely because contemporary Roman historians would almost certainly have mentioned that, given how the rest of his life turned out and how much more of a controversial figure Antinous would have become.

In the year 117 CE, Trajan died from a stroke, leaving no heirs. Adoption papers “proving” Hadrian was his adopted son, and therefore heir, appeared shortly thereafter — signed by Trajan’s wife, and dated the day after Trajan’s death. Making this even more hard to swallow was the fact that she was in Rome and Hadrian was still in Syria. This was a huge irregularity, as a Roman adoption required all three parties to be present — both parents and the adoptee. Nevertheless, the Roman legion quickly claimed him the legitimate emperor, so as to avoid a power vacuum. Hadrian thanked them with a monetary bonus, which may sound like a bribe but was apparently the custom of the time. (I guess that doesn’t really mean it wasn’t a bribe…) With the legion on board, the Senate didn’t take too long to confirm that Hadrian was emperor.

At the start of his reign, Hadrian remained in Syria — as there was a Jewish revolt in Judea and other parts of the Middle East that he needed to attend to. And by attend to I mean, historians now refer to it as the Kitos War and that sort of undersells the violence. In his defense, Hadrian was trying to find a more peaceful solution to the problem — but the war had begun under Trajan’s rule and the combatants were not willing to let go of the fight. Hadrian gave up a lot of the area Trajan had conquered to the east in order to stabilize the region. Then he quietly stripped Lusius Quietus — the commander of the Roman forces in Judea — of his rank. Lusius Quietus died the following year under suspicious circumstances. It’s likely that Hadrian quietly stripped him of his life too.

A surviving section of Hadrian’s Wall

With that behind him, Hadrian embarked on a tour of the empire. Perhaps the most significant stop, and one of the earliest, on this tour was the province of Britannia — Great Britain. Major conflicts were common in the region, and the Roman military was not doing well. In 122 CE, Hadrian ordered the construction of a wall to separate the Roman territory from the unclaimed parts of the island. An enormous 73 mile long wall, as it turns out, was cheaper than an enormous border army. It wasn’t the Great Wall of China or anything, but Hadrian’s Wall was still kind of a big deal. Part of the wall still stands.

A statue of Antinous

In June of 123 CE, he reached the city of Claudiopolis (now Bolu) in present day Turkey — where Antinous lived. It is believed by many historians that they met at this point and, while they did not become lovers now, it certainly had an impact on Antinous. It was probably a big part of why Antinous decided to go to pursue his education in Rome.

Hadrian returned to Rome in September 125 CE. Over the next three years, a relationship formed between Antinous and Hadrian. Antinous became the emperor’s “personal favorite” and was seen in Hadrian’s company more than his wife. Historians actually note that there is no evidence whatsoever that Hadrian ever expressed romantic or sexual interest in any women — which is kind of remarkable since usually historians are quick to “straightwash” gay people in history. Hadrian was too gay even for that. Contemporary records indicate that Hadrian and Antinous’ relationship was clearly sexual, and Hadrian wrote erotic poetry about him, though none of it survives today. There was significantly more to the relationship though. Hadrian had several “favorites” but he particularly described Antinous as being incredibly wise, and they enjoyed hunting together and — as you’ll see shortly — traveling together. Antinous, for his part, also seems to have truly loved Hadrian despite their significant age difference. There is no evidence he ever tried to use the relationship for any kind of personal gain.

Hadrian, unlike previous emperors, did not choose to stay in Rome and rely heavily on reports from abroad. Hadrian spent more than half of his reign traveling the empire. When he left Rome again in 127 CE, he took Antinous with him as a part of his personal retinue. This may have been partially because Hadrian fell ill during this year, with a mysterious chronic illness that baffled the doctors of the time. They traveled through parts of Italy, North Africa, and even made their way to Athens for a time. At a certain point they were initiated, together, into the Eleusinian Mysteries. Afterwards, they traveled to the Middle East, visiting Antioch, Judea, Syria, and Arabia. Hadrian grew concerned that the Jewish population was failing to “Romanize” so he built a Temple of Jupiter on the site of former Jewish temple and made circumcision illegal.

The tondo depicting the lion hunt

From there they headed to Egypt. In Alexandria, Hadrian made some unpopular decisions about appointing people to certain positions. Rumors began to spread about his sex life, particularly when it came to Antinous. Unperturbed by the pettiness, Hadrian and Antinous went to hunt a lion that was causing trouble in Libya. During the hunt, Hadrian saved Antinous’ life — he was so proud of this event that he made certain it was recorded in multiple histories, had it depicted on bronze medallions, had a poem commissioned, and even had a tondo (or circular artwork) made of it. Various tondos depicting Antinous and Hadrian together, including the one of the lion hunt, eventually ended up on the Arch of Constantine, where they still remain to this day. This tondo is considered particularly significant as it is the first place that Antinous is no longer shown as a thin youth but a muscular, hairy truly full grown man — leading historians to suspect that his relationship with Hadrian was probably changing.

A month or so later, Hadrian and his retinue sailed up the Nile as part of a flotilla. Antinous was with him, as was Lucius Ceionius Commodus who some historians say Antinous viewed as competition for Hadrian’s affections (but who never seems to have actually had a romantic relationship with the emperor). During this sort of Nile parade, Antinous fell into the river and died. The death is viewed as highly suspicious particularly because in all of the surviving documents there is not one place where the death is described as an accident. And there’s quite a bit of documentation that has survived. It is, of course, still possible the death was an accident, but here’s some of the other theories that are out there.

  • Some theorize that Antinous killed himself, possibly over losing Hadrian’s affections. The trouble with this theory is that Hadrian’s reaction to the death doesn’t seem like his affection was waning.
  • Some have suggested he was murdered as part of a conspiracy. There’s actually no evidence for this, and Antinous’ lack of political influence over Hadrian also kinds of makes this one a “meh” theory. But it’s very dramatic, so that’s fun at least.
  • It’s also been suggested that it was a human sacrifice, that Antinous might have volunteered to sacrifice his own life as a means of helping finally cure Hadrian of the illness he’d been suffering for three years. However, Hadrian was opposed to human sacrifice and had strengthened laws against it throughout the empire. This theory also was never even presented until 80 years later, despite the fact that rumors spread like wildfire when the death occurred.
  • Another theory is that Antinous died in a botched castration, that he may have volunteered for to keep his youth. However, again, Hadrian was very much opposed to castration and Antinous was too old (since he’s only somewhere around 19 years old at this point) to get much effect from it anyways.

As you can see, all of the theories leave something to be desired and whatever the case may be, Hadrian was absolutely beside himself with grief (and possibly also with guilt, depending on what actually happened). Egyptian priests immediately identified Antinous with the Egyptian god Osiris — dying in the Nile helped with that — and set about embalming and mummifying his corpse in the Egyptian tradition. Hadrian remained in Egypt until the following year, probably not willing to leave until his lover had been finally laid to rest.

Royston Lambert wrote a biography of Hadrian in 1984, where he described Hadrian’s feelings for Antinous as a “a mystical-religious need for his companionship.” And that’s, perhaps, underselling it. Hadrian formally declared Antinous a deity, and ordered a city be constructed at the site of his death. The city, called Antinoöpolis, was built over the city of Hir-we and all of the buildings from that city except the Temple of Ramses II were destroyed so the new city could be built. Aside from being an over-the-top memorial, the city was also a move to help integrate Greek and Egyptian cultures — Hadrian permitted Greek and Egyptian inhabitants of the city to marry, and gave incentives for Greeks to move there. Games were held there annually for several hundred years in an event called the Antinoeia. Hadrian allowed the primary god of Hir-we to continue to be worshipped — the Egyptian god Bes — alongside worship of the Osiris-Antinous deity.

The Antinous Obelisk, on Pincio Hill in Rome

It was not unheard for a person to be declared a god but it was super rare for it to be someone who wasn’t, y’know, an emperor or someone otherwise incredibly important to the world at large. It’s not clear what became of Antinous’ body, but it is hinted by an obelisk was buried at Hadrian’s country estate in Italy. Hadrian continued to surround himself with sculptures and depictions of Antinous for years to come. Over the following years, an innumerable number of sculptures of Antinous were found through the empire (in no small part because of his status as a god). 115 of those sculptures still exist — 22 of those were found in Hadrian’s country estate. Although there are various styles of these sculptures, they all clearly depict the same person so it is believed that Hadrian released an official version of what Antinous was supposed to look like, that sculptors could replicate.

Antinous as Bacchus (or Dionysus) — a statue in the Vatican

Because of the identification with Osiris, the cult of Antinous had little trouble spreading in Egypt. But Hadrian wanted Antinous to be worshipped through the entire empire. To that end, he turned to Greece. In 131 CE, he traveled there and integrated Antinous with the god Hermes — in much the same way that the Egyptians had joined him to Osiris. He founded a temple in Trapezus to Hermes-Antinous. Despite Hadrian’s best efforts, however, the Greeks associated Antinous with the god Dionysus instead and worship of Dionysus-Antinous could be found throughout much of the empire within just a few years. Although in some cases people worshipped Antinous just to make their emperor happy, archaeologists have found a significant amount of evidence suggesting Antinous was also worshipped in the privacy of people’s homes. That means people actually, genuinely liked worshipping Antinous. The cult appears to have been most prolific in Egypt, the Middle East, and Greece but evidence of the cult has been found in 70 cities and some of that is even as far away as Britain where Antinous appears to have been conflated with the Celtic sun god Belenos.

Six years later, 136 CE, Hadrian adopted Lucius Ceionius Commodus and made him his heir (as Hadrian and his wife never had kids.) However, Lucius died two years later while Hadrian was still alive so he never actually got the crown. Later that year, on July 10 138 CE, Hadrian passed away in his villa — finally losing the battle with his own health but managing to name an heir in Antinous shortly before his death. Hadrian had ruled the Roman Empire for 21 years.

Antinous’ cult would continue even longer, but would receive harsh criticisms from other pagan cults. The philosopher Celsus, for instance, criticized it — saying that its worshipers were debaucherous and immoral. That’s also how he viewed Christians, as it turns out. Christians, meanwhile, viewed the cult of Antinous as a rival religion and they vocally condemned it — insisting that it was immoral to worship a mortal human, and pointing out that he was only in that position because of his sexual activities with Hadrian. (That part at least is kind of valid.) In the 4th century, as conflicts between Christians and pagans deepened, pagans in general began to champion Antinous. Not in the sense that they worshiped him necessarily, though his cult was clearly still active, but in that he became something of a symbol against Christianity. New images and depictions of him began to be made, including a set of seven bronze medallions. Statues were broken, rebuilt, moved, damaged, repaired…..and the struggle continued until 391 CE when Emperor Theodosius officially banned paganism, and all images of Antinous were removed from public places.

Antinous, understandably, became something of an icon for the homosexual subculture of later centuries. During the Renaissance, queer art was generally focused on the mythological figure of Ganymede but — especially by the 18th century — that fascination had been turned onto Antinous. Who was, y’know, at least real. That fascination grew into the 19th century. In 1865, Karl Heinrich Ulrichs wrote about Antinous in one of his pamphlets, and Oscar Wilde spoke of Antinous in The Young King, The Sphinx, and in The Picture of Dorian Gray. The homophile newspaper The Artist began selling cast statues of Antinous about this time as well. Even straight authors were catching on — in the novel of Les Miserables, author Victor Hugo describes the character of Enjolras as “an untamed Antinous” who seemed “not to be aware of the existence of a creature called woman.”

And while Antinous may not still have quite that level of ubiquitous popularity in queer culture, he has not exactly been forgotten either. Sarah Waters included a costume ball in her novel Tipping the Velvet where the lesbian protagonist dressed as Antinous. Rufus Wainwright‘s 2018 opera Hadrian is about the emperor’s response to Antinous’ death. Even in sports they’re still remembered — the Hadrian Cup, an LGBTQ+ inclusive rugby tournament, introduced the Antinous Plate just this year in March 2020 and awarded it to the Aberdeen Taexali Rugby Club. (But, to be honest, I don’t know anything about rugby so I can’t tell you exactly what the Antinous Plate is awarded for.)

I’m not saying Hadrian set the bar too high for the rest of us, but would your lover declare you a god after you died in a river under suspicious circumstances — making you a relevant historical figure for thousands of years to come?

Polari

Alright, Nellyarda, this one’s important. It’s all about how we communicate — or, how we did. Today, we’re going to talk about Polari. Polari was a secret, coded slang language (or “cant language”) that was used by gay men (and also, only occasionally, by lesbians) in England up until the late 1960’s. A way to hide who you were and what you were talking about when out and about in public places where it wasn’t legal to be openly gay.

Now, if you’re sitting there wondering who “Nellyarda” is — that’s a good sign you live in a place where these hidden languages aren’t still in use. “Nellyarda” isn’t a person, it’s a verb — it just means “listen.” Fortunately, in much of the world, talking to other gay people about gay things isn’t a crime and you don’t need to speak in code (although we still have a lot of slang that leaves people in mainstream culture scratching their heads. To be honest, sometimes even I scratch my head — what the heck is a “squirrel friend” anyways?) But while we delve into the history of Polari, I want you to keep in mind that there are places in the world today where these coded languages are not history — where they are still used but are still vital to the survival of the underground LGBTQ+ culture there. Bahasa binan is still spoken in Indonesia; in South Africa and Zimbabwe gay English-speakers are probably familiar with Gayle language, while Bantu speakers are using IsiNgqumo. Those are just a couple examples, but there’s a whole lot of these types of languages which people examining queer language (otherwise called “Lavender linguistics“) might want to take a look at. I promise to touch on more of them in the future.

Anyways, back to Polari. The roots of Polari can be traced back to 16th century — to the traveling entertainment troupes of commedia dell’arte — a really old form of professional, kind of vaudevillian theater that originated in Italy. While traveling around Europe, entertainers developed a sort of jargon of their own, which they called “parlyaree” from the Italian word “parlare” meaning “to talk.” Parlyaree expanded a bit, started to get used by sailors — and as it expanded it picked up words from other places — thieves cant, backslang, etc; and other languages from all across Europe too, including Yiddish, French, Shelta, and others. It became popular amongst all of the undesirable parts of society — criminals, Romani travelers, prostitutes….

And, of course, “undesirables” also meant “the gays.” Most likely it was traveling gay entertainers that brought parlyaree to Britain, as a version of parlyaree was commonly used in Punch & Judy puppet shows. Many of the words were innately sarcastic or sexualized in their meanings. Speakers would often pick campy nicknames for themselves, gay men often using names that were effeminate. The language created a cultural attitude that was strong and resilient in the face of brutal abuse and discrimination. Polari was particularly useful for two things: gossip and finding men to hook up with.

Polari, coming full circle, found its way into British entertainment — adopted by the Punch & Judy shows that had brought it to the British Isles to begin with, and — much much later — in the radio comedy series Round the Horne which began airing on March 7, 1965. Round the Horne was wildly popular, and the characters of Julian and Sandy — the two characters who spoke simplified Polari — were especially popular. The good news is that they helped British society become more accepting of homosexuals. That said, gay sex was still a crime and it was certainly not great for the gay community’s safety to have the mainstream culture, including members of law enforcement, hearing their hidden language on the radio each week. This was probably one of the early contributing factors in the decline of Polari. By 1967, anti-sodomy laws in the UK began to be repealed, which meant the necessity of Polari significantly decreased.

A Julian and Sandy sketch from Round the Horne.

By the 1970s, Polari had fallen so out of favor that the gay magazine Lunch called it “ghettoising”. By 2000, when Paul Baker of Lancaster University surveyed 800 gay men, roughly half of them had never even heard of Polari. But Baker was just ahead of a resurgence of interest — a curiosity from both linguistic scholars and from queer people looking at their own history. In 2003, the Sisters of Perpetual Indulgence, collaborating with Tim Greening-Jackson (AKA Sister Matic de Bauchery) created a Polari translation of the Bible. Although it’s available online (see that link in the previous sentence!) a leatherbound copy was displayed in a glass case at John Rylands Library in Manchester. In 2012, that copy was read aloud in the world’s longest reading of the Polari Bible — performed at a Manchester art gallery.

Despite being essentially a dead language, the more recent ties to religion have stirred up a lot of controversy. In 2017, Wescott House — a college that trains priests for the Church of England — held an evensong entirely in Polari, led by trainees from the college. The intent, according to the trainees, was to sort of “queerify” their evening prayer service, to make room within their faith for queer people. That’s a noble intent, but of course not everyone appreciated the way it was done (particularly because in Polari, “the Lord” translates to “the Duchess”) and ultimately the Church of England issued a public apology calling the event “hugely regrettable.”

Although it’s technically considered a dead language, there are some words and phrases that were definitely part of the Polari vocabulary that we still commonly use today — “drag” and “trade” are still part of our popular slang with their meanings virtually unchanged, “zhoosh” meaning “to style”, most recently popularized by Carson Kressley in the original Queer Eye for the Straight Guy television series. Polari was a constantly changing language, and as such it’s difficult to research and there’s no complete dictionary of terms anywhere. I think that makes it more important to preserve the words we still know were used — so I am going to try to make a complete dictionary for this site. Stay tuned!

Robert Culliford

Arr, me hearties! Let me spin ye a yarn about some high seas homosexuality! Okay, I’m giving up on talking like a pirate. Too much of a land lubber, I guess! But we’re still going to talk about pirates. I’ll admit, I’ve been on a little bit of a “Golden Age of Piracy” kick and why not? Pirates are fantastic — swashbuckling adventurers, sailing across the ocean! And the thing is….they’re also pretty queer. Like, queer coded in movies and such, I mean.

But it turns out, pirates were actually pretty queer. A lot of it can certainly be chalked up to “situational homosexuality” — so much so that in 1645 the governor of Tortuga imported 1,650 prostitutes so that he could get the pirate men to sleep with women — but that certainly doesn’t explain all of it. For example, pirates also had something called “matelotage” which was essentially same-sex marriage. Now, there’s a lot of debate about whether or not matelots were sexual but its generally agreed that at least some of them definitely were. And even those that weren’t were very much like marriage, in terms of legal rights. If you died, your matelot got all of your share of the plunder, and any death benefits a captain might have offered to his crew. If you moved to a different ship, your matelot went with you. And matelots were frequently symbolized by gold rings worn by both parties. I mean, I know married couples that don’t sound this married.

Captain Robert Culliford

Many pirate captains kept excellent records. Unfortunately, that’s excellent records of their plunder and not so much of crew relationships. Nevertheless, we do know something about a relationship between two pirates: that of Captains Robert Culliford and John Swann.

Culliford was born in England sometime around the year 1666. By 1689, he had found himself a member of the crew of the French privateer crew of the Sainte Rose. He was one of seven British people aboard — including William Kidd and Samuel Burgess. After they heard word that there was a war going on (the Nine Years War or — as it was called then the War of the Grand Alliance), the crew staged a mutiny and wrested control of the ship from its captain, Jean Fantin. Kidd was elected captain and the ship was renamed the Blessed William. If that less-than-subtle name change made you a little irritated, try living on the ship. It must not have been particularly awesome (despite making a whole lot money in privateering) because a year later, in 1690, Culliford led another mutiny against Kidd. Afterwards, William Mason was elected captain.

Mason and his crew (Culliford included) did some fairly standard piracy in the Caribbean — you know, attacking towns and ships and stealing booty. Then they scooted up the coast of North America to sell their ill-gotten gains in New York. While they were there, Mason procured a letter of marque from the acting governor Jacob Leisler — basically, giving them official permission to engage in piracy. (Which made them “privateers” not pirates.) So they sailed up to ransack two French-Canadian towns…but like, officially, on behalf of New York, and then they captured a French ship called L’Esperance.

Mason gave L’Esperance to Culliford, officially making him a pirate — I’m sorry, privateer — captain. He renamed the ship the Horne Frigate because nothing says “this is my first boat” like putting the type of ship it is in the name of the ship. The ship didn’t stay in his command long, and the two ketches that were carrying most of Mason and Culliford’s loot ended up getting attacked and stolen by French privateers. Mason and Culliford ended up having to return pretty much empty-handed to New York aboard a different French ship they managed to steal, the Jacob. In December of 1690, Mason and his crew — with Culliford now serving as quartermaster — left New York aboard the Jacob once more.

By 1692, the Jacob had made its way to India. They robbed the people of Mangrol in the state of Gujarati, but the authorities were not putting up with this at all. Culliford and seventeen of his crewmates were captured and held in a Gujarati prison. Culliford was held there for four years before he made his escape, with a handful of his comrades. They made it to Bombay, and signed onto the crew of an East India Company ship called the Josiah. The ship made it as far as Madras (still in India — not far at all!) before Culliford led his crewmates in hijacking the ship. They sailed for the Bay of Bengal, and began engaging in piracy again.

Unfortunately for Culliford, most of the crew of the East India Company ship liked, y’know, not being pirates. So they retook the ship and left him stranded on an island near the Nicobar Islands. Ralph Stout, captaining the Mocha, found Culliford and rescued him. He was dead within the year and Culliford became captain of his ship. (Half the reports on his death say he was killed by natives of the Laccadive Islands, and half of them say he was killed by his crew when he said he wanted to retire from piracy. I’m not saying I’m suspicious, but I am going to point out that Culliford had mutinied before. Draw your own conclusions.) After this point, the ship is sometimes still called the Mocha and sometimes is called the Resolution so Culliford may have changed the name, but I can’t tell you for sure when that happened. I think the reason for the inconsistent use of the name Resolution is because there was another pirate ship sailing around in other parts of the world with the same name — but that ship is also totally inconsequential in regards to this article, so I’m going to take to calling the ship by its new name that doesn’t make me want a coffee.

Culliford sailed alongside the Charming Mary for a time, but ultimately Culliford broke off the partnership to go ransack ships on his own. That was going fine, until he set out to loot the British ship the Dorill. The Dorill, however, was not some defenseless ship and instead opened fire and broke off the Resolution‘s main mast. Culliford turned tail and headed for Île Sainte-Marie off the coast of Madagascar to lick his wounds — on the way, he still managed to plunder a French ship for a cargo worth £2,000 (which, according to my sources, would be over 400,000 American dollars today) despite his ship being fairly crippled and only having a crew of about twenty people.

Anyways, by this point Captain Kidd had turned from piracy into pirate hunting. And he also headed to Île Sainte-Marie, knowing it sometimes served as a refuge for pirates. He found Culliford there — and I’m sure he was delighted, given their history. There’s two differing accounts of what happened next: in one account, Kidd made peaceful overtures towards Culliford — acting as though he still considered him a brother, trying to lull him into a false sense of security. In the other account, Kidd thought that Culliford had a full crew and hid from him until two more ships full of reinforcements arrived. Kidd’s crew jumped ship (literally) to join Culliford’s crew. (The score is now Culliford: 2; Kidd: 0.)

This new, large crew set off in June of 1698 to leave Kidd, his thirteen remaining crewmen, and his ship (which had been ransacked of anything worth value) abandoned on Île Sainte-Marie. Culliford joined forces with Captains Dirk Chivers and Joseph Wheeler and in September they took down the ship the Great Mohammed in the Red Sea — taking for themselves treasure worth £130,000 (which is the equivalent of over 23 and a half million US dollars today.) Captain Nathaniel North of the Pelican also claimed to take part in this, but the other three captains refused to share the plunder stating that he and his crew hadn’t actually participated. Afterwards, Culliford and his allies parted ways, with the Resolution heading back to Île Sainte-Marie (and taking down another ship on the way).

Either because of his now pretty incredible wealth, or because he was seriously wanted at this point, Culliford decided to lay low and settle down on Île Sainte-Marie. Living with him, as his consort, was the little-known, pretty much inconsequential pirate captain John Swann. (See, we got to him eventually!)

Now, okay, here’s the thing. So John Swann was — in my opinion — undoubtedly Culliford’s lover. But that is — of course, as always — a matter of some debate. Swann is referred to as a “great consort” of Culliford’s in the deposition of a pirate named Theophilus Turner. Now, “consort” was also used to refer to pirate captains or crew that sailed together on separate ships, so lots of historians insist that no, this was just a platonic relationship. I don’t think that’s what “consort” means in this context for a few reasons — first of all, in that definition of consort, Culliford’s “great consorts” would be Chivers and Wheeler who helped him against the Great Mohammed. A score for which Swann was not present. Secondly, Swann and Culliford weren’t sailing together, they were literally settling down on land together. And, in fact, Swann was retiring from piracy altogether. So, while I agree that in piracy terms, “consort” doesn’t always mean lovers, I just don’t see the other use of the term applying here.

A number of Culliford’s crew left Île Sainte-Marie to go settle in Nassau. Swann may have been among them, traveling under the alias “Paul Swan.” Which is, frankly, a pretty terrible alias. Other testimonies, which I’m more inclined to believe, claim that Swann was still on the island when four British warships arrived, offering royal pardons to all of the pirates there. Swann and Culliford both accepted, and then made their way to Barbados where they parted ways. At that point, Culliford decided to return to the open sea and headed back to the Indian Ocean. He was arrested shortly thereafter, and sent to Marshalsea Prison in London. His royal pardon was promptly thrown out because the ransacking of the Great Mohammed was, apparently, not actually included in the pardon he’d received (tricky legal loopholes, I guess) and he was all set to be hanged from the neck until dead….until Captain Samuel Burgess — former crewmember of Captain William Kidd — was arrested. Culliford testified against Burgess in exchange for a pardon, and then completely disappeared. Rumors indicate he may have settled in Boston, Massachusetts, though that has never been confirmed.

With both Swann and Culliford dropping off the grid, this story leaves us with more questions than it answers. But I think the best question we can ask is….why isn’t this a movie yet?

Brief Hiatus

I want to apologize for the lack of posts the last couple of weeks, my computer is….let’s just not cooperating (I’m writing this on my phone which is not ideal) So I’ve had to order a new one. There will be new posts once that’s here!

In the meantime it is not an expense I was expecting so I’ve added a donate button on the sidebar just for the time being — if anyone wants to help offset that cost, I’d be very appreciative!

Thank you all for your understanding!