Their History

Okay, we’re going to do something really different today from what I usually do, because I think it is an important piece of history that nobody really knows. But it’s not the history of a person or a place or an event….it’s the history of a word.

We’re talking about the history of the singular pronouns they(/them/their).

Now, another thing that I’m going to do that is different today is I’m going to give you a source for all of the information I’m about to impart. I don’t usually do that because this is a hobby, not a college dissertation. I really don’t want it to feel like work, y’know? Yes, that makes all of this amateur, and I’m generally okay with that. But you know who’s not amateur? The Oxford English Dictionary. So, if you think you know the English language better than the Oxford English Dictionary, please feel free to argue. With them. (I am also dipping into the Merriam-Webster dictionary and some literary analyses.)

Anyways, let’s talk history. The first time the singular “they” appears in written language was in 1375 in the story William and the Wolf, the English translation of the French Guillaume de Palerme. Now, I’ll grant you, we know next to nothing about the person who translated it and there’s no dictionaries at this point in history, let alone standardized spelling. Technically, we’re still speaking Middle English and not Modern English for another 95 years. In fact, in 1375 we were still using some words that haven’t been in common usage for centuries, like “thou.”

Right. “Thou” the singular form of “you” because “you” was a plural pronoun. But in the mid-17th century we changed it so that “you” could mean any number of people — one, two, a dozen, any number. We’ve been happily using context clues to figure out the number of people “you” was referring to for like the past 400 years. At which time, for the record, we were very much using modern English.

But I digress and now I’ve skipped ahead — past an awful lot of very respectable examples. Geoffrey Chaucer used it in “The Pardoner’s Prologue” in The Canterbury Tales. Singular “they” is even in the King James Version of the Bible — check Philippians 2:3. And I wouldn’t dream of ignoring the writings of the Bard, William Shakespeare himself. He used singular “they” kind of a lot, actually. He would even use the singular “they” when the gender of the subject is known. For one example, in Hamlet, he wrote:

“‘Tis meet that some more audience than a mother—
Since nature makes them partial—should o’erhear”

William Shakespeare, Hamlet, Act 3 Scene 3

Now I think most of us would agree that Shakespeare had a good handle on the English language but it’s certainly true he made up hundreds of words (like “amazement”), and in his time — even though we were using (early) modern English — we still didn’t really have things like dictionaries or standardized spelling. So, okay, maybe Shakespeare isn’t the best judge on what’s correct.

So we’ll skip ahead to 1755 when A Dictionary of the English Language by Samuel Johnson was published, giving us standardized spelling and moving us firmly into Modern English. (Until the Oxford English Dictionary came about in 1857, Johnson’s dictionary was basically the final word on the English language.) Johnson’s dictionary is actually online and while it does define “they” as plural, interestingly enough it provides in its definition an example of its use as a singular pronoun (from Shakespeare’s Henry VIII, no less!)

“The Spaniard

Must now confess, if they have any goodness

The trial just and noble.”

This is why we needed an OED to step up and clarify things, you know?

But what is really clear is that the singular “they” remained in common use, even among the most noted authors of the English language. Jane Austen uses the singular “they” 109 times across her various works. As did numerous other authors — just for a handful examples, you can find it used in Walter Scott’s Ivanhoe (1819), Lord Byron‘s Werner, or The Inheritance: A Tragedy (1822) Charles Dickens’ Nicholas Nickelby (1839), Emily Brontë’s Wuthering Heights (1847), Lewis Carroll’s Alice’s Adventures in Wonderland (1865), Louisa May Alcott’s Little Women (1868), Mark Twain’s A Tramp Abroad (1880), Jack London’s Martin Eden (1909), Virginia Woolf’s To the Lighthouse (1927), George Orwell’s 1984 (1949), C.S. Lewis’ Voyage of the Dawn Treader (1952), and Ursula K. LeGuin’s The Dispossessed (1974). There’s an even longer list of examples, which includes excerpts, over at UPenn’s Language Log if you’re interested.

So with all of this, why did it become commonplace for us to say that “they” is plural if that’s never been true in practice? Well, to be quite frank, because of sexism. 1795 is the first time that anyone begins arguing that pronouns for people needed to be “sex definite” and of course, that meant if you didn’t know the sex you should be using “he” as that was the superior sex. I’m not kidding or exaggerating here, the entire basis for the argument hinged on grammar rules written by William Lily as he was teaching Latin students in 1567. The rule?

“The Masculine Gender is more worthy than the Feminine, and the Feminine more worthy than the Neuter.”

Aside from that seeming pretty ridiculous even in Latin, this rule is about word classification and not actual people’s genders. But in 1795, some “grammar experts” decided it should apply to English pronouns for people.

That idea didn’t last long without being challenged. It was being pointed out pretty quickly that always using “he” was erasing women from roles they often filled. Samuel Coleridge was arguing for using “it” instead as early as 1808. “It” of course is fairly dehumanizing, as that’s a pronoun typically used for objects, and that was being said pretty much immediately after Coleridge made his suggestion. That landed us with “he or she,” which has also been pretty universally decried as sounding clunky and awkward. And so the academics and grammarians have argued on and on for more than 200 years. Pretty much the entire time this discussion has been going on, people have been trying to create new gender neutral pronouns as well — “ou” being the first, appearing in the 1790s, with “ze” and “zir” being much more recent attempts. It’s an admirable idea, but none have caught on yet. Meanwhile even the most celebrated of authors continued using the singular “they” so you kind of have to wonder why this has been argued so long. The OED had realized this was kind of a pointless discussion by at least 1998, when they officially included a singular definition of “they” in that year’s New Oxford Dictionary of English.

The point is, it’s not new to use singular “they.” The idea of “they” being a singular pronoun predates any argument that it can’t be singular by centuries. And the most celebrated and respected users of the English language have continuously ignored that argument. The only thing that’s “new” is that we have so many people who don’t feel like they fit into the gender binary but do feel supported enough and free enough to tell us that. That’s a really great change, and even though that is something that probably is worth changing our language over….we don’t even need to.

Larry Kramer

Before we begin, I do want to take a moment to apologize for my lengthy hiatus — life just got really busy around the holidays and — I’m sure you’ve all noticed — a lot has been going on since then just in the world. Anyways, craziness aside, it’s Pride month now and festivals or no, I was not about to let this month go by without writing out some queer history for you! So, we’re back! I was writing a post about Harvey Milk, but then something happened that called for me to change courses: we lost a legend. Not to spoil the end of this post or anything, but Larry Kramer passed away last week. And as he was someone who had a profound impact on our community…I couldn’t just not write about him.

Laurence “Larry” David Kramer was born in Bridgeport, CT on June 25, 1935 in the midst of the Great Depression. He was the second child of a struggling Jewish family, who had really not wanted another mouth to feed as they struggled to find work. His father George Kramer was a government attorney, his mother Rea worked variously as a shoe store employee, a teacher, and a social worker with the Red Cross.

Eventually — after the Depression — the family moved to Maryland — I’m guessing because of his dad’s job — but they were in a much lower income bracket than the family’s of Larry’s fellow students at his school. Larry had his first sexual relationship with another boy during junior high school. It was, from what I can gather, purely sexual and not romantic at all.

As he grew up, he had mounting pressure from his family. His father wanted him to marry a wealthy Jewish woman, and go to Yale, and become a member of the Pi Tau Pi fraternity. Although Larry enrolled at Yale….the rest of that is not exactly how things were going to go down. When Larry got to Yale, he found himself very isolated, feeling like the only gay guy on campus. This is 1953, so there’s not like a Gay/Straight Alliance he can just join up with — he’s pretty much stuck on his own with no way of connecting with other queer students. So, he tried to kill himself by overdosing on aspirin.

Fortunately, the attempt failed. I don’t know the details, but I’m hoping he just like…got a cramp for ten minutes and then was fine. Probably not, because he was very much changed after that. He became loud, proud, determined to fight for gay people and determined to explore his own sexuality. And determined not to marry a rich Jewish woman. The following semester, he began a romantic relationship with his German professor. He joined the Varsity Glee Club, and was an active member there until he graduated in 1957 with a degree in English. As far as I know, he never joined Pi Tau Pi.

At the age of 23, Larry became involved in movie productions, taking a job at Columbia Pictures as a Teletype operator — a job where the office happened to be across the hall from the president’s office.  This led pretty directly to his first writing credit, a dialogue writer for Here We Go Round the Mulberry Bush. He followed this by adapting the novel Women in Love by D.H. Lawrence into a screenplay. The movie was nominated for an Oscar in 1969. Larry’s third major project was a musical adaption of Frank Capra’s movie Lost Horizon, which debuted in 1973. Though Larry later was embarrassed by the project, it made him a substantial amount of money that, due to some wise investments made by Larry’s older brother Arthur, gave him enough money to not worry about money for the better part of the 80s and 90s. Doesn’t sound all that embarrassing when you look at it like that, huh?

Having established himself, Larry began taking some risks. He started writing plays and — much riskier — he started adding homosexual elements to his work. The first of these plays was 1973’s Sissies’ Scrapbook (which would later become the play Four Friends — I gather the play is better but the title’s pretty forgettable now.) Larry found he loved writing for the stage — until the producer canceled the show despite a favorable review in The New York Times.  At that point, Larry promised never to write for the stage again.

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In 1978, following a break up with his boyfriend David Webster, he wrote and published the novel Faggots. The book was based around a character who was looking for love, but was caught up in drugs and partying in bars and clubs on Fire Island and in Manhattan. To say that the book was not well received is an understatement. Heterosexual readers found it appalling, and could not believe that it reflected an accurate representation of a gay man’s life. The queer community had an even harsher reaction to the book — the Oscar Wilde Memorial Bookstore, the only gay bookstore in New York at the time, refused to sell the book at all. Larry was banned from the local grocery store where he lived on Fire Island. The book was universally trashed by mainstream and queer media alike.

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Despite that, Faggots is one of the best-selling gay novels of all time and has not been out of publication at all since its debut. The book is often taught in LGBTQ+ studies. It’s been noted that the themes of Faggots are still relevant to the gay community to this day — the negative reaction to the book, as pointed out by many who’ve studied the book since it was first published, such as Reynolds Price and Andrew Sullivan, is largely because it touched a nerve and was more honest than people were comfortable with.

Despite the reaction to the novel, Larry still managed to have a lot of friends on Fire Island, so when a number of them began to fall ill in 1980, he was concerned. The next year, after reading an article in the New York Times about “gay cancer”, he decided something had to be done. He invited about 80 affluent gay men to his home in New York City, where they listened to a doctor explain what little they knew about the related illnesses afflicting gay men. By the next year, this group had officially formed into the Gay Men’s Health Crisis (GMHC) which quickly became the primary organization raising funds and helping to provide services for those afflicted with AIDS in and around New York. GMHC is still providing support for people who are impacted by HIV and AIDS and has been expanding every year.

Kramer led the GMHC in a fight to get funding from the city to help them provide much-needed services to those fighting the disease. He made NYC mayor Ed Koch a principle target for this fight. When doctors began to suggest that, to curb the spread of the disease, gay men stop having sex, Larry brought this to the GMHC and suggested they spread the word. His colleagues refused.

Larry was not deterred. He wrote a fiery piece called “1,112 and Counting” which was published in the gay newspaper the New York Native. The essay attacked basically everyone. Healthcare workers, the CDC, politicians — and it also went after the apathy of the gay community. The piece did something important than no one else had managed: it caught the attention of the rest of New York’s media. It finally had people talking about the AIDS epidemic. According to Tony Kushner, author of Angels in America, “With that one piece, Larry changed my world. He changed the world for all of us.”

Unfortunately, it also contributed to Larry’s growing reputation as a confrontational crazy person. He had gone toe-to-toe with an NIH agency of not devoting more resources to the AIDS crisis because he was deeply in the closet. Similarly, Larry had it out quite publicly with conservative fundraiser Terry Dolan, even throwing a drink in his face, for secretly having sex with men while using homophobia as a political tool to his advantage. He argued with his brother, whose law firm Kramer Levin refused to represent GMHC. He called Ed Koch his cohorts in city government “equal to murderers.” He even attacked Dr. Anthony Fauci, the scientist who was leading the government’s response (once there was one.) Ultimately, this behavior led to the dissolution of Larry’s long-term relationship with a fellow member of the board of GMHC and — perhaps even more devastating — it led to GMHC removing Larry from the organization he’d essentially started in 1983.

thenormalheart

After his removal from the group, Larry traveled to Europe. While he was there, he visited the Dachau concentration camp where he was horrified to learn that it had begun operating in 1933 and no one, in or out of Germany, had seen fit to stop it. He felt this paralleled the US government’s response to AIDS. Despite having sworn never to write for the stage again, Larry churned out a script for the play The Normal Heart — a somewhat autobiographical look at the beginning of the AIDS epidemic. I’m not going to talk too much about its contents, other than to say that you should absolutely watch it — you can see the 2014 film version on Hulu or Amazon Prime, starring Mark Ruffalo and Matt Bomer. The play itself was groundbreaking — one of, if not the, script to actually talk about AIDS. The play premiered in 1985, a full year before President Ronald Reagan would publicly mention the disease. It was produced by the Public Theater — running for over a year and becoming the Public Theater’s longest running production. It’s been produced over 600 times since then, in countries all over the world. (That’s not even counting the movie!)

Two years later, Larry was invited to speak at the Lesbian, Gay, Bisexual and Transgender Community Center in NYC. His speech was well-attended and focused on fighting AIDS. He started the speech by having two-thirds of the people in the room stand up — and then he informed them that they would be dead within five years. For the most part, the rest of his speech was rehashing his points from “1,112 And Counting.” At the end of the speech, he asked the attendees if they wanted to start a new organization devoted to political action. The audience agreed that they did, and two days later about 300 of them met again to form the AIDS Coalition To Unleash Power (ACT UP) — an direct action organization primarily focused on advocating on behalf of issues relating AIDS and HIV, such as medical research and improving public policies.

Initially, their primary method was civil disobedience. They sought to get attention for their cause by getting their members arrested. Larry himself was arrested over a dozen times. ACT UP did manage to capture a lot of attention — with new chapters forming rapidly across the United States and even into Europe. (And, if you’ve seen or heard RENT or watched the second season of Pose you already knew about them. And if you haven’t watched Pose, fix your life. After you finish reading this.)

In 1988, Larry wrote his next script — Just Say No, A Play About a Farce. Despite the title, the play is not a farce, it’s a dramatic piece that is almost entirely a commentary on the indifference the Reagan administration showed towards the AIDS epidemic. The play received a terrible review from the New York Times which kept most audiences away. However, those who did attend reportedly loved the show. After seeing it, activist and writer Susan Sontag wrote, “Larry Kramer is one of America’s most valuable troublemakers. I hope he never lowers his voice.”

The stress of the opening of the show caused Larry to suffer a hernia, which sent Larry to the a few weeks after the show opened. While there, they discovered he had experienced liver damage from Hepatitis B and, subsequently, they found that he was HIV positive. Nevertheless, Larry was not deterred, and he was not about to lower his voice.

He published a non-fiction book called Reports from the Holocaust: The Making of an AIDS Activist in 1989. The book documents his career as an activist, particularly his time at GMHC but also his work with ACT UP and a lot of letters to editors and speeches he wrote. The book encouraged gay men to take responsibility for their own health, and urged survivors to help strengthen their community by giving back to it and advocating for it. The book also, quite intentionally but definitely controversially, declares the AIDS epidemic a holocaust, stating the government ignored it because it was primarily wiping out minorities and poor people.

His next piece was a sequel to The Normal Heart called The Destiny of Me in 1992, which was a finalist for a Pulitzer Prize, won two Obie Awards, and the Lortel Award for Outstanding Play of the Year. To be honest, I haven’t seen it or read it (yet!) so I’m not going to tell you too much else about it.

Larry Kramer (left) and David Webster (right)

In 1995, Larry reunited with his ex-boyfriend David Webster. The two were together for the rest of Larry’s life.

In 1997, Larry tried to give several million dollars to Yale to establish a continuous, permanent gay studies class, and to possibly construct a gay and lesbian student center. The proposal was incredibly narrow — something which Larry would later himself comment on the flaw of — and stated “Yale is to use this money solely for 1) the study of and/or instruction in gay male literature, by which I mean courses to study gay male writers throughout history or the teaching to gay male students of writing about their heritage and their experience. To ensure for the continuity of courses in either or both of these areas tenured positions should be established; and/or 2) the establishment of a gay student center at Yale.” The provost declined, stating it was too narrow a field of study. By 2001, however, Larry and Yale reached an agreement. Arthur Kramer gave Yale 1 million dollars to have a five year trial of the Larry Kramer Initiative for Lesbian and Gay Studies — a program focused on gay and lesbian history.

2001 was also the year that Larry needed a liver transplant. He was rejected by Mount Sinai Hospital’s organ transplant list because of his HIV. At the time, HIV positive patients were routinely rejected because of a belief that they were more likely to have complications. I don’t know if that was true or not at the time, I’m not a doctor and I don’t really follow advances in organ transplants. Larry certainly considered it discrimination, and — as we could predict by now — he was not quiet about it. In May — with the help of Dr. Fauci, who he had actually become very good friends with over the years — he was added to the transplant list at the Thomas E. Starzl Transplantation Institute at the University of Pittsburgh. It was too late to stop the media though — on June 11, Newsweek published an article titled “The Angry Prophet is Dying”. He received his transplant on December 21 and was moved out of the intensive care unit on December 26. There was some miscommunication about that, which led the Associated Press to release an article erroneously announcing that he had died. In actuality, he was in a regular hospital room and was released to his home the following week.

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Larry managed to stay out of trouble for a couple of years after that — until George W. Bush was re-elected in 2004. Larry believed Bush’s re-election was mostly due to opposition to marriage equality, so he gave a speech entitled “The Tragedy of Today’s Gays” on November 21 of that year. The speech was published in a book the following year. In the speech, he laid out the framework for an intentional plan by the wealthy and conservative elite to destroy the lives of racial minorities, non-Christians, the poor, and gays and lesbians that went back as far as 1971 with the “Powell Manifesto”. He described the AIDS epidemic as a dream come true for this behind this — a genocide that the undesirables spread among themselves. It was mostly hailed as a passionate and truthful call to arms. Others, however, accused Larry of homophobia — pointing to his history of being anti-sex in the midst of the AIDS epidemic and Faggots to establish a pattern. I’d like to point out, though, that much of what he was warning us about is proving true right now.

The next decade was a fairly quiet one, although the Broadway revival of The Normal Heart won a Tony Award in 2011, and he married David Webster in 2013. The following year, of course, The Normal Heart was made into a movie.

Larry Kramer in 2010

In 2015 he published the novel The American People: Volume 1, Search for my Heart, a passion project he’d been working on since 1981. In it, he asserted that a number of important American historical figures were gay: George Washington, Benjamin Franklin, Alexander Hamilton, Andrew Jackson, Herman Melville, Franklin Pierce, James Buchanan, Abraham Lincoln, Mark Twain, Richard Nixon…. while the novel is a work of fiction, apparently he put a great deal of research into it, but I am still really skeptical about most of those names. (But I’m definitely doing some of my own research just to be sure!)

Anyways, this year — 2020 — he released the second volume of The American People: Volume 2, The Brutality of Fact. The combined work is called The American People: A History. I haven’t read it yet. With the onset of the COVID-19 pandemic, Larry began writing a new play called An Army of Lovers Must Not Die. Unfortunately, he was unable to finish it before he came down with pneumonia and passed away on May 27.

Larry Kramer had a remarkable ability to force a spotlight to shine on issues. He probably garnered more attention for the AIDS crisis than anyone outside of Rock Hudson. He certainly reshaped the way that the government, and scientists — particularly those working with the government — respond to activists. He had a profound impact on medicine in general — it is because of him that part of the process the FDA uses to approve new drugs involves consulting with representatives from groups who will use the medicine. He will likely go down as one of the most aggressive activists in queer history, but he’ll have that reputation because when he did it…it worked.