Carlotta

Aside from how important queer representation in the media is, it’s also something that fascinates me. And part of that discussion, routinely, is who gets to play these characters. In an ideal world, where any queer person would be considered evenly for any role alongside cisgender and straight actors, that shouldn’t matter. But that’s not the world we live in. It stands to reason, that if transgender actors wouldn’t get considered for cisgender characters, the the reverse should be true. That’s often not the case even now. So, let’s take a moment to consider what it must have been like to be a transgender actor in the 1970’s.

Carol Byron was born in Balmain, New South Wales, Australia on September 2, 1943. She was assigned the male gender at birth and named “Richard” by a mother who ultimately abandoned her four months later, placing her child in the care of a woman named Hazel Roberts. Her new mother enjoyed teaching her song and dance routines. At eleven years old, however, her mother Evelyn came back into the picture with a new husband, and took custody of their son. This new stepfather physically abused their kid. Carol dropped out of school at 15 years old, and began working, taking a job putting makeup on mannequins and arranging the displays at David Jones. A year later, she ran away from home to avoid the abuse — but continued her job. At the age of seventeen, she took on the name Carol and began transitioning to live life as a woman.

She was arrested for crossdressing, but actually beat the charge based entirely on being flippant. Not a strategy I recommend, but when she came before the judge she asked what the “offensive behavior” was — the judge explained, dressing as a woman. And she responded, “You have a wig and robe on.” The case was dismissed.

She took on the stage name Carlotta, apparently from Empress Carlota of Mexico (who I will admit I know almost nothing about) and set about establishing herself. About this time, Lee Gordon — an promoter with a resume that included names like Elizabeth Taylor and Judy Garland — was opening what may have been Australia’s first drag club, the Jewel Box Revue Club in King’s Cross, Sydney. They hired Carlotta as a performer. Before too long, the club changed its name to Les Girls Restaurant and kept Carlotta on for its Les Girls caberet act. The cast was advertised as exclusively men in drag, though some — like Carlotta — were transgender women. Carlotta quickly became the star of the show. Because of that, she earned the nickname “Queen of the Cross”. Although Gordon was no longer one of the owners at this point, he continued helping Carlotta as her manager.

In 1970, she had her first film appearance — credited as appearing as herself in a movie called The Naked Bunyip. This wasn’t exactly a big break, but it did open some doors. The movie was, apparently, fairly influential. One of those doors was for her to be cast as Miss Robyn Ross on a show called Number 96 — a show that had already broken ground with gay character Don Finlayson (played by Joe Hasham) the year before. The character of Robyn Ross was the new girlfriend of character Arnold Feather (played by Jeff Kevin), and appeared in four episodes in 1972. Ultimately, it was revealed that she was a transsexual showgirl — a fact which led to the end of the romance, and the end of her storyline on the series. Here’s her “coming out” scene — the language is, obviously, not what we would currently use. To keep this scene, and the end of this storyline a surprise, her scenes were all shot on a closed set and she was initially credited as “Carolle Lea“.

Four episodes, of course, doesn’t seem like a big deal. Especially on a soap opera, which churns out new episode practically every day. But these four episodes were a very big deal because they were the first time that a transgender person played a transgender character on television anywhere in the world.

Afterwards Carlotta decided to undergo sex reassignment surgery (also known, now, as a gender confirmation surgery). Prior to the surgery, a board attempted to cure her — putting her through torturous testing including electric shock therapy on her, though she tore the wires off of her. She also, reportedly, threw a shoe at the doctors engaging in the tests. The feisty outburst worked and she was able to get the surgery. She was not, as is sometimes reported, the first person in Australia to have the procedure. She was, however, the first person in Australia that was publicly reported as having the procedure.

Some time afterwards, she was invited to do a drag performance in London. She jumped at the opportunity, the show was hugely successful, but found she didn’t enjoy it and soon returned to Australia. Where she married a guy who’s name is nowhere to be found but since I see some places where her name is reported as Carol Spencer so I’m guessing his last name was Spencer. She tried out a life of “domestic bliss” as a housewife, but it doesn’t last too long.

Carlotta at the Les Girls 25th anniversary show in 1988

Carlotta showed up on film again in 1982 playing Ron in a movie called Dead Easy. I don’t know if that character was transgender or not, it’s a fairly minor role and I haven’t seen the film.

In 1987, she toured New Zealand with a touring production of Les Girls. Short after that, her marriage ended — she left him so that he could have the opportunity to become a parent. So she resumed working at Les Girls until 1992. With her off and on career with them, she had performed with them for an impressive 26 years.

In 1994, she published her first book — He Did it her Way: The Legend of Les Girls with James Cockington. That was the same year the iconic movie The Adventures of Priscilla, Queen of the Desert was released. Carlotta was one of the inspirations behind the movie — and it, in turn, inspired her. She attempted to start her own show: Carlotta & Her Beautiful Boys which launched in 1996. This was a popular show but not a financial success and ended up bankrupting her after three years.

But Carlotta is not a woman who can be kept down. In 1997, she began appearing as a recurring panelist on the show Beauty and the Beast. (I’m linking to the Wikipedia page on this one because, personally, I was a little confused when that didn’t have to do with fairy tales and talking furniture.) On the show, the panelists answer letters from viewers and Carlotta’s life up to that point made her invaluable to the show. Kids, particularly queer kids, from all over Australia wrote the show specifically in the hopes of getting her advice. Here’s a clip of her on the show in 2001 (not talking about queer issues though, I can’t find any clips of that.)

She was popular on Beauty and the Beast and that led her to more appearances as a television personality. In 2003, she appeared on the short-lived comedy talk show Greeks on the Roof. She also published another book, entitled Carlotta: I’m not that Kind of Girl. Two years later, Carlotta launched a show that was a half-million dollar production based on her recent book Carlotta’s KingsX. She subsequently appeared on Good Morning Australia and on the music quiz show Spicks and Specks.

Carlotta’s portrait in the Australian National Portrait Gallery

Also in 2005, the cast of The Naked Bunyip reunited for a short video “In a Funny Sort of Way” which discussed the movie and its impact on Australian cinema. So, 2005 was a very busy year for Carlotta. In 2006, she appeared in four episodes of the documentary series 20 to 1. That was also the year that Australian National Portrait Gallery purchased a portrait of Carlotta and incorporated it into their collection.

Carlotta later launched a touring one-woman show called Carlotta: Live and Intimate. In 2013, she began appearing as a regular guest panelist on the morning news show Studio 10. The following year, a made-for-TV movie about her life was made called Carlotta. The film was criticized for only hinting at the harsher parts of Carlotta’s life as a transgender woman. Carlotta was played by cisgender actor Jessica Marais and while I would like to criticize that choice, but Carlotta was actually involved in the casting.

Carlotta and a young fan in 2019

In 2018, she was diagnosed with bladder cancer. Her doctors caught it early, performed surgery, and she made a full recovery and jumped right back into her career. In 2019, she continued touring with her musical revue Carlotta: Queen of the Cross which features a wide variety of music, especially from other queer artists like Peter Allen (whom she had been friends with) and Stephen Sondheim.

On January 26, 2020 she was awarded the Medal of the Order of Australia for services to the LGBTQ+ community and to the performing arts. Although this is the most recent and most impressive recognition Carlotta has received for her decades of work, she’s also been recognized with the King’s Cross Award, the Drag Industry Variety Award (in 1997) and a Australian Club Entertainment Lifetime Achievement Award (in 2018). That last one may have to get given to her again, as Carlotta is still performing, and no doubt has much more that she will achieve.

Larry Kramer

Before we begin, I do want to take a moment to apologize for my lengthy hiatus — life just got really busy around the holidays and — I’m sure you’ve all noticed — a lot has been going on since then just in the world. Anyways, craziness aside, it’s Pride month now and festivals or no, I was not about to let this month go by without writing out some queer history for you! So, we’re back! I was writing a post about Harvey Milk, but then something happened that called for me to change courses: we lost a legend. Not to spoil the end of this post or anything, but Larry Kramer passed away last week. And as he was someone who had a profound impact on our community…I couldn’t just not write about him.

Laurence “Larry” David Kramer was born in Bridgeport, CT on June 25, 1935 in the midst of the Great Depression. He was the second child of a struggling Jewish family, who had really not wanted another mouth to feed as they struggled to find work. His father George Kramer was a government attorney, his mother Rea worked variously as a shoe store employee, a teacher, and a social worker with the Red Cross.

Eventually — after the Depression — the family moved to Maryland — I’m guessing because of his dad’s job — but they were in a much lower income bracket than the family’s of Larry’s fellow students at his school. Larry had his first sexual relationship with another boy during junior high school. It was, from what I can gather, purely sexual and not romantic at all.

As he grew up, he had mounting pressure from his family. His father wanted him to marry a wealthy Jewish woman, and go to Yale, and become a member of the Pi Tau Pi fraternity. Although Larry enrolled at Yale….the rest of that is not exactly how things were going to go down. When Larry got to Yale, he found himself very isolated, feeling like the only gay guy on campus. This is 1953, so there’s not like a Gay/Straight Alliance he can just join up with — he’s pretty much stuck on his own with no way of connecting with other queer students. So, he tried to kill himself by overdosing on aspirin.

Fortunately, the attempt failed. I don’t know the details, but I’m hoping he just like…got a cramp for ten minutes and then was fine. Probably not, because he was very much changed after that. He became loud, proud, determined to fight for gay people and determined to explore his own sexuality. And determined not to marry a rich Jewish woman. The following semester, he began a romantic relationship with his German professor. He joined the Varsity Glee Club, and was an active member there until he graduated in 1957 with a degree in English. As far as I know, he never joined Pi Tau Pi.

At the age of 23, Larry became involved in movie productions, taking a job at Columbia Pictures as a Teletype operator — a job where the office happened to be across the hall from the president’s office.  This led pretty directly to his first writing credit, a dialogue writer for Here We Go Round the Mulberry Bush. He followed this by adapting the novel Women in Love by D.H. Lawrence into a screenplay. The movie was nominated for an Oscar in 1969. Larry’s third major project was a musical adaption of Frank Capra’s movie Lost Horizon, which debuted in 1973. Though Larry later was embarrassed by the project, it made him a substantial amount of money that, due to some wise investments made by Larry’s older brother Arthur, gave him enough money to not worry about money for the better part of the 80s and 90s. Doesn’t sound all that embarrassing when you look at it like that, huh?

Having established himself, Larry began taking some risks. He started writing plays and — much riskier — he started adding homosexual elements to his work. The first of these plays was 1973’s Sissies’ Scrapbook (which would later become the play Four Friends — I gather the play is better but the title’s pretty forgettable now.) Larry found he loved writing for the stage — until the producer canceled the show despite a favorable review in The New York Times.  At that point, Larry promised never to write for the stage again.

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In 1978, following a break up with his boyfriend David Webster, he wrote and published the novel Faggots. The book was based around a character who was looking for love, but was caught up in drugs and partying in bars and clubs on Fire Island and in Manhattan. To say that the book was not well received is an understatement. Heterosexual readers found it appalling, and could not believe that it reflected an accurate representation of a gay man’s life. The queer community had an even harsher reaction to the book — the Oscar Wilde Memorial Bookstore, the only gay bookstore in New York at the time, refused to sell the book at all. Larry was banned from the local grocery store where he lived on Fire Island. The book was universally trashed by mainstream and queer media alike.

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Despite that, Faggots is one of the best-selling gay novels of all time and has not been out of publication at all since its debut. The book is often taught in LGBTQ+ studies. It’s been noted that the themes of Faggots are still relevant to the gay community to this day — the negative reaction to the book, as pointed out by many who’ve studied the book since it was first published, such as Reynolds Price and Andrew Sullivan, is largely because it touched a nerve and was more honest than people were comfortable with.

Despite the reaction to the novel, Larry still managed to have a lot of friends on Fire Island, so when a number of them began to fall ill in 1980, he was concerned. The next year, after reading an article in the New York Times about “gay cancer”, he decided something had to be done. He invited about 80 affluent gay men to his home in New York City, where they listened to a doctor explain what little they knew about the related illnesses afflicting gay men. By the next year, this group had officially formed into the Gay Men’s Health Crisis (GMHC) which quickly became the primary organization raising funds and helping to provide services for those afflicted with AIDS in and around New York. GMHC is still providing support for people who are impacted by HIV and AIDS and has been expanding every year.

Kramer led the GMHC in a fight to get funding from the city to help them provide much-needed services to those fighting the disease. He made NYC mayor Ed Koch a principle target for this fight. When doctors began to suggest that, to curb the spread of the disease, gay men stop having sex, Larry brought this to the GMHC and suggested they spread the word. His colleagues refused.

Larry was not deterred. He wrote a fiery piece called “1,112 and Counting” which was published in the gay newspaper the New York Native. The essay attacked basically everyone. Healthcare workers, the CDC, politicians — and it also went after the apathy of the gay community. The piece did something important than no one else had managed: it caught the attention of the rest of New York’s media. It finally had people talking about the AIDS epidemic. According to Tony Kushner, author of Angels in America, “With that one piece, Larry changed my world. He changed the world for all of us.”

Unfortunately, it also contributed to Larry’s growing reputation as a confrontational crazy person. He had gone toe-to-toe with an NIH agency of not devoting more resources to the AIDS crisis because he was deeply in the closet. Similarly, Larry had it out quite publicly with conservative fundraiser Terry Dolan, even throwing a drink in his face, for secretly having sex with men while using homophobia as a political tool to his advantage. He argued with his brother, whose law firm Kramer Levin refused to represent GMHC. He called Ed Koch his cohorts in city government “equal to murderers.” He even attacked Dr. Anthony Fauci, the scientist who was leading the government’s response (once there was one.) Ultimately, this behavior led to the dissolution of Larry’s long-term relationship with a fellow member of the board of GMHC and — perhaps even more devastating — it led to GMHC removing Larry from the organization he’d essentially started in 1983.

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After his removal from the group, Larry traveled to Europe. While he was there, he visited the Dachau concentration camp where he was horrified to learn that it had begun operating in 1933 and no one, in or out of Germany, had seen fit to stop it. He felt this paralleled the US government’s response to AIDS. Despite having sworn never to write for the stage again, Larry churned out a script for the play The Normal Heart — a somewhat autobiographical look at the beginning of the AIDS epidemic. I’m not going to talk too much about its contents, other than to say that you should absolutely watch it — you can see the 2014 film version on Hulu or Amazon Prime, starring Mark Ruffalo and Matt Bomer. The play itself was groundbreaking — one of, if not the, script to actually talk about AIDS. The play premiered in 1985, a full year before President Ronald Reagan would publicly mention the disease. It was produced by the Public Theater — running for over a year and becoming the Public Theater’s longest running production. It’s been produced over 600 times since then, in countries all over the world. (That’s not even counting the movie!)

Two years later, Larry was invited to speak at the Lesbian, Gay, Bisexual and Transgender Community Center in NYC. His speech was well-attended and focused on fighting AIDS. He started the speech by having two-thirds of the people in the room stand up — and then he informed them that they would be dead within five years. For the most part, the rest of his speech was rehashing his points from “1,112 And Counting.” At the end of the speech, he asked the attendees if they wanted to start a new organization devoted to political action. The audience agreed that they did, and two days later about 300 of them met again to form the AIDS Coalition To Unleash Power (ACT UP) — an direct action organization primarily focused on advocating on behalf of issues relating AIDS and HIV, such as medical research and improving public policies.

Initially, their primary method was civil disobedience. They sought to get attention for their cause by getting their members arrested. Larry himself was arrested over a dozen times. ACT UP did manage to capture a lot of attention — with new chapters forming rapidly across the United States and even into Europe. (And, if you’ve seen or heard RENT or watched the second season of Pose you already knew about them. And if you haven’t watched Pose, fix your life. After you finish reading this.)

In 1988, Larry wrote his next script — Just Say No, A Play About a Farce. Despite the title, the play is not a farce, it’s a dramatic piece that is almost entirely a commentary on the indifference the Reagan administration showed towards the AIDS epidemic. The play received a terrible review from the New York Times which kept most audiences away. However, those who did attend reportedly loved the show. After seeing it, activist and writer Susan Sontag wrote, “Larry Kramer is one of America’s most valuable troublemakers. I hope he never lowers his voice.”

The stress of the opening of the show caused Larry to suffer a hernia, which sent Larry to the a few weeks after the show opened. While there, they discovered he had experienced liver damage from Hepatitis B and, subsequently, they found that he was HIV positive. Nevertheless, Larry was not deterred, and he was not about to lower his voice.

He published a non-fiction book called Reports from the Holocaust: The Making of an AIDS Activist in 1989. The book documents his career as an activist, particularly his time at GMHC but also his work with ACT UP and a lot of letters to editors and speeches he wrote. The book encouraged gay men to take responsibility for their own health, and urged survivors to help strengthen their community by giving back to it and advocating for it. The book also, quite intentionally but definitely controversially, declares the AIDS epidemic a holocaust, stating the government ignored it because it was primarily wiping out minorities and poor people.

His next piece was a sequel to The Normal Heart called The Destiny of Me in 1992, which was a finalist for a Pulitzer Prize, won two Obie Awards, and the Lortel Award for Outstanding Play of the Year. To be honest, I haven’t seen it or read it (yet!) so I’m not going to tell you too much else about it.

Larry Kramer (left) and David Webster (right)

In 1995, Larry reunited with his ex-boyfriend David Webster. The two were together for the rest of Larry’s life.

In 1997, Larry tried to give several million dollars to Yale to establish a continuous, permanent gay studies class, and to possibly construct a gay and lesbian student center. The proposal was incredibly narrow — something which Larry would later himself comment on the flaw of — and stated “Yale is to use this money solely for 1) the study of and/or instruction in gay male literature, by which I mean courses to study gay male writers throughout history or the teaching to gay male students of writing about their heritage and their experience. To ensure for the continuity of courses in either or both of these areas tenured positions should be established; and/or 2) the establishment of a gay student center at Yale.” The provost declined, stating it was too narrow a field of study. By 2001, however, Larry and Yale reached an agreement. Arthur Kramer gave Yale 1 million dollars to have a five year trial of the Larry Kramer Initiative for Lesbian and Gay Studies — a program focused on gay and lesbian history.

2001 was also the year that Larry needed a liver transplant. He was rejected by Mount Sinai Hospital’s organ transplant list because of his HIV. At the time, HIV positive patients were routinely rejected because of a belief that they were more likely to have complications. I don’t know if that was true or not at the time, I’m not a doctor and I don’t really follow advances in organ transplants. Larry certainly considered it discrimination, and — as we could predict by now — he was not quiet about it. In May — with the help of Dr. Fauci, who he had actually become very good friends with over the years — he was added to the transplant list at the Thomas E. Starzl Transplantation Institute at the University of Pittsburgh. It was too late to stop the media though — on June 11, Newsweek published an article titled “The Angry Prophet is Dying”. He received his transplant on December 21 and was moved out of the intensive care unit on December 26. There was some miscommunication about that, which led the Associated Press to release an article erroneously announcing that he had died. In actuality, he was in a regular hospital room and was released to his home the following week.

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Larry managed to stay out of trouble for a couple of years after that — until George W. Bush was re-elected in 2004. Larry believed Bush’s re-election was mostly due to opposition to marriage equality, so he gave a speech entitled “The Tragedy of Today’s Gays” on November 21 of that year. The speech was published in a book the following year. In the speech, he laid out the framework for an intentional plan by the wealthy and conservative elite to destroy the lives of racial minorities, non-Christians, the poor, and gays and lesbians that went back as far as 1971 with the “Powell Manifesto”. He described the AIDS epidemic as a dream come true for this behind this — a genocide that the undesirables spread among themselves. It was mostly hailed as a passionate and truthful call to arms. Others, however, accused Larry of homophobia — pointing to his history of being anti-sex in the midst of the AIDS epidemic and Faggots to establish a pattern. I’d like to point out, though, that much of what he was warning us about is proving true right now.

The next decade was a fairly quiet one, although the Broadway revival of The Normal Heart won a Tony Award in 2011, and he married David Webster in 2013. The following year, of course, The Normal Heart was made into a movie.

Larry Kramer in 2010

In 2015 he published the novel The American People: Volume 1, Search for my Heart, a passion project he’d been working on since 1981. In it, he asserted that a number of important American historical figures were gay: George Washington, Benjamin Franklin, Alexander Hamilton, Andrew Jackson, Herman Melville, Franklin Pierce, James Buchanan, Abraham Lincoln, Mark Twain, Richard Nixon…. while the novel is a work of fiction, apparently he put a great deal of research into it, but I am still really skeptical about most of those names. (But I’m definitely doing some of my own research just to be sure!)

Anyways, this year — 2020 — he released the second volume of The American People: Volume 2, The Brutality of Fact. The combined work is called The American People: A History. I haven’t read it yet. With the onset of the COVID-19 pandemic, Larry began writing a new play called An Army of Lovers Must Not Die. Unfortunately, he was unable to finish it before he came down with pneumonia and passed away on May 27.

Larry Kramer had a remarkable ability to force a spotlight to shine on issues. He probably garnered more attention for the AIDS crisis than anyone outside of Rock Hudson. He certainly reshaped the way that the government, and scientists — particularly those working with the government — respond to activists. He had a profound impact on medicine in general — it is because of him that part of the process the FDA uses to approve new drugs involves consulting with representatives from groups who will use the medicine. He will likely go down as one of the most aggressive activists in queer history, but he’ll have that reputation because when he did it…it worked.

Ken Togo

Togo Takeshi — better known as Ken Togo — was born on June 10, 1932 in Kakogawa City in the Hyogo Prefecture of Japan. He came from a highly political, very high profile family. After graduating from Kwansei Gakuin University in 1955, he worked a series of jobs ranging from chicken farm manager to bank clerk. In 1963, he caused a huge scandal for his family, when he left his respectable bank job and wife and children, openly proclaimed his homosexuality and began managing a gay bar in Himjei City. Under his management, he actually pushed the bar’s finances out of the red and it began to turn a profit — nevertheless, it closed two years after he took it over due to problems with employees and the administration. In 1968, Togo opened up a new gay bar in Tokyo which he called “Togoken” — although this bar was also destined for financial ruin.

Soon, Togo became heavily involved in politics with a political platform based around the radical queer politics — this was revolutionary in a global way. In the early ’70s in New York City and San Francisco, most queer activists were trying to get the LGBTQ+ community accepted into the “respectable” mainstream, Togo was rejecting the heteronormative mainstream culture entirely. He advocated against discrimination towards sexual minorities — not just homosexual and bisexual people, but also the BDSM community and sex workers. He advocated for gender equality — for women, and for transgender people. (Although, controversially, he did not believe that transgender people working in entertainment should get gender reassignment surgery in a train of thought that basically amounts to “artists need tension in their lives to create good art.”) He also advocated for other minorities often ostracized by Japanese society — including disabled people, children born out of wedlock. He also fully believed that capitalism was inherently bad for the disenfranchised and loudly proclaimed himself a socialist.  He fashioned himself as “the okama Togo Ken” (which translates roughly to “the faggot Ken Togo”), formed a political party called “the Miscellaneous People’s Association” in 1971 and began to run for office. Between 1971 and 1995, Togo ran for office nearly a dozen times — though he was never elected. During the ’80s, Togo also included AIDS activism as a major part of platform.

Togo’s radical politics garnered him international attention — though not always of the positive kind. (Although his only English-language interview was with The Advocate in 1983.) He lost every election he ran for — not only because of rampant homophobia and because of his radical positions — but because he, essentially, made a mockery of the Emperor. He likened the coming out experience of  queer people to the end of World War II — when the Emperor declared (at the behest of Allied forces) that he was not divine, but was now human. The Japanese people accepted this pronouncement, and Togo was certain it should be easier to accept when someone comes out as gay or transgender than when someone comes out as no-longer-a-god. He also named his cat “Chin” to mock a word for “we” reserved for use by the Emperor and liken it to slang for the penis. This did not make him a favorite person of many people in Japan.

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The cover of Ken Togo’s first album

Togo also released a couple of albums, the first in 1972, with a focus on queer-themed music. He also worked occasionally as an actor, director, and occasional pornographer — always with a political bent, bringing awareness and attention to his radical views. He also began publishing a magazine called The Ken — highly political, but also flagrantly defying Japan’s censorship laws (which Togo was opposed to) through the publication of pornographic images.

For several years, he was on friendly terms with the Japan Socialist Party — until 1978. In that year, Itsuro Kosaka published a statement in the Shukan Post that decried homosexuality as a disease and Togo publicly cut all ties with the party. Around this time, much of the rest of the queer community began to feel animosity with Togo because of his publicly effeminate appearance (he frequently wore makeup and dressed quite outlandishly) and his efforts to reclaim the term “okama“. Nevertheless, when he rebranded The Ken into The Gay in 1978, it became exceedingly popular. He began holding public photoshoots of his models.

In 1987, returning to Japan from San Francisco, Togo became embroiled in scandal because, upon searching his bags, customs found numerous videos and publications that were not permitted under Japan’s censorship laws. The items were confiscated, but Togo was additionally fined under charges that he intended to distribute the items. Togo fought the charges, going to court and claiming they were for his private use. Initially, he lost the court fight — but on appeals, the court found in his favor. Unfortunately, customs appealed further and the legal battle made it all the way to Japan’s Supreme Court — which found in favor of customs, and forced Togo to pay the fine and all of the (considerable) court costs.

By 2002, Togo’s effeminate image and radical positions had set him apart from most of the queer community in Japan. At a meeting regarding the discriminatory language regarding AIDS in the media, a number of Japanese LGBTQ+ activists including Hasegawa Hiroshi and Ōtsuka Takashi spoke about how they did not feel represented by Togo’s presentation of the gay identity. Togo remained a prominent figure to many in Japan’s transgender community, however, including Miyazaki Rumiko.

Although he was less politically active in his later years, he continued to espouse his views from his small bar (BAR Togo Ken — I have no idea when he established it) every night until 2011. He passed away on April 1, 2012. His children held a small, private funeral for him — but his friends and customers held a large celebration of his life at Togo’s bar the following July 1.

Heroes of Stonewall: Stormé DeLarverie

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Photo Credit: New York Times

Sometimes called “the Rosa Parks of the gay community,” Stormé DeLarverie was a butch lesbian who’s arrest is often credited as the moment that sparked the Stonewall Riots — despite being quite adamant that “it was a rebellion, it was an uprising, it was a civil rights disobedience – it wasn’t no damn riot.”

DeLarverie was born in 1920 to a white man and a black woman — who worked as a servant for her father’s family. DeLarverie’s exact date of birth was never exactly known, so she celebrated it on December 24. (I’m not sure why you’d pick that if you’re given a choice, but I guess we can’t all have June birthdays…) As a kid, DeLarverie was bullied constantly. In her teenage years, she joined the circus — getting a job riding jumping horses for Ringling Brothers Circus, until she was injured in a fall and was unable to resume the work.

DeLarverie realized she was a lesbian around the age of 18. She entered into a relationship with a dancer named Diana, who she was with for about 25 years until Diana’s death in the ’70s. DeLarverie carried a photo of Diana with her for the rest of her life.

storme_delarverie_no_photo_cIn 1955, began touring as the MC and the only drag king in the Jewel Box Revue — the first racially integrated drag show, appearing regularly at the Apollo Theater. Audience members would attempt to “guess the girl,” ultimately being surprised during a song entitled “Surprise with a Song” that the girl was actually DeLarverie, who was often sporting a mustache and a tailored suit.  DeLarverie was noted particularly for having a strinkingly handsome appearance as a boy — which inspired a lot of other lesbians of the time to begin wearing traditionally masculine clothing as well. Her career as a performer would be explored in the 1987 documentary Stormé: The Lady of the Jewel Box.

DeLarverie continued performing with the Jewel Box Revue until 1969, becoming quite well known and influential in drag culture. 1969, however, was the year the most truly secured her place in queer history. DeLarverie was at the Stonewall Inn working as a bouncer when the police raid began in the early morning hours. Although resistance to the raid truly started inside the bar itself, the real riot on the street is often said to have begun with a woman many have identified as DeLarverie. She was brought out of the bar and through the crowd outside several times, but kept escaping — at least once by punching an officer (which she, according to friend Lisa Cannistraci, believed was the first punch of the riot.) At some point, DeLarverie was hit in the head by an officer’s baton and began to bleed from the wound — she struggled and complained that her handcuffs were too tight, before looking to the crowd and asking “Why don’t you guys do something?” At this point, the police officers picked up DeLarverie and hurled her into the back of the police wagon — and the crowd erupted. (It was at this moment that the legendary “first brick” was thrown.)

Now, it hasn’t been confirmed that DeLarverie was actually the woman that that story is about — but it has been absolutely confirmed that she was there and was one of several butch lesbians fighting against the police. In truth, it’s entirely likely that the above story did happen, and no one’s name but DeLarverie’s has ever been put forth for it, but there probably wasn’t just one inciting incident that sparked the riots — a number of things were happening simultaneously that cumulatively led to the uprising.

The riots transformed DeLarverie, who became a fierce activist and a protector of the LGBTQIA+ community afterwards. She had a state gun permit, and was known to patrol the neighborhoods around lesbian bars looking for intolerance or, as she described it, “ugliness” against her community. She was a regular staple at the Pride parades and rallies that followed after Stonewall, and also acted as a bouncer at several lesbian bars until she was 85 years old. Meanwhile, she also continued to perform, often putting on benefits for abused women and children and volunteered for queer organizations and charities as well.

She was also a well-respected member of the Stonewall Veterans Association, holding several offices there including Chief of Security and Ambassador. She also served as Vice President from 1998 to 2000.

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Photo by Sam Bassett

In 2010, DeLarverie moved into a nursing home in Brooklyn. With dementia setting in, she did not know she was living in a nursing home but she retained her memories of the Stonewall Riots and her childhood. On June 7, 2012 Brooklyn Pride Inc. honored her at the Brooklyn Society for Ethical Culture, where they also aired the 1987 documentary about her. Two years later on April 24, the Brooklyn Community Pride Center honored DeLarverie “for her fearlessness and bravery.” One month — to the day — later, DeLarverie died in her Brooklyn nursing home from a heart attack at 94 years old.

DeLarverie led a long life, but her legacy with the LGBTQIA+ community will continue for many many years to come. Every time there is ugliness against this community, I hope you hear her asking that question that changed the course of history for queer people everywhere: “Why don’t you guys do something?”

Althea Garrison

With everyone’s minds on yesterday’s general election I thought I’d delve into the world of politics. The Boston Globe has called her the “most perennial of perennial candidates” but her mark on politics is perhaps greater than the credit they give her — Althea Garrison was the first transgender person (that we know of) elected to a state legislature in the United States. Though her tenure was brief, the barrier she broke is undeniable — even if she never meant to or wanted to.

220px-altheagarrisonGarrison was born in Hahira, Georgia on October 7, 1940. At nineteen years old — still living in the closet as a man — Garrison moved to Boston to attend beauty school — but it turned out she didn’t like being on her feet all day. So she enrolled at Newbury Junior College and earned an associate’s degree. She followed that by attending Suffolk University and earning a B.S. in business administration, and then an M.S. in management from Lesley College. After this, she got a certification in management from Harvard University. Afterwards, she decided she didn’t actually need to attend every college in the Boston area, and didn’t earn any more degrees.

In or around 1976, she transitioned into living as a woman and asked the courts to change her name. The court documents read that the name Althea Garrison “is consistent with petitioner’s appearance and medical condition and is the name by which he will be known in the future.” It’s a bit unclear what “medical condition” they’re referring to — and honestly, we’ll probably never know. To this day, Garrison has never publicly acknowledged her transition,

In 1980, Garrison volunteered with Ted Kennedy’s presidential campaign. She says, this is when her interest in politics was sparked. When he lost, she reasoned that if she could campaign for him, she could just as easily campaign for herself. In 1981, she began working at the comptroller’s office and campaigned for a seat on the Boston city council. She was not elected. The next year she ran as a Democrat for the Massachusetts House of Representatives, and was not elected. She ran for city council again in 1983 and 1985, and then ran for the Massachusetts House of Representatives again in 1986. She tried for city council again in 1987 — and then left the Democratic party. She ran for city council as an independent in 1989.

She must have also run for office some other times, because in 1991 — running as a Republican for the city council — the Boston Herald stated she had run for office nine times. Garrison herself thought it was somewhere around ten or eleven. I only count eight, including the 1991 campaign but I’m admittedly really terrible at math. Anyways, in 1991 she came in third during the preliminary election for her district.

In 1992, she hit the campaign trail once more — still as a Republican, and gunning once again for the Massachusetts House of Representatives. She took incumbent Nelson Merced to court, challenging some of the signatures he’d used to qualify for the Democratic primary. The court ruled in Garrison’s favor, and Merced was taken off the ballot. Irene Roman became the candidate for the Democratic party. Roman garnered 2,014 votes. Garrison beat her by a narrow margin of 437 votes — totaling 2,451.

Garrison quickly fell under attack. Many criticized that she had won disingenuously because she’d kept Merced off the ballot. (But, really, the court did that.) A reporter for the Boston Herald named Eric Fehrnstrom already had her in his sights. You may recognize his name — he was a top aid for Mitt Romney during his 2012 campaign. Fehrnstrom had discovered the court documents regarding Garrison’s name change — and according to colleagues he was positively gleeful. Two days into her tenure, the Herald published a front page story speculating about her gender.

I should note here, that technically Garrison still hasn’t come out. Even in the face of the ensuing scandal, and the remarkably unkind comments of her political opponents at the time in regards to her gender, Garrison has only ever stated that she is a woman. She has never addressed this, and probably never will address this. And that’s okay. Admittedly, it has made me feel awkward about writing this but at the same time the extremely ugly circumstances of her outing don’t take away from Garrison’s accomplishments, her impressive persistence, or the barriers she helped break down for transgender people in the United States. Because of Fehrnstrom, she’s part of our nation’s strong queer history.

Anyways, Garrison finished her term and developed a reputation for voting in favor of unions, and frequently reaching across the aisle and voting with Democrats. At the same time, she voted against marriage equality, against gun control, and against legalized abortions. When it came time for re-election in 1994, eight unions in Boston strongly backed her — as well as the Massachusetts branch of the AFL-CIO. Nevertheless, she was defeated. Charlotte Golar Richie, the Democratic candidate, won with 2,108 votes to Garrison’s 1,718 — an even narrower margin than her skin-of-her-teeth victory in 1992.

Since that time, Garrison has consistently run for office, running variously as a Republican, a Democrat, and an independent. She has run for Boston City Council in 1995, 1997, 1999, 2003, 2005, 2009, 2011, 2013, 2015, and 2017. She ran for the Massachusetts House of Representatives in 2000, 2006, and 2010. She also ran in a special election for state Senate in 2002, and for mayor of Boston in 2001.

She did not win any of these elections. However, she is positioned to take over Ayanna Pressley’s seat on the Boston City Council when Pressley moves to serve in Congress.

In 2018, after 37 years, Garrison has retired from the comptroller’s office. But she has not retired from her political aspirations — despite being up for a position on the Boston City Council, Garrison ran as an independent for the Massachusetts House of Representatives in the 2018 general election — which she lost to Liz Miranda.

I know this sounds like a whole lot elections that Garrison didn’t win — but the take away here is that she has never given up. Even when attacked for who she is, she never gave up. And that, if nothing else, broke down barriers and proved transgender people could hold office — allowing for Stacie Loughton‘s election in 2012 and Danica Roem‘s election in 2017 (both of which are whole other stories.)

UPDATE: Since writing this post, Althea Garrison was sworn into her new seat on the Boston City Council on January 9, 2019.