In more recent years, many governments and organizations have worked to undo the injustice that’s been committed against LGBTQIA+ people throughout history — pardoning those convicted of homosexuality or cross-dressing when those were crimes, writing obituaries for notable queer people in history, etc. But there’s some glaring instances where an injustice clearly could and should be rectified — but no justice has been forthcoming. One egregious example of this is that of Ewa Kłobukowska.
Ewa Kłobukowska was born on October 1, 1946 into a family of intellectuals in Warsaw, Poland. She grew to become an incredible athlete, competing as a sprinter in the Olympics in 1964. She won a gold medal in the 4×100 meter relay with a time of 43.6 seconds — breaking the world record she had set only a month before with a time of 44.2 seconds, as well as earning a bronze medal in the 100 m sprint.
The following year, she graduated from the Technical School of Economics No. 6 and set a new world record for 100 m sprint, with a time of 11.1 seconds. In 1966, she competed in the European Championships and — although she didn’t set any new world records, she still managed to earn a two gold medals and one silver medal. Not bad, right?
In 1967, Ewa took a traditional gender verification test for the European Cup track and field competition in Kiev, administered by the International Association of Athletics Federations (IAAF). She failed the test — Ewa had an intersex condition that even she was wholly unaware of. The Polish Federation decided to send Ewa to compete anyways — which the IAAF did not appreciate. In response, they publicly announced that Ewa had “one chromosome too many.” A medical journal published her results — a chromosome makeup of XX/XXY. Ewa was labeled as a “hermaphrodite” in the media. She disappeared from sports completely.
In 1968, instead of competing in the Olympics, Ewa got pregnant and had a son. I guess that’s a pretty worthwhile use of the time. Meanwhile, also in 1968, the standard gender verification test that was previously used was abandoned in favor of the “Barr Body Test” — a gender verification test that, incidentally, Ewa would have passed. (This starts getting into like genetics and science stuff I don’t really understand so I can’t explain really why she would have passed, but she would have.) That’s right, if she’d been tested just one year later all of the humiliation she suffered — and would continue to suffer — would have been avoided.
But that didn’t stop the IAAF from erasing all of her world records in 1969. They allowed the Polish team to keep the medals she had helped them earn in the relays. How gracious, right? Ewa has done her best to stay out of the public eye since then, though she graduated from the Warsaw School of Economics in 1972. Gender verification tests were abolished in sports altogether 1999.
She’s still alive and kicking at 72 years old. And yet, Ewa’s records still have not been restored to the record books. At this point, it doesn’t seem that there’s any reason they shouldn’t be.
Like so many historical figures, James Barry‘s gender identity is kind of a mystery because the language and understanding we have of gender today has really evolved immensely since the 19th century. Nevertheless, I feel pretty confident that James Barry was transgender and not just trying to escape the confines that came with being a woman in Regency era Britain. I’ll justify that as we go through this.
He was the second child born to Jeremiah and Mary-Ann Bulkley in Ireland, though there is very little information about his early life. He was named Margaret Anne Bulkley and lived as a girl until at least age 19. What little information can be found and verified seems to indicate he was born in 1789 — for instance, a letter dated January 14, 1805 states that the young “Miss Bulkley” was fifteen years old at the time. The date of birth is a bit confusing, because there are also sources that indicate he may have been born in 1792, 1795, or 1799. These are probably due to Barry lying about his age through his military career.
There is also some indication that Barry was assaulted as a child, resulting in a pregnancy. The child this produced is theorized to be the youngest Bulkley child, Juliana, who was raised as Barry’s sister.
The Bulkley family had serious financial difficulties — and ultimately they concocted a scheme to produce a better income. “Margaret Anne” adopted the name James Barry and posed as the nephew of the Irish artist James Barry (who was Mary-Ann Bulkley’s brother). Along with his mother (his “aunt” in letters), Barry boarded a ship bound for the University of Edinburgh in 1809. It is from the envelope of one letter from this trip that researchers were able to trace Barry back to his early childhood — the back of the envelope discreetly bore the words “Miss Bulkley, 14 December.” After this point, Barry never permitted anyone to see him change clothes and lived as a man both publicly and privately.
Barry began studying medicine at the University of Edinburgh. Due to his effeminate facial features, many students believed Barry to be a pre-pubescent boy (like, some kind of prodigy, I guess?) and the university even tried to stop him from taking the final exams because they believed he was too young. The Earl of Buchan intervened, and Barry graduated in 1812 and almost immediately enrolled in courses at the United Hospitals of Guy’s and St. Thomas’. On July 2, 1813, Barry passed the examination of the Royal College of Surgeons.
On July 6, 1813 Barry was commissioned as a hospital assistant in the British army. For anyone keeping track, that’s a four day turn around on graduating school and landing a job. Barry was initially stationed at Chelsea, and then sent to Plymouth to serve at the Royal Military Hospital there. He was promoted to Assistant Surgeon to the Forces (which apparently is the medical equivalent of a lieutenant) on December 7 of 1815.
In 1816, Barry was sent to Cape Town, South Africa. Barry’s previous benefactor, the Earl of Buchan, had sent a letter of introduction to the governor Lieutenant General Charles Henry Somerset. Barry quickly impressed the governor’s family by treating his ailing daughter. Barry was essentially welcomed as a member of the family, and in 1822 Somerset promoted Barry to Colonial Medical Inspector — which was a pretty massive jump in station and in responsibility. Barry spent the next decade significantly improving conditions — especially for slaves, prisoners, prostitutes and the mentally ill. Barry even made a priority out of improving the conditions in hospitals and leper colonies. Barry is notable for being one of the handful of medical professionals at the time who understood that humanitarian conditions — particularly hygiene, diet, and fresh air — were vital to sustain a healthy population and prevent the spread of disease.
Although he used excellent bedside manner with patients, Barry was otherwise outspoken, impatient, brash, and often tactless — particularly when it came to criticizing other people when it came to medical concerns and policies. Not surprisingly, a lot of people did not like Barry because of this but his close friendship with the governor shielded him from consequences. That’s probably a large factor in one major event that took place in 1824: Lieutenant General Charles Henry Somerset was accused of “buggering” Barry. An investigation and a trial followed.
Now, buggering — which, of course, was the act of homosexual intercourse — was still very illegal in the British Empire and could still carry the death penalty. Nevertheless, nobody even seems to have considered that Barry was biologically female and Barry certainly didn’t offer up this information. This is one reason that I’m convinced that Barry identified as a man — Barry never came forward to save Somerset. Somerset also never revealed anything, even though it’s considered probable that he knew.
Though the case failed to prove any buggering, it proved humiliating for both Somerset and Barry. Barry managed to redeem himself in June of the same year — by performing a Cesarean section (without anesthesia) where both the mother and child lived. This was one of the first times this ever done and was the first time this had been accomplished anywhere in the British Empire or, as far as we know, in Africa. This feat easily secured Barry’s position as the best doctor in the colony.
On November 22, 1827 Barry was promoted to Surgeon of the Forces. The following year, he was assigned a new posting in Mauritius. After only a year there, Barry took a leave because Lord Somerset had fallen in. Barry personally cared for Somerset until his death in 1831, at which point Barry was sent to Jamaica and then, in 1836, to Saint Helena.
Barry’s abrasive personality had not mellowed out over the years, and while stationed at Saint Helena he came into some sort of, let’s say, “gentleman’s disagreement” with another officer that resulted in Barry facing a court martial that ultimately found him not guilty.
In 1840, Barry was promoted to Principal Medical Officer and assigned to the Leeward and Windward Islands of the West Indies. His assignment was to improve the conditions of the soldiers stationed there. This posting was apparently uneventful until Barry contracted yellow fever in 1845 and returned to England on sick leave. After being cleared for duty in 1846, Barry was stationed in Malta where he quickly ruffled feathers by — apparently — sitting in a seat in church that was reserved for clergy. This led to a formal reprimand, but Barry was less concerned with hurt feelings and more concerned with the looming threat of cholera. The disease ultimate did breakout, despite Barry’s efforts, and he was called on to treat it.
Although the cholera epidemic lasted until 1860, Barry’s superiors sent him to Corfu in 1851. On May 16, they promoted him to the rank of Deputy Inspector-General of Hospitals. Barry requested to be posted in Crimea, but the request was denied. In turn, Barry requested a leave and traveled to Crimea anyways. While there, Barry had a run-in with Florence Nightingale. The only descriptions I can find of the event come from Nightingale, but it sounds like Barry, on horseback, confronted her about something while she was (I’m guessing) crossing camp either to or from showers because she was basically naked. Whatever transpired, it left Nightingale with a deep dislike of Barry, whom she later described as “the most hardened creature [she] had ever met.”
On September 25, 1857 Barry received a promotion to Inspector General of Hospitals and was posted to Canada. He remained in this post, improving healthcare particularly for the poor, until he was forcibly retired from military service because of age and illness on July 19, 1859. He returned to London, where he lived quietly with only his servant John Joseph Danson (who had been with Barry since his first posting in South Africa) and a poodle named Psyche. Barry died from dysentery on July 25, 1865. Shortly thereafter, Danson disappeared — but is believed to have gone to Jamaica.
Despite having left strict instructions that his body not be examined in any capacity after his death, the truth of Barry’s biological sex was discovered. The physician who had issued the death certificate, Major D. R. McKinnon, had written on the certificate that Barry was a male. Afterwards, a woman — who is believed to have been laying out Barry’s body for burial — discovered Barry was biologically female and showed signs of having given birth at a young age. She attempted to use the secret to blackmail McKinnon. However, Barry had no known surviving family and McKinnon was not especially concerned (stating that he had figured Barry was a “hermaphrodite” but that it was “none of [his] business”), so he shrugged her off. The woman leaked this information to the press. A number of people responded by claiming to have known it all along, and Florence Nightingale responded by writing a scathing letter about how much she didn’t care what he was, she still really didn’t like him.
The British Army, in an effort to save face as women were allowed to be neither officers nor doctors and Barry had been both, sealed all records about Barry for the next hundred years. Isobel Rae, a history, gained access to the records in the 1950’s and ultimately pieced together Barry’s history from before he transitioned.
There’s a lot of discussion regarding whether or not Barry was truly transgender. Some would argue that because he transitioned with the help of his family in order to financially aid his family means it was all an elaborate ruse. Obviously, I’m firmly in the other camp that he was — living as a man even in private, not even breaking from his gender expression to prove a friend innocent of buggery, and trying to maintain that gender identity even in death despite not having any surviving family — to me, that all indicates someone who vehemently identified as a man.
Most of the people who were at the Stonewall uprising in 1969 are primarily known for their involvement with the riot — even though most of them went on to be heavily involved in activism in the following decades. Craig Rodwell is another story. Craig was so heavily involved in activism both before and after the riots that his presence there is basically a footnote.
Rodwell was born October 31, 1940 in Chicago. His parents separated before his first birthday, and for the beginning of his life he was sent away to for “day care” — this day care, however, made him start doing laundry and working in the kitchen as soon as he was old enough. When he was six, his mother realized that maybe this wasn’t the best arrangement if she wanted to keep custody of him and so she sent him to a Christian Science school for “problem boys” called Chicago Junior School. He attended that school for seven years, where he got a reputation for being rebellious — but also for being a “sissy.”
By all accounts, the “problem boys” there frequently fooled around sexually — though with nothing serious behind it. At fourteen, Rodwell pursued a relationship with an adult man. When the two were caught by police, who refused to believe Rodwell when he insisted he’d started the relationship and was at fault, the man was arrested and sentenced to five years in prison for having sex with a minor. The police tried to encourage him to lie in his testimony, asking him to say that the man had paid him money. Rodwell refused, and was threatened with juvenile detention — ultimately he was just ordered by the court to see a psychiatrist, but the experience colored his view of the legal system for the rest of his life.
Rodwell also fully believed the Christian Science teachings he was learning — particularly the idea that “truth is power and that truth is the greatest good.” As a result, after he graduated and began attending Sullivan High School, he enrolled himself in a Christian science Sunday school. It was in these classes he learned that Christian Science didn’t approve of homosexuality — something Rodwell determined he was going to have to change. After high school, Rodwell relocated to Boston to study ballet before moving to New York City in 1958 — intentionally moving to Greenwich Village, where he’d heard there was a large queer community. Rodwell was hoping to become involved in the Mattachine Society.
Unfortunately, the Mattachine Society required its members to be 21 or older. Rodwell also couldn’t get into any of the gay bars yet — so he spent his time in parks, connecting with the gay community on the streets. This made him pretty vulnerable to the police, and he was involved in more than one scrape with them. But this only made him more radical.
In 1962, Rodwell was dating Harvey Milk — who was still in the closet (and just, generally, had a lot of growing to do before he becomes the Milk we all know and love). This was Rodwell’s first serious relationship. Rodwell’s outspoken activism was unsettling for Milk, and he also blamed Rodwell for an STD that he contracted. (Not unreasonable, really.) In September, Rodwell was arrested for resisting the police when they swept through a popular cruising area of Jacob Riis Park. While in jail, Rodwell was physically abused by one of the guards. When he was released from jail, Milk dumped him. His self-confidence rattled, Rodwell tried to end his own life. Fortunately for the entire queer community, the attempt failed. He left New York to travel for a couple of years.
In 1964, Rodwell returned to New York and devoted himself to activism for the “homophile” community (as we called ourselves then — I am so glad we don’t use that term anymore). He was volunteering with the Mattachine Society — using his legal name, which was a rarity in that time — and even serving as their vice president. He founded the Mattachine Young Adults organization, and was an early member of the East Coast Homophile Organizations (ECHO) — which coordinated various homophile groups from around the eastern seaboard. On September 19, he and several other notable activists including Randy Wicker, Jefferson Poland, and Renee Cafiero staged a protest against the military’s exclusion of gay service members — and the practice of dishonorably discharging those who were found out. This is officially recognized as the first organized LGBTQ+ protest in United States history (though I suspect there were some before that we just don’t acknowledge).
In a coordinated protest with ECHO, Rodwell and Wicker led a protest at the United Nations Plaza in New York on April 18, 1965 — joined by Allen Ginsberg, Peter Orlovsky, and roughly 25 other protesters. Days after this protest, the sit-in protest at Dewey’s began in Philadelphia. With the other leaders of ECHO, including Frank Kameny and Barbara Gittings, it was decided they needed regular protests to remind the nation about the plight of the queer community — they could not afford to only protest when there was a crisis happening in Cuba or in Philadelphia. And so, on July 4, 1965, the first of the Annual Reminders was held at Independence Hall in Philadelphia.
In 1966, Rodwell was ejected from a bar called Julius’ for wearing a pin that read “Equality for Homosexuals.” On April 21, with the help of John Timmons and Mattachine president Dick Leitsch, Rodwell held a “sip-in” at the bar. This was specifically to protest a rule by State Liquor Authority that prohibited homosexuals from gathering in places that served alcohol. Rodwell and his cohorts held that the rule encouraged bribery and corruption amongst the police. The publicity from this sit-in led directly to that particular rule ending.
In order to try make the Mattachine Society more accessible, Rodwell proposed they open a storefront. When the idea was rejected, he cut his ties with the organization. In November of 1967, Rodwell opened the Oscar Wilde Memorial Bookshop — the country’s first store that focused on queer authors. The store was so named because Oscar Wilde was the most notable homosexual he could think of and he wanted absolutely not confusion about what the store was all about. The place functioned as more than just a store — Rodwell also envisioned it as a community center that didn’t have age restrictions and didn’t rely on alcohol (or the organized crime families that owned most of the gay bars in the city). To that end, he found the Homophile Youth Movement in Neighborhoods (HYMN) out of the bookshop, and led their rallies in that year. In 1968, he started publishing their periodical HYMNAL. Harvey Milk — now friends with Rodwell — was a frequent customer of the store, and it would later be the inspiration his own shop/community center/campaign headquarters Castro Camera in San Francisco. Rodwell also met Fred Sargeant at his store. Sargeant became heavily involved in HYMN and a romantic relationship blossomed.
On June 28, 1969 police raided the Stonewall Inn. (Did you forget, in all of this, that this was coming up too?) Rodwell and Sargeant were walking through Greenwich Village when they happened to see a crowd gathering outside the bar — and caught the beginning of the riots. Rodwell was a leader in fighting back, and led the crowd in various “gay power” chants. He also had a camera with him, and tried to take pictures to document the event. Unfortunately, none of the pictures were successfully developed — which is extra sad because we have hardly any pictures from the first night of riots (even though Rodwell also used a pay phone to call the press and let them know what was happening). Nevertheless, he did share his account of the night — which he described as “one of those moments in history that, if you were there, you knew, this is it, this is what we’ve been waiting for.”
The next day, Rodwell created a flyer — which HYMN helped him to disseminate through Greenwich Village — that read “Get the Mafia and the Cops Out of Gay Bars.” The flyers helped encourage further protests the next several nights — protests Rodwell participated in as well.
After the annual reminder of that year — which took place a week after Stonewall — Rodwell decided that the needs of the community had been changed after the riots. He began writing a resolution in his store. In November, Rodwell, Sargeant, Ellen Broidy, and Linda Rhodes proposed the resolution at a Philadelphia meeting of ECHO to change the annual reminders. Instead of happening on July 4 in Philadelphia, they proposed, there would be simultaneous demonstrations in cities across the country on June 28. This would be called Christopher Street Liberation Day, and there would be no dress code (as the annual reminders had had) or age limitations. And so Pride began.
Despite he tremendous work so far, Rodwell found he’d never really been able to address the homophobia in Christian Science. In 1970, he placed a biography of Mary Baker Eddy in a very visible place in his store in order to meet other gay Christian Scientists. Meanwhile, he was continuing to work on advocating for queer rights. He is often credited with inventing the word “heterosexism” in January of 1971, when he wrote “After a few years of this kind of ‘liberated’ existence such people become oblivious and completely unseeing of straight predjudice and – to coin a phrase – the ‘hetero-sexism’ surrounding them virtually 24 hours a day.” In 1973, the Oscar Wilde Memorial Bookshop moved from its address on Mercer Street to the corner of Christopher Street and Gay Street.
In 1978 Rodwell formed Gay People in Christian Science (GPICS) with Ray Spitale, Bob McCullogh, and Bob Mackenroth. While they were not the only gay Christian Science organization in the country, they were the only one actively challenging the church’s policies — actively challenging the excommunication of three of their members. This quickly became Rodwell’s primary focus for his activism. GPICS created an eight-page pamphlet entitled “Gay People in Christian Science?” which they proceeded to mail to every Christian Science church, college organization, and practitioner that they could find. Overall, they mailed out 8,000 copies. They then made plans to hand out the pamphlets at the 1980 Annual Meeting of the Church of Christ, Scientist in Boston. To organize this in the least offensive way possible, Rodwell alerted security for the event of their intentions.
When they arrived, they discovered extremely heightened security and police presence. Undeterred, they set up their table and began distributing flyers. They were quickly informed that the booth was illegal and that they needed to leave. The group obeyed, though Rodwell and a handful of others remained on the premises and handed out their pamphlets more discreetly. Unfortunately, the pamphlet wasn’t enough to change the church’s minds and in 1981, the church fired Chris Madsen from the Christian Science Monitor for being a lesbian. GPICS returned to the annual meeting that year, this time fired up. Instead of simply handing out pamphlets, they engaged in loud and disruptive protests.
In the years that followed, queer activism within Christian Science moved to become primarily focused to areas in the Midwest. Although Rodwell remained involved, he took on a much less significant leadership role. He remained heavily involved in queer activism for the remainder of his life.
In 1992, Rodwell received the Lambda Literary Award for Publisher’s Service. In May of that year, he was diagnosed with stomach cancer. In March of 1993, he sold the Oscar Wilde Memorial Bookshop to Bill Offenbaker. He passed away on June 18 that year. It was not until 1999 that the Christian Science Church finally began to allow gay and lesbian members.
It’s honestly hard to think of anyone who, in our history, has been so devoted to our community and done so much for us. I find his name crop up in almost everything that happened for our community in New York in the late ’60s and early ’70s, and for some reason I’m always surprised. And given his influence on Harvey Milk, what he accomplished for us actually extended all the way to San Francisco.
Dung Hà was an infamous Vietnamese gangster (whose real name was Vũ Thị Hoàng Dung) who reached the peak of her influence during the ’90s.
She was born in 1965 in Hai Phong, North Vietnam. The part of the city in which she lived was a bustling urban area, where she regularly witnessed crimes — some of which were committed by her numerous older brothers and sisters. Apparently, this inspired her. She dropped out of school at a young age and became a career criminal. She started small, with pickpocketing and robbery.
In 1986, Dung Hà was caught robbing a pedestrian and arrested. She spent twelve months in prison, but resumed her illicit activities as soon as she was released. If anything, going to jail made her more involved in crime. She started having a romantic affair with a local crime boss — Hùng Chim Chich (“the Warbler”) Their love story — if you want to call it that — became relatively famous but he started losing money and influence due to a drug addiction. Dung Hà took over his casino businesses, and left him before he died from AIDS-related complications.
When she was 26, she began a relationship with another area crime boss named Hùng Cốm. (I guess she kind of had a type — local crime bosses named Hùng who had more influence than she did.) Hùng Cốm was basically the scariest crime boss around Hai Phong at the time, and rumors said he could not be defeated. The two went on a massive crime spree together and also opened a handful of casinos.
And then Hùng Cốm got arrested. Dung Hà orchestrated an elaborate scheme to free him and help him get to a train that would take him to Hong Kong. She convinced several of his followers to help her, and had agreed to let another convict named An Dong out of prison if he helped as well. She bribed some of the prison guards so that they would let her bring her lover a “farewell gift” — the guards didn’t realize that gift was actually a bunch of grenades. (I mean, what else do you get a crime lord on a special occasion?) Though that part worked, the rest of the plan rapidly fell apart — the gates were too tightly guarded, the grenades turned out to be duds, and An Dong was shot to death in the escape attempt.
Though the plan failed miserably and Hùng Cốm ultimately hung himself rather than face execution — but it had managed to earn Dung Hà a great deal of respect nevertheless. She became, essentially, the queen of crime in northern Vietnam — establishing a rivalry with Năm Cam who ran a criminal empire in the southern half of the country.
Now, according to total hearsay, after the death of her lover Dung Hà was incapable of ever loving another man and that is why her next love affair was with a woman. That smells like fairly standard bi-erasure to me but I suppose that’s just an opinion. Anyways, Dung Hà cut her hair extremely short and was frequently seen with a beautiful, dark-haired girl who was taller than her and was extremely affectionate towards her. The woman was named Phuong but I cannot find much more about her except that she came from a nice family. She ditched our intrepid queer crime boss when Dung Hà got arrested in 1995. Phuong was, as far as I can find, the last romance of Dung Hà’s life.
Though she was sentenced to seven years in prison, she was released after only three years. Unfortunately, she was under intense police scrutiny and her criminal activities — and therefore her profits — suffered as a result. So Dung Hà decided to pack up and relocate….
….to Saigon, in the southern half of the country. Now, shortly before this, another gangster called Hải Bánh had moved south and joined forces with Năm Cam and he was all about that. He was hoping to get Dung Hà to help him expand his casino business. Unfortunately, Dung Hà had gotten pretty used to being her own boss — and, like, that’s the dream, right? So she was not giving that up. She started a new gang and began intentionally disrupting Năm Cam’s businesses — particularly his casinos.
On September 9, 2000 this new gang interrupted a business run by Hải Bánh — throwing shrimp sauce, snakes, and human feces into the middle of a dance floor. Hải Bánh was furious, and Năm Cam had had enough. Less than a month later, hired guns found Dung Hà and shot her in the head at point blank range.
But Dung Hà would end up with the last laugh — her murder led to increased scrutiny against both Năm Cam and Hải Bánh and would ultimately lead to the collapse of both their criminal organizations. Năm Cam, among several others, was given the death penalty for his involvement in her death. Meanwhile, Dung Hà’s body was brought back to Hai Phong where a truly massive funeral was held in her honor and her ex-girlfriend Phuong is reported to have been seen weeping at the event (as if they hadn’t been broken up for five years at this point but what do I know?)
So that’s the story of Vietnam’s “lesbian” gangster. I wouldn’t call her a queer hero, but she sure makes for a fun story!
Jackie Shane was an R&B singer who was a sensation in the music scene of Toronto, and was a nationally charting artist in Canada — and broke new ground as an openly queer performer.
Jackie Shane was born in Nashville, Tennessee on May 15, 1940. She would later explain that she began dressing as a girl when she was 5, and that she identified herself as a woman in a man’s body by age 13 — but openly she described herself as gay. Her mother supported her, and Shane would later say she never had any problems in school — at least, not because of her sexuality or gender identity.
As a teenager, she played the drums and was a regular sessions player for gospel and R&B record labels in Nashville. Through this, she met various famous musicians including Jackie Wilson.
Nevertheless, she was a black queer kid living in the south during the Jim Crow era. In 1959 or 1960, she moved to Montreal — still fully presenting as a man. She was brought by a local saxophonist to see Frank Motley and the Motley Crew perform. Frank Motley invited Shane on stage — and quickly became the band’s lead vocalist. She traveled with them, recording with them in Boston and performing in Los Angeles and Nashville.
Shane moved to Toronto in 1962, where an R&B scene was emerging on Yonge Street, and went solo. Shane’s arrival in Toronto has been described as a “revelation” — her sound was unlike anything else in the city. The way it’s described, she appeared on the scene and instantly became a legend. She was still presenting as a man, though she clothes were becoming more androgynous, and she typically dodged the question of gender altogether when asked. Canada may not have been as oppressive as Tennessee, but they wouldn’t decriminalize homosexuality until 1969 and were decades away from acknowledging transgender identities at all. Her performances had a profound impact on the Toronto Sound and on the queer community and culture that would develop in the city over the next decades.
For live performances, Shane was a performer through and through. She would tour with around 20 trunks of outfits, and insert monologues and comedy bits into her songs.
In 1962, Shane released her first solo recording — a cover of the song “Money (That’s What I Want)” with a B-side recording of “I’ve Really Got the Blues.” “Money (That’s What I Want)” was later re-released as the B-side on a recording of “Have You Ever Had the Blues?” The same year, she released her second single — “Any Other Way”, which almost instantly became the #2 hit on Toronto’s CHUM Chart of the top 30 songs being played on local radio stations. It is probably her most famous song.
During live performances of “Any Other Way”, she would add quips that were usually used to underline the subversive subtext of the lyrics “Tell her that I’m happy, tell her that I’m gay.” (Her live album is available on Spotify and on iTunes, so you don’t even have to take my word for it, you can hear it for yourself.)
“Any Other Way” was followed by releasing the single “In my Tenement”, which did not do nearly as well and only charted in upstate New York. She began to focus on performing and touring, and did not make any new recordings for several years.
In 1965, Jackie Shane returned to Nashville, where she performed “Walking the Dog” on Night Train. I don’t know that this was a particularly huge moment in her life, but there’s video that I thought I’d share.
Two years later, “Any Other Way” was re-released and this time it rose to #68 on Canada’s national RPM chart. This seems to have encouraged Shane to return to recording new music, as she released “Standing Up Straight and Tall” later that year. This was followed by a live album. In 1969, she released “Cruel Cruel World” — this would prove to be her last recording. (Although, some tracks from the live album would later be re-released on the Motley Crew album “Honkin’ at Midnight.”)
Her prominence began to fade in 1970, and in 1971 she moved to Los Angeles to take care of her mother. She turned down an offer to be part of the band Funkadelic and all but disappeared from public consciousness. Her mother passed away around 1996, and Shane moved back to Nashville.
At this point she literally disappeared for years. Rumors persisted that she had committed suicide or been stabbed to death — in truth, she was just living a quiet life at home. Frank Motley managed to connect with her, and relayed the news that she was alive. Some of her musician friends attempted to reconnect, there were discussions about a reunion tour — and then her phone number was reassigned and she disappeared again.
But she was not forgotten. In 2010 CBC Radio released a documentary about her called I Got Mine: The Story of Jackie Shane. The producers had sent a letter to Shane asking if she would participate — but she never responded, leaving question as to whether or not she was even alive. A 2011 documentary called Yonge Street: Toronto Rock & Roll Stories included Shane. These documentaries were very well received, and the media began attempting to contact Shane for interviews but to no avail.
In 2014, a scout for the reissue record label Numero Group finally managed to reach Jackie Shane by phone, very much alive — although none of her staff had ever even see her face. The scout, Douglas Mcgowan, built a friendship with her over the phone and convinced her to allow his label to re-release her recordings. Though Shane was able to retain her privacy, she was no longer hidden from the world.
Her live album was reissued and shortlisted for a Polaris Award in 2015 (and again in 2016 and 2017). In 2017, her influence on Toronto was remembered in an anthology of essays entitled Any Other Way: How Toronto Got Queer. That same year, a compilation album of many of Shane’s recordings was released and called Any Other Way. The album was nominated for “Best Historical Album” at the 2019 Grammy Awards.
In 2019, Jackie Shane finally granted an interview to Elaine Banks. The interview was aired on the CBC Radio program Q on February 8. This would be the first publicly broadcast interview Shane had given in decades — and it would also be her last. In February of 2019, Jackie Shane passed away in her sleep. She was found in her home on February 21. She was 78 years old.
It’s been a really great month for queer music — we’ve got a new album from country’s first openly gay singer Steve Grand; a new album from British synthpop band Years & Years, led by the openly gay Olly Alexander; and Panic! at the Disco’s lead singer Brendon Urie came out as pansexual. With all this new news, I — of course — wanted to check out some old queer music history. It’s no surprise that led me to the incomparable Mother of Blues herself: Ma Rainey.
Born Gertrude Pridgett on April 26, 1886 in Georgia or possibly in September of 1882 in Alabama (depending on if you believe Gertrude or the U.S. census — researchers seem generally not to believe her). She was the second of five kids (the other four were pretty definitely born in Alabama — and her parents lived in Alabama. I’m just saying.) At 12 or 14 years old, Gertrude performed at a talent show in Columbus, Georgia and then began performing in black minstrel shows. According to Gertrude, she first heard blues music in 1902. The story goes that she heard a performer singing a blues song at another minstrel show — Gertrude was entranced, committed the song to memory that day, and immediately began using it as an encore to her own performances. Of course, she also claimed to have invented the name of the blues genre (she didn’t) so she’s not always the most reliable source of information. Just sayin’.
Two years later she married William “Pa” Rainey — a traveling comedian and vaudeville performer. Some time shortly after that, she and her husband formed a company called the Alabama Fun Makers Company. The troupe was short-lived, and in 1906 they both joined Pat Chappelle’s Rabbit’s Foot Company where they both performed and became quite popular.
In 1912, the Rabbit’s Foot Company was taken over by F.S. Wolcott. The Raineys stuck with the company for two more years before joining Tolliver’s Circus and Musical Extravaganza — which billed the duo as “Rainey and Rainey, Assassinators of the Blues”. The name stuck, and the two were soon using it on their own without being part of a troupe of performers. Soon after that, Gertrude was getting bookings all on her own — using the name Madam Gertrude Rainey, or “Ma”.
When Ma took the stage, she was a sight to behold — adorned in a diamond tiara, a necklace made out of $20 pieces, rings on each finger, wearing a golden gown with gold-capped teeth. She carried a gun and an ostrich plume. Audiences were enthralled. In fact, even though she was in the deep south, her shows were peacefully integrated between black people and white people. She was sometimes hired by wealthy white people to play private parties, but after every single one of these she would go out dancing and socializing at the local black café.
The Raineys spent winter in New Orleans, where they met a large number of blues performers — including Louis Armstrong, Pops Foster, and another queer blues singer Bessie Smith. (A story later came about that Ma had kidnapped Bessie, forced her to join the Rabbit’s Foot Company, and made her sing the blues but even Bessie’s family denied the story.) In 1916, Ma separated from her husband, ending both their working and romantic relationships.
Her star continued to rise, and in 1923 Paramount Records asked her to record songs for them. With Paramount, over the next several years, she released more than 100 singles and sold so many of them that she has been credited with saving the company single-handedly. The recordings were very popular — but, you know how some performers are better live than if you’re just listening to them? Ma Rainey was universally considered one of those — and audiences became even more eager to see her, and even more excited at her shows.
Ma was not as open about her sexuality as some of the women of early blues — Gladys Bentley for instance — however, she wasn’t in the closet either. In 1925, neighbors called the police when one of her parties became too raucous. The officers arrived just as things were beginning to get shall we say intimate with the all-female group. Ma Rainey was arrested for “running an indecent party” but was bailed out by Bessie Smith the next day. This may have been one reason Rainey’s guitarist Sam Chatmon thought the two were romantically linked.
This incident may have been part of the inspiration for “Prove It On Me Blues”, which Rainey recorded in 1928. The lyrics are a fairly explicitly about lesbianism and of breaking gender norms. As far as I can tell, this was the first recorded piece of music to celebrate a queer sexuality.
“Went out last night with a crowd of my friends
They must’ve been women, ’cause I don’t like no men.
It’s true I wear a collar and tie,
Makes the wind blow all the while.”
Paramount ran an ad for the song — a drawing of Ma Rainey in a three-piece suit (albeit, with a skirt and heels) and a fedora, talking to a group of women with a policeman watching from across the street. The ad said “What’s all this? Scandal? … Don’t fail to get this record from your dealer!”
1928 was Ma Rainey’s last year as a recording artist. Popular music styles were changing, so her contract with Paramount ended. She toured a little bit longer, before settling down back in Columbus, Georgia. It was about this time (1932) that Sterling A. Brown wrote a poem about her called “Ma Rainey”, describing how powerful her performances were. In her later years, she opened a handful of movie theaters — the Lyric, the Airdome, and the Liberty Theatre. On December 22, 1939, she had a heart attack and died but her legacy continues to this day.
Six months after Ma’s death, Memphis Minnie wrote a tribute song called “Ma Rainey”. It was the first such song, but it would not be the last. In 1965, Bob Dylan paired Ma Rainey with Beethoven in his song “Tombstone Blues”. In 1982, August Wilson published a play about her called Ma Rainey’s Black Bottom. In 1983, Ma Rainey was inducted into the Blues Foundation’s Hall of Fame. In 1994, the U.S. Post Office released a commemorative stamp in her honor. Ten years later, her song “See See Rider Blues” (recorded in 1924 — you can hear it below) was inducted into the Grammy Hall of Fame, and was also added to the National Recording Registry of the Library of Congress. In 2015, a film about Bessie Smith was released (Bessie) in which Mo’Nique played Ma Rainey, and one year later the First Annual Ma Rainey International Blues Festival was held in Columbus, Georgia. Last year, in the same city, the Rainey-McCullers School of the Arts opened — named after Ma Rainey and Carson McCullers.
In 1952, Langston Hughes released a poem called “Shadow of the Blues”, in which one character proclaims of Ma Rainey: “To tell the truth, if I stop and listen, I can still hear her!” I think we still hear a bit of Ma every time an artist releases a song about queerness — and if that’s the case, I hope we never stop hearing her.
I want to tell you all about the Dewey’s Lunch Counter Sit-Ins. This protest was the first known LGBT protest in Philadelphia (though only by a few months, as the Annual Reminders would start soon after). Dewey’s was a chain of hamburger restaurants that, in 1965, had two locations in Philadelphia. (I don’t think there’s any locations anymore — couldn’t compete with the Big Mac, I guess.) One of these was at 219 South Seventeenth St (which, I just checked Google, and there doesn’t seem to be anything there right now — except maybea parking garage?). That’s where this story unfolds. Responding to a crowd of teenagers whose outfits were, let’s say, outside of typical gender norms and who were apparently behaving disruptively, Dewey’s management instructed their employees to deny them service. This order was interpreted broadly, and service was denied to anyone who appeared to be LGBT in any respect — but this was a local LGBTQ+ hangout, so that policy ended up leading to roughly 150 people being denied service in one day (April 25, 1965). Three of those people refused to leave — and thus the sit-in began. The Janus Society joined the teenagers with their sit-in at Dewey’s. The police arrived and arrested the three teenagers and Janus Society president Clarke Polak. These arrests, if anything, further incensed the Janus Society. They proceeded to demonstrate outside of the restaurant, and handed out over 1,500 leaflets throughout the next five days. They staged a second sit-in on May 2, and although the police were called no one was arrested this time. Following this, Dewey’s put an end to it’s discriminatory policy. The Dewey’s sit-in is particularly significant for what is, otherwise, a pretty small protest. First, it was successful in a pretty short amount of time. Especially as an early LGBT protest, that’s remarkable. But this was also one of, if not the, first protest for LGBT equality in the United States. Earlier rallies, riots, and protests were mostly about police harassment and seeking access to legal protection. This was a new kind of protest, asking for something more than just safety, and it signaled the beginning of a new kind of LGBT activism led by the teenagers of the day. A much more radical, liberal philosophy emerged that demanded society change to accept people no matter how they defied gender norms. It’s still a struggle we’re having with society to this day, but the next time you’re sneaking a Baconator from Wendy’s just remember how far we’ve actually come. (And then when you’ve finished eating, remember how far we have left to go!)