Chavela Vargas

Today’s post comes to you by popular demand — which makes sense because she was very popular, and she also knew what she wanted and demanded it! Well, okay, mostly she just got it herself. She knew exactly who she was from a remarkably young age and never wavered.

Isabel Vargas Lizano was born on April 17, 1919 to Francisco Vargas and Herminia Lizano in San Joaquin de Flores, Costa Rica. As far as I can tell, it was a pretty unremarkable event. She was frequently called “Chavela” by her family. Despite that affectionate nickname, things would take a turn for the worse — her very religious parents were embarrassed by Chavela’s tomboy-ishness, going so far as to hide her when they had visitors to their home. They ultimately divorced, leaving her to be raised by her uncle, and then she contracted polio. Chavela managed to survive the illness relatively unscathed — she and her family credited this to the rituals and talismans of shamans and witches, rather than the scientific medicine of doctors.

By seventeen years old, Chavela was fully aware that she wanted a career in music and — since there weren’t many musical opportunities in Costa Rica — she moved to Mexico. Initially, she sang on the streets — dressed in traditionally masculine clothing, wearing the red poncho (or more specifically a jorongo) that would become a signature part of her performance “look” in her professional years. The look was a conscious decision — Chavela felt she looked “like a transvestite” in women’s clothing and had trouble walking in heels. To fit into the masculine music scene she was attempting to break into, she began smoking cigars, drinking heavily, and making sure to keep a gun on her at all times. During this period of her career, sometime in the mid-1940s, she had an affair with Frida Kahlo — the romance was relatively brief, but intense. Chavela even lived with Frida and her then-husband Diego Rivera for more than a year. And Frida expressed in letters to her friends that she was very attracted to Chavela. (And yet, there are — of course — scholars who are certain they were just good friends.)

In her thirties, she became a professional, becoming known for her own unique take on ranchera — singing solo, with only her guitar as accompaniment instead of a mariachi band, and slowing down the tempo for more dramatic tension or so they could come across as more humorous and, y’know, suggestive. These songs were typically sung from a man’s perspective ( a straight man’s, I should say) and Chavela Vargas refused to change the genders in the songs when she sang them. While her homosexuality certainly would not have been approved of offstage, on stage it was all part of an entertaining act that audiences embraced.

Towards the end of the 1950’s, her reputation began to expand greatly — particularly in artistic circles. She was a popular performer in Acapulco, singing in the champagne room of La Perla, frequently in front of tourists from other parts of the world. She was so well regarded that she was hired to sing at the wedding of Elizabeth Taylor and Mike Todd on February 2, 1957. Chavela would later claim that she slept with Ava Gardner at that wedding — I haven’t found an corroboration of that, nor have I found any other examples of Ava Gardner having dalliances with women, but I suppose we all have to experiment at least once in our lives and if Elizabeth Taylor’s wedding isn’t the time and place to do it, when is? She is known to have had numerous romances after this — including, apparently, with some very famous people, but she would never share their names. A few have stepped forward, including American author Betty-Carol Sellen, but Chavela was very careful to keep these things private (particularly, I assume, because very few if any of them would have been open about their sexuality at the time!)

In 1961, with the help of José Alfredo Jiménez, Chavela’s first album was released: Noche de Bohemia. This was the first of more than 80 albums that she’d release over the course of her career. Later that year she released Con el cuarteto Lara Foster. Rumor has it that although her career was just beginning to take off, Chavela began a short-lived affair with Arabella Árbenz Villanova in 1964 after their paths crossed coincidentally — the problem being that Arabella was also having a torrid romance with Televisa executive Emilio Azcárraga Milmo, also known as “El Tigre.” When El Tigre learned of this affair he was infuriated and tried to destroy her career. Despite his pretty powerful influence in Mexico, he very nearly did. although Chavela Vargas is — as far as I can tell — still banned from appearing on Televisa in any capacity.

Her next album, Hacia la vida was released in 1966. By the time her fourth album Corridos de la revolución came out in 1970, Chavela had become quite popular, though she still wasn’t invited to headline concerts — but as her popularity grew, so did her alcoholism. Despite her struggle with drinking, Chavela managed to release three albums in 1973 and one more in 1975. However, due to her constant battle with addiction and El Tigre’s continuing campaign against her — Chavela was forced to retire and completely disappeared from the public eye.

The details are a little bit sketchy here, but according to Chavela while she was “submerged in an alcoholic haze” — as she would later describe it — she was found and taken in by a family of Native Mexicans who attempted to help nurse her back to health. It would be decades before the public learned any of this, and at the time many assumed she had died. She had very little money at this time, and sometimes only ate when friends invited her to their homes for meals.

On September 2, 1988, at the request of mutual friend Patria Jiminez, lawyer Dr. Alicia Elena Pérez Duarte arrived at Chavela Vargas’ home in order to stop her from drunkenly signing some legal documents. This began an intense romantic relationship, which both Chavela and Alicia would describe as “something greater than love.” Chavela moved in with Alicia and her four kids — but Chavela’s reliance on alcohol, and her great attachment to firearms, put a heavy strain on the relationship. Although Chavela did manage to quit drinking — which she credits to a shamanistic ritual (though Duarte has publicly disagreed with that statement) — it turned out her violent streak and penchant for guns was not dependent upon alcohol at all. Alicia ended the relationship, though she remained Chavela’s legal representation.

In 1989, a couple of Chavela’s albums were rereleased, sparking renewed interest in the singer. When the nightclub El Hábito opened in Mexico City in 1991, they invited her to perform after spotting her in their audience. Eventually, she agreed — though it was her first time performing on a stage since the 70’s and she was 72 years old at the time. It was also her first ever sober performance. This launched a full revival of her career, which involved several more albums and also international fame the likes of which she had not experienced before. She performed not just in Mexico but even performed numerous sold out shows in Spain and France. And finally, she was the headliner of these shows — an honor she had certainly earned.

She also provided music for several films during this period, primarily at the behest of Pedro Almodóvar who was a fan, a friend, and a champion for her career after meeting her in Madrid in 1992. Chavela once described him as “my husband in this world.” He traveled the world with her, pushing greater and greater opportunities towards her. Despite his best efforts, she insisted that she did not want to begin a career as an actress — although she did appear in the 2002 biographical film Frida about her former lover Frida Kahlo, singing her song “La Llorona.”

That was the same year Chavela published her autobiography Y si quieres saber de mi pasado (which translates to And if you want to know about my past). Although her sexuality had been a fairly open secret for decades — her relationships with women were fairly well known rumors, not to mention her refusal to ever change the genders or pronouns in the songs she sang — it was within the pages of her autobiography that she finally, publicly came out as a lesbian.

The following year on September 15, at age 83, Chavela Vargas had her debut performance at Carnegie Hall. The performance was recorded and released as an album creatively entitled Chavela at Carnegie Hall. The performance was considered groundbreaking given her age and sexuality in a musical genre that generally would have denied her for either of those, and in 2019 the album of the recording was named on Mitú’s list of Spanish-language albums that “Changed the Face and Feel of the Music Industry” calling it “the stuff dreams and legends are made of.”

In 2012, just months after releasing her final album Luna grande, the 93-year old Chavela Vargas was hospitalized in Cuernavaca, Mexico for respiratory problems. Several weeks later, on August 5, she passed away. It’s comforting, I think, that when she did pass away she knew it was coming and seemed to have made peace with it. She spent her final days making statements like “My name is Chavela Vargas, don’t let them forget!” Her final words, according to her Facebook page, were “I leave with Mexico in my heart.”

But truthfully, it’s hard to “leave” if your music is as significant as hers remains to this day, and there’s certainly no way to forget her. Aside from the longevity of her own music, she’s received a lot of tributes — Joaquín Sabina’s song “Por el Boulevard de los Sueños Rotos” is dedicated to her, Juan Carlos created a series of portraits of Chavela which were presented at the Centro Cultural de España en México in Mexico City in 2012. One of the characters in Sergio Ramírez Mercado’s novel La Fugitiva is based off of Chavela. And in 2017, the biographical documentary Chavela was released. She’s even had a Google Doodle in her honor! In 2019, she was commemorated on the Rainbow Honor Walk in San Francisco, which is a “walk of fame” type of thing for LGBTQ+ people who have “made significant contributions in their field.” Given that she essentially reinvented ranchero music, opening it up to women performers, I’d call “significant contributions” an understatement. She remains one of, if not the, most celebrated lesbian in Mexican history.

Charlie Howard

There’s been a lot of conversation lately about the beginning of the new movie It Chapter 2 because — spoiler alert/trigger warning — it opens with the murder of a gay man. This scene is taken pretty much directly from Stephen King’s novel It but that, in turn, is taken pretty much directly from an actual hate crime that took place in Bangor, Maine in 1984.

Charlie Howard was born on January 31, 1961 and was raised in Portsmouth, New Hampshire. He was fairly effeminate and suffered from asthma as a child, so he was bullied pretty relentlessly throughout his youth. He even skipped his high school graduation in order to spare his family from witnessing the bullying he received. After high school, he left New Hampshire and headed to Maine — eventually finding his way to Bangor. He joined the local Unitarian church, and became involved in the gay rights and support group Interweave.

charlie_howard-copy-696x385 Charlie was not quiet about his sexuality — which was unusual for that time in the 80’s. He would wear jewelry, accessories like earrings and a purse, and make-up if he felt like it. (Frankly, that’s pretty brave even now — thirty-five years later.) Unfortunately, this got him a good deal of negative attention from the general population — he was harassed by locals teens, and in one trip to a grocery store a woman chased him out shouting things like “You pervert!” at him. One time, while leaving his apartment, Charlie found his pet kitten strangled to death. Charlie learned quickly to be wary of locals — but he never toned down his queerness.

On July 7, 1984, Charlie attended a potluck at Interweave — he and his friend Roy Ogden left the party at about 10:00 pm. The two were crossing the Kenduskeag River Bridge on State Street, when they were spotted by a car full of teenagers — two girls, and three boys: Shawn Mabry, Daniel Ness, and Jim Baines. They stopped the car, and the three boys got out. Charlie and Roy ran — the teenage boys chased them. An asthma attack hit Charlie, making him easy to catch. The boys began to beat him, and then decided to throw him over the side of the bridge — despite Charlie’s pleas that he could not swim. He tried to grab a hold of the railing on the bridge, but the boys pried his hands loose. Shawn Mabry gave the final push that sent Charlie into the water below.

As they were leaving the scene of the crime, they spotted Roy Ogden and threatened his life should he tell anyone. That didn’t stop him from pulling the nearest fire alarm he could find to summon the police. Charlie’s body was pulled from the river at about 12:10 am. The autopsy would show that he died from drowning, with an acute asthma attack contributing.

The next day, with news that Charlie had died, one of the boys turned himself in to the police. The other two were quickly arrested. They were remanded to their parents custody and tried as juveniles. They claimed that a few days earlier, Charlie had made passes at them. The “gay panic” defense did not work — mostly because they’d previously told police they’d just wanted to “beat up a faggot” and that that was something they’d done before. All three ultimately pleaded guilty to manslaughter. They were each sentenced to the Maine Youth Center for an indeterminate length of time not to exceed their 21st birthdays. Juvenile records are sealed but it has been reported that Mabry served 22 months, Baines serve two full years, and there is no public record of how long Ness served. After his release, Baines has spoken to many groups across Maine about his involvement in the murder, and about how dangerous intolerance and hatred can be. Edward Armstrong wrote about Baines story in Penitence: A True Story — published in 1994. Baines did not receive any royalties for his participation.

howard_stream_memorial_004 The murder had a lasting impact on the community of Bangor, Maine. Every year since the attack, they have thrown flowers off of the bridge where it occurred. They constructed a monument in honor of Charlie along the banks of the Kenduskeag Stream. Partly as a reaction to the killing, the Maine Lesbian/Gay Political Alliance (now EqualityMaine) was founded. The Maine Speakout Project keeps the Charlie Howard Memorial Library open to the public in Portland, Maine.

Aside from being the source for the hate crime in the beginning of Stephen King’s 1986 novel It, the crime also inspired the novel The Drowning of Stephan Jones by Bette Green, published in 1991. Mark Doty also wrote about the murder in the poem “Charlie Howard’s Descent.” But, perhaps, instead of the focus on his murder, we should all be focusing more on his willingness to be himself openly and unapologetically — no matter the cost.

Lavender Scare

Most Americans are aware of the Red Scare — the witch hunt for Communist agents in the US led by Senator Joseph McCarthy. Despite the infamy of that event, there was a notable queer element that often gets overlooked, despite lasting longer and impacting a greater number of government employees: the Lavender Scare. Gay men and lesbians were said to be communist sympathizers and dangerous security risks. Given that the 1947 Sex Perversion Elimination Program had already seen to legally labeling homosexuals as dangerously mentally ill, so these assertions fed into growing public unease. There was a national call to fire them from employment in the Federal government — which made it even more difficult for queer people to be out of the closet anywhere in the United States. Though the official Lavender Scare was focused on Federal government and armed forces employees and contractors, you can be sure that thousands more across the country lost their jobs simply because of the fear that McCarthy and his allies were stoking.

lavenderscarenewspaper In February, 1950 McCarthy announced that he had a list of Communists that worked for the government. Two names on that last were homosexuals who had been fired and then rehired. Senators Kenneth S. Wherry and Senator J. Lister Hill interrogated these two individuals — called “Case 14“and “Case 62“. I can’t find real names for those two, but they were dismissed from their positions — the first official victims of the Lavender Scare. A week later Deputy Undersecretary of State John Purefoy testified before the Senate Committee on Appropriations that the State Department had actually fired, and later hidden, 91 suspected homosexual employees they had flagged as security risks. In truth, the Senate Committee was not shocked to learn this, since they had essentially given the State Department leeway to purge homosexuals from employment in 1946. However, the testimony revealed this information to the public and granted legitimacy to all of McCarthy’s claims — strengthening public support for his Red Scare.

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On April 15, 1950, the Republican National Chair Guy George Gabrielson (a name that truly sounds fictional, but it isn’t) made the claim that “sexual perverts” who had infiltrated the government were “perhaps as dangerous as actual Communists.” He argued that homosexuals were susceptible to blackmail and therefore a great risk to national security. (Later investigations found that not a single person who lost their job during the Lavender Scare ever revealed classified information, and most never had access to any. In case there was any confusion, this was never actually about national security!)

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In a somewhat ironic twist, McCarthy hired Roy Cohn — a closeted homosexual — to be the chief counsel of the Congressional subcommittee. (Cohn was also a terrible, terrible human being. We can’t all be winners, I suppose.) Working alongside J. Edgar Hoover, they fired multitudes of accused gay men and lesbians. They also used rumors of homosexual activity to coerce their opponents and to smear those they suspected of being communists.

In March of 1952, the Federal government fired 162 employees because they might have been gay. On April 27, 1953, President Dwight D. Eisenhower signed Executive Order 10450 which — among other effects — led to a ban on gays and lesbians working for the Federal government of the United States altogether and even more heightened drive to uncover homosexual infiltrators. Suspected homosexuals were interviewed and surveilled for signs of gender non-conformity — as were their roommates and friends. Investigators relied on “guilty by association” — anyone with ties to homosexuals must be one as well. People were given lie detector tests and grilled with questions about their personal sexual history. Police were asked to raid gay bars and homosexual meeting places, and then share their arrest records. Within its first year 425 suspected homosexuals were fired from the State Department alone. Over 5,000 Federal employees were fired because of suspicions that they were homosexuals. Every single one of them was not only lost their job, but was publicly outed as well. Many more were pressured into resigning.

lavender-scare McCarthy effectively convinced the government and the media of a connection between homosexuality and Communism — calling them both “threats to the American way of life” and even blatantly telling reporters “if you want to be against McCarthy, boys, you’ve got to be either a Communist or a cocksucker.” He repeatedly referred to homosexuality as an invasion. The rhetoric caught on. Those who’d been removed from their jobs found it impossible to get hired anywhere else — a few resorted to suicide. Federal investigators later covered up most of those deaths.

The effects of the investigations rapidly expanded out from just government work, leading to an untold number of homosexuals (and suspected homosexuals) being fired and denied employment from even ordinary, non-government jobs — even in Hollywood. Gay and lesbian bars were raided by police with an ever-increasing regularity. Even queer organizations like the Mattachine Society (which was founded partially in 1950 partly in response to the Lavender Scare) were forced to adapt by 1953, adopting specific policies that specified they were loyal to the United States and forcing out founder Harry Hays — who happened to actually be a gay Communist.

The discriminatory practices destroyed lives and families, even among the most powerful people in the country. After Lester “Buddy” Hunt Jr. was arrested for soliciting prostitution from a male undercover police officer, his father Senator Lester Hunt was blackmailed and attacked by his political opponents (which included McCarthy) — destroying his political career and tearing apart his family. On June 19, 1954, he sat down at his desk in his Senate office and shot himself in the head with a rifle.

It wasn’t until Frank Kameny was fired from the United States Army Maps Service that anyone sought to challenge these firings in court. He brought his case all the way up to the Supreme Court — making him the first person to argue in United States courtrooms that homosexuals were being treated as second class citizens. They decided against him in 1961. (This would be the beginning of Kameny’s profound influence over LGBTQ+ rights in the U.S. — but he would never hold another paying job for the rest of his life, and survived only on the generosity of his friends.) In 1969, the Supreme Court had realized the error of its ways and ruled differently in a similar case. Of course, that didn’t help Kameny much.

homosexuality_and_citizenship_in_florida_28cover_art29 Between 1947 and 1961, more Federal employees had been fired for being suspected of being homosexual than were fired for being suspected of being Communist. Records of the number of people who were fired as part of the Lavender Scare get more than a little fuzzy after that, but it was hardly over. Even after the end of McCarthy’s career in 1957, the tactics used in the Lavender Scare remained in effect for several more years. In fact, the Florida Legislative Investigation Committee (aka the Johns Committee after state senator Charley Eugene Johns) officially began using these same practices to drive the queer population out of state universities in 1958. They pursued students and professors for doing such suspiciously homosexual behaviors as wearing Bermuda shorts on campus. Professors were immediately removed from their positions for even being suspected on queerness, students were allowed to remain on campus only if they routinely visited their school’s medical facility for routine psychological treatments. In 1964 the Committee began printing pamphlets entitled Homosexuality and Citizenship in Florida — or colloquially known as the Purple Pamphlet. Because it included pictures of homosexual activity, it was immediately considered controversial and called “state-sponsored pornography” — ultimately leading to the dissolution of the Committee in 1965.

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Executive Order 10450 was struck down in court in 1973 but not formally repealed. Parts of it were undone by President Bill Clinton, through the “Don’t Ask, Don’t Tell” policy and Executive Order 13087 — the latter of which officially ended the FBI’s and NSA’s discriminatory hiring practices. The Executive Order was not truly repealed until 2017, when — in one of his last acts in office — President Barack Obama signed Executive Order 13764. At about the same time, outgoing Secretary of State John Kerry finally issued a formal apology on behalf of the State Department for the discrimination that occurred.

The long-lasting effects of the Lavender Scare drove the queer community of the U.S. deeper underground, turned public sentiment against the LGBT+ community for decades, and to this day continues to impact hiring policies, and public ideas about homosexuality, around the country. Congress is, even now, preparing to decide on whether or not to pass the Equality Act — which would, among other things, protect LGBTQ+ people from employment discrimination. I would say that almost seventy years after the beginning of the Lavender Scare, it’s about time.